二人の銀座

Adapted from the song " Tokyo Olympic Ondo " , which was the theme song for the 1964 Tokyo Olympics held in October 1964 . Song was composed by Masao Koga.

The portrait of Russian composer Peter Ilich Tchaikovsky focuses on his failed love affair.

A narcotics officer engages in a cat-and-mouse chase to capture a powerful criminal kingpin.

Contemporary Moscow. After his girlfriend leaves him, a writer dives into a cinematographic world of fantasy.

Pilot episode, directed by Dick Powell.

In a small Southern town, a plantation owner is duped into thinking a thief is a kind stranger. To repay the stranger for stopping a robbery, the plantation owner invites him to his home to meet his daughter.

The film traces Sam McKinlay’s early days as a punk skateboarder through his academic development as a conceptual artist into a highly esteemed noise practitioner whose work bridges the gap between the gallery world and the sleaze of exploitation film imagery. It documents the physical processes of his work and the distillation of visuals into sound, most notably addressing the appeal of abstraction—from the cheap effects of old monster movie makeup to the ‘masks’ created by the heavy cosmetic makeup of 1920s flapper culture and actresses like Pamela Stanford in Jess Franco’s Lorna the Exorcist (The Rita has albums or EPs named after several eurotrash actresses, including The Nylons of Laura Antonelli (2009) and Monica Swinn/Pamela Stanford (2016)).

Mousikh Synaulia Eleni Karaindrou stis Prespes

Florentino is a young horseman and singer, a free spirit living in the open world without restrictions, in the Venezuelan plains. He confronts the devil in a duel of improvised verses. As time passes, these unspoilt plains start to change. Through Florentino's voice and actions, the plains cannot be conquered. Its culture defies the devil in the eternal fight between good and evil, between life and death.

A chain of harshness. Brother’s divorce brings ceaseless conflict to the family. Disputes over custody of his kid and alimony constantly plague him, but I can neither help him nor ignore his troubles. Boyfriend seems to be selfish and makes me nervous. There are always anxieties lurking below the surface of any human relationships. This anxiety becomes incarnated in the shadowy face of a pervert hiding in the alley, and darkness has its metaphorical meaning in the entire film.