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Frosty reception assured. The Spy Who Came in from the Cold is directed by Martin Ritt and adapted to screenplay by Paul Dehn and Guy Trosper from the novel of the same name written by John le Carré. It stars Richard Burton, Claire Bloom, Oskar Werner, Peter van Eyck, Sam Wanamaker, Rupert Davies and Cyril Cusack. Music is by Sol Kaplan and cinematography by Oswald Morris. Disillusioned spy Alex Leamas (Burton) returns from Berlin and is required to "come in from the cold" and work in a stable everyday job environment. But this is just a small piece of a much bigger jigsaw… From start to finish this is a deliberate downer of a movie, the complete flipside to the spy adventures served up in other high energy filmic quarters. Filmed in coarse monochrome to set the mood, picture is often depressing, overtly talky and complex in its characterisations and narrative bent. However, those things are not hindrances, for this is undeniably adult stuff, oozing with intelligence and intricacies for the mature film fan, a clinically spun web of pawns, manipulations and distrustful men. The Cold War backdrop is marked as deathly cold, where the grey weather is only matched by the colourless complexion of Burton's depressed spy. As the twists rack up and the tension noose is tightened, Ritt and his cast of excellent performers are only interested in keeping it real, right up to, and including, the devastating finale. Not one to turn to when in need of a pick-me-up, or in fact a film you want to watch perennially, but certainly it's a piece of work that serves to remind us that intense well written and performed cinema is always available to view when the mood fits. 8/10
**_Talky, brooding B&W spy drama during the Cold War with Richard Burton_** In the early ’60s, an alcoholic British intelligence agent (Richard Burton) is sent behind the Iron Curtain to East Germany disguised as a defector, but intending to spread disinformation. Based on the 1963 novel by John le Carré, "The Spy Who Came in From the Cold" (1965) is a realistic spy drama and NOT an action thriller in the mold of James Bond. It’s similar to another flick based on a le Carré book, “The Russian House” (1990), which ironically starred Sean Connery. Both movies are dialogue-driven and their depiction of intelligence work is decidedly mundane, static and cynical, which isn’t to say they’re not worth checking out for those interested. The tone is similar to “36 Hours” with James Garner from the year prior. Burton locked horns a bit with the director and the tense atmosphere on set was heightened by the presence of Elizabeth Taylor, Burton’s wife, likely due to costar Claire Bloom’s romantic history with Richard. Claire plays the librarian, Nan Perry. The movie runs 1 hour, 52 minutes, and was shot in Ireland’s Ardmore Studios and England's Shepperton Studios with exterior scenes done in Dublin; for instance, Smithfield, Dublin, was used as the location for the Berlin checkpoint at the opening. GRADE: B-
There's an authenticity about the performance from Richard Burton in this cold war thriller that, alongside some well paced direction from Martin Ritt really helps it hit home. His character ("Leamas") is assigned one final task, to deal with the duplicitous Peter van Eyck ("Mundt") who appears to be systematically removing the West's reliable sources of information. What follows is a far more psychological cat-and-mouse game as he gets apprehended, and has to play a very dangerous game balancing the needs of his mission with his own survival instincts - all of this without much clue as to whom he can really trust and against a backdrop of thinly veiled prejudices. John le Carré's books were always packed with detail - and that detail carries well into this film, it offers a richness to the proceedings that ensures we are drawn into the plot like a mouse after the cheese. Claire Bloom adds a diversion to the intensity - but in a sophisticated fashion - maybe she's just innocent, or could she actually be involved? Oskar Werner, Robert Hardy, Michael Hordern and a rather menacing Beatrix Lehmann all play important cogs in the wheel too. It's a watch that requires a degree of concentration - like the story itself, blink and you might miss something... important!
Critics and the public say Karen Stone is too old - as she approaches 50 - for her role in a play she is about to take to Broadway. Her businessman husband, 20 years her senior, has been the angel for the play and gives her a way out: They are off to a holiday in Rome for his health. He suffers a fatal heart attack on the plane. Mrs. Stone stays in Rome. She leases a magnificent apartment with a view of the seven hills from the terrace. Then the contessa comes calling to introduce a young man named Paolo to her. The contessa knows many presentable young men and lonely American widows.
Newspaper men compete against each other to find a serial killer dubbed "The Lipstick Killer".
Cliff receives an unusual 18th birthday gift from his younger sister — marijuana, alcohol, a subway token and the mission to lose his virginity. This results in Cliff meeting a young street hustler named Butch. At first, as Butch introduces Cliff to gay street life in Toronto, Cliff is excited by his new relationship. But as the two grow closer, he finds that Butch has problems, including drug addiction, that are cause for serious concern.
Hassan, a worker in a lathe workshop, is dissatisfied with his livelihood and his harsh financial conditions. One high society woman comes to him in the workshop where he works. She admires him and invites him to her villa to complete and install the decoration. Hassan becomes involved in a forbidden relationship with her and abandons his home.
Having moved to Paris for university, Leevi returns to his native Finland for the summer to help his estranged father renovate the family lake house so it can be sold. Tareq, a recent asylum seeker from Syria, has been hired to help with the work, and when Leevi's father has to return to town on business, the two young men establish a connection and embark on a romance set against the idyllic Finnish summer. However, looming over this chance encounter, is the father's imminent return to the lake house, the continuation of Leevi's studies abroad as well as Tareq's complex relationship with his family in Syria.
During the Civil War, a Union spy, Andrews, is asked to lead a band of Union soldiers into the South so that they could destroy the railway system. However, things don't go as planned when the conductor of the train that they stole is on to them and is doing everything he can to stop them. Based on a true story.
A fearless, globe-trotting, terrorist-battling secret agent has his life turned upside down when he discovers his wife might be having an affair with a used car salesman while terrorists smuggle nuclear war heads into the United States.
A traveling accordionist and superintendent of an old castle lives in an unhappy marriage, with a grown up daughter and has a sister-in-law who has been in love with him for years. During a trip, he meets young journalist (Mato Pavelic)and falls madly in love. His visit to the old castle tears the family apart, resulting in tragedy.
Odd Horton is dependable and contained: he's a train driver retiring after 40 years of service, living a simple life. His idea of adventure is to fly from one city in Norway to another. Starting on the night of his retirement dinner, Odd has a series of dislocating experiences: a boy insists that Odd sit by his bedside while he falls asleep; misadventure causes Odd to miss his last run; he witnesses an arrest; he assists an old man and makes a friend; he takes a trip with a blindfolded driver; he adopts a dog; he takes stock late one night at the roundhouse; he revisits his mother's disappointment in him. How should he live the rest of his life?
Steven Russell leads a seemingly average life – an organ player in the local church, happily married to Debbie, and a member of the local police force. That is until he has a severe car accident that leads him to the ultimate epiphany: he’s gay and he’s going to live life to the fullest – even if he has to break the law to do it. Taking on an extravagant lifestyle, Steven turns to cons and fraud to make ends meet and is eventually sent to the State Penitentiary where he meets the love of his life, a sensitive, soft-spoken man named Phillip Morris. His devotion to freeing Phillip from jail and building the perfect life together prompts him to attempt (and often succeed at) one impossible con after another.