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Being a Prince fan can be a frustrating experience. Prince will turn 54 this year and I certainly do not expect him to be the groundbreaking, innovative genius he was through most of the 80's. His studio albums have fallen into the trap most legendary artists find themselves in when they reach this stage of their career. Still capable of putting out some great songs and enjoyable records, but nothing that comes near their former greatness, often times sinking into mediocrity. But where Prince has always kicked ass is in the live forum. His prowess in concert is one of the main reasons he continues to be one of the most bootlegged artists of his time. Practically every show gets taped and eventually finds its way into the hands of his fans and collectors. Lately though, Prince has seemed to pick and choose when to truly 'bring it' live. Yes, the majority of his standard concerts are still entertaining and better than the majority of live shows you'll see, but it's pretty obvious when he is just going through the motions. The hunger he once had is not there on a nightly basis, and his regular tours are too much of a greatest hits review on many nights, great for the casual fan, but leaving the long time, die-hard fan often wanting more. So if I'm ever asked why I continue to be a rabid fan, collecting every show I can get my hands on, I can now point to this release. A two-DVD set of Prince at the 2009 Montreux Jazz Festival that serves as a reminder for those that forgot, Prince is still one of, if not the, greatest live musician alive. This set captures both of the shows performed on July 18, 2009 in a stunning pro-shot video. The quality is good enough for an official release, of which one was talked about and planned before Prince once again dropped the ball on preserving his musical legacy. It's absolutely asinine that this was not released to the world, it's that good. So Prince once again misses out on giving his fans what they want and leaves it to the bootleggers to do it right. Frankly, it's probably a blessing Prince didn't release this as I am sure he would have edited it down to a 'Best Of' from both shows. What you get here are both complete sets, unedited, uncut, as it happened in Switzerland that night. I've seen some complaining from the spoiled segment of the fan base that these two shows are too similar. Yes they share a few of the same songs, but both sets are drastically different both in setlist and tone. Show one focuses much more on Prince's jazzier material and ballads. It opens with the guitar heavy "When Eye Lay My Hands On U" and a fantastic, radically re-worked version of "Little Red Corvette", but from there things tend to stay on the mellow side. Songs like "When The Lights Go Down", "Willing And Able" and "She Spoke 2 Me" are pulled from Prince's jazz-pop catalog, while he delves into some of his greatest ballads including "Eye Love U, But Eye Don't Trust U Anymore", "Insatiable", "Scandalous" and the set closing "Nothing Compares 2 U". But the highlight of the first show is a jaw dropping performance of "Empty Room" as Prince absolutely tears it up on guitar, specifically during the final two minutes of the song. He's got 'that look' on his face during the scintillating solo that says 'I know I'm a bad ass' and it's awe inspiring to watch. Show Two also opens with "When Eye Lay My Hands On U" but it veers far from the opening show after that as Prince doesn't let go of his guitar for damn near forty minutes. One of many highlights is a performance of Billy Cobham's "Stratus" that showcases the rest of his band, Renato Neto and Morris Hayes on keys, Rhonda Smith on bass and John Blackwell on drums. This is followed by a rocking version of Elvis Presley's "All Shook Up" which goes into a killer version of Prince's own "Peach". A cover of Jimi Hendrix's classic "Spanish Castle Magic" is next before Prince then pulls out his own classic, 1980's "When You Were Mine". The re-worked "Little Red Corvette" bookends this run of guitar heavy work and this entire portion of the show is a God-send for those who like to see Prince on guitar. The second half of Show Two is equally as incredible with a long funk jam on "All The Critics Love U In New York", of course rechristened "All The Critics Love U In Montreux". The unreleased 1986 song "In A Large Room With No Light" was re-worked for this festival and follows before the second show closes with an emotional performance of his anthem, "Purple Rain". This is one of those songs that Prince has played so much it can be easy to get tired of hearing in concert, especially in some of the throw-away shortened versions he has done over the years, but this is a full performance and he is pouring his heart into it, as he does the entire night. These shows have also been released on CD but you really do lose something without the video accompaniment. It's nice to have perfect sound quality audio of these shows, but the passion, hunger and attitude Prince brought to these shows this night need to be seen to be felt. He has that arrogant, cocky look about him all night, the look a long time fan knows is going to equal a great show, and here he delivers two in the same evening. This was a night where Prince obviously felt he had something to prove, and when he comes to the stage with that attitude, forget it. No one can touch him. This is an absolutely essential release for any fan, certainly one of the best Prince bootleg video releases ever.
Features the concert film "We are the light ~38/39 DAY" at Nippon Budokan on March 9, 2018.
A Reno singer witnesses a mob murder and the cops stash her in a nunnery to protect her from the mob's hitmen. The mother superior does not trust her, and takes steps to limit her influence on the other nuns. Eventually the singer rescues the failing choir and begins helping with community projects, which gets her an interview on TV—and identification by the mob.
Tracklist: 01. Shipyard overture (Industrial revolution) 02. Suite for flute 03. Oxygene 2 04. Tribute to Chopin 05.Aero 06.Oxygene 4 07. Souvenir 08. Space of freedom (March 23) 09. Theremin memories 10. Chronology 2 11. Mury 12. Chronology 6 13. Oxygene 8 14. Light my sky 15. Tribute to Jean Paul II (Acropolis) 16. Rendez-vous 2 17. Vivaldi "summer- presto" 18. Oxygene 12 19. Rendez-vous 4 20. Solidarnosc (Oxygene 13) 21. Aerology (Remix) 22. No Comment: Alternative shots 23. Concert teaser Darsteller: Jean Michel Jarre Musik: Jean Michel Jarre, Luis Llach
A musical romantic tragedy about a famous composer who moves back to his small hometown after having had heart troubles. His search for a simple everyday life leads him into teaching the local church choir which is not easily accepted by the town yet the choir builds a great love for their teacher.
Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.
Sparks exploded onto the music scene back in 1974, with their debut and most famous hit, "This Town Ain't Big Enough For Both Of Us", a powerful hook-filled pop song with dynamic falsetto vocals which proved as camp and histrionic as the duo themselves. An unforgettable combination, brothers Ron and Russell Mael have proved themselves masters of unusual but addictive melodies, clever lyrics and spectacular arrangements. The (2006) concert from the London Forum delivered hits from throughout Sparks career including; Amateur Hour, Never Turn Your Back On Mother Earth, Something For The Girl With Everything, Number One Song In Heaven, Tryouts For The Human Race Tips For Teens and Funny Face. This DVD package comes fully loaded with the unforgettable live concert, extended interviews and video diaries from Japan.
Powderfinger Regroups For 'One Night Lonely' 7.00PM AEST, Saturday 23 May 2020. After a decade long hiatus, iconic Australian band #Powderfinger is tuning up and preparing to bring a little happiness to fans during these challenging days. The title signifies the one off nature of this event and points towards the very important charities the band are supporting, Beyond Blue and Support Act. With millions of album sales in Australia alone, Powderfinger continue to captivate millions of listeners every month across streaming services and radio. In April 2010 Powderfinger announced they were calling it a day. The band embarked on their Sunsets Farewell Tour, playing to over 300 000 people along the way, and on 13 November 2010 they played their last gig, until now… One Night Lonely is presented by Secret Sounds, Universal Music Australia, YouTube and supports Beyond Blue and Support Act.