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The Nature of Things - (Jun 4th)
Apocalypse Hotel - (Jun 4th)
Alone Australia - (Jun 4th)
Gruen - (Jun 4th)
Train Rescue Down Under - (Jun 4th)
The Chase Australia - (Jun 4th)
Glow Up- Britains Next Make-Up Star - (Jun 4th)
NiziU’s Rural Getaway - (Jun 4th)
Claire Hoopers House of Games - (Jun 4th)
The Cleaning Lady - (Jun 4th)
The 11th Hour with Stephanie Ruhle - (Jun 4th)
Watch What Happens Live with Andy Cohen - (Jun 4th)
Destination X - (Jun 4th)
The Valley - (Jun 4th)
The Secret of Skinwalker Ranch - (Jun 4th)
Celebrity Wheel of Fortune - (Jun 4th)
Americas Got Talent - (Jun 4th)
Caught in the Act- Double Life - (Jun 4th)
After Midnight - (Jun 4th)
The Ultimate Fighter - (Jun 4th)
The shrew wasn't willing?! Frontier Gal (AKA: The Bride Wasn't Willing) is directed by Charles Lamont and written by Michael Fessier and Ernest Pagano. It stars Rod Cameron, Yvonne De Carlo, Andy Devine, Fuzzy Knight, Sheldon Leonard, Andrew Tombes and Clara Blandwick. Music is by Frank Skinner and Technicolor photography is shared by Charles Boyle and George Robinson. What a mixed bag of a film! It begins with the high speed pursuit of Rod Cameron on horseback. He's our man in black and we shunt our way through absolutely gorgeous Technicolor enhanced locales. From there he hits town and quickly flirts with a ravishing De Carlo, flirting that goes so far as to use sexually playful violence as part of the process. This annoys local dude Sheldon Leonard, a macho muscle flexing contest occurs, a faux wedding is strangely arranged, Cameron bogs off for a few years, comes back to town, finds he has a daughter with De Carlo and the pair carry on warring as secrets begin to will out. The story itself is utterly bonkers and tonally it is never at ease with itself as it unconvincingly tries to blend offbeat farce, action, drama and musical numbers. Some of the location photography around Kernville and Mammoth Lakes is sumptuous, the costuming gorgeous and sparkling in Technicolor (with a top print of the film now available). Yet these tech highpoints are undone by some real creaky money saving stage work, notably for the big finale as the scenery props wobble and the big dramatic "child in life threatening peril" sequences are blighted by appalling process work. Cast are fine, very likable stars who are in on the nutty nature of the beast, with Beverly Sue Simmons as the precocious child of the play something of a revelation. The musical score is standard throwaway stuff from Skinner, likewise De Carlo's musical numbers- where I'm not convinced she is actually singing herself? There's also plenty here for the politically correct to get in a twist about, but personally it doesn't bother myself as I take it as intended for the era it was made. So all told, approach with caution because it's all over the place, but as wacky and as frustrating as it is, I still kind of enjoyed it - sort of... 5/10
At a big party, Roger Fallon, now a woman-hater, right to the core - this all due to a failed marriage and disastrous love affairs - talks to Herbert Drake. Herbert who is happily married, bets Fallon that the next woman who walks into the room, whoever she is, won't let Fallon kiss her for 48 hours. Fallon takes the bet. Suddenly, a very beautiful and sexy woman walks in. It's Herbert's wife, Jeanne Drake...
A deformed hunchback kidnaps a bride and holds her hostage while his connection to her and his targets is revealed in a series of flashbacks that unfold as he starts seeking revenge.
In war-torn colonial America, in the midst of a bloody battle between British, the French and Native American allies, the aristocratic daughter of a British Colonel and her party are captured by a group of Huron warriors. Fortunately, a group of three Mohican trappers comes to their rescue.
After avenging his family's brutal murder, Wales is pursued by a pack of soldiers. He prefers to travel alone, but ragtag outcasts are drawn to him - and Wales can't bring himself to leave them unprotected.
Cate Blanchett stars as Philippa, a British teacher living in Turin, Italy, who has seen many friends, including her husband, fall victim to drug overdoses. Philippa has repeatedly contacted the police with information about Turin's biggest drug dealer but, complicit in his dealings, they have completely ignored her. So Philippa decides to dole out her own form of justice with a homemade bomb - setting her off on a journey from young widow to fugitive on the run.
A young British officer resigns his post when he learns of his regiment's plan to ship out to the Sudan for the conflict with the Mahdi. His friends and fiancée send him four white feathers as symbols of what they view as his cowardice. To redeem his honor, he disguises himself as an Arab and secretly saves their lives.
After discovering they are all dating the same same guy, three popular students from different cliques band together for revenge, so they enlist the help of a new gal in town and conspire to break the jerk's heart, while destroying his reputation.
A strong-willed peasant girl is sent by her father to the estate of some local aristocrats to capitalize on a rumor that their families are from the same line, but is left traumatised from her experiences.
An affair between the second in line to Britain's throne and the princess of the feuding Irish spells doom for the young lovers.
My Beautiful Jinjiimaa is an emotional romantic drama in a setting few in the U.S. have ever seen. A deaf woman, Jinjiimaa, is raped by the local party Chairman, and shoots her attacker. Her lifelong friend, lame farmer Sukhee, goes to prison for six years for Jinjimaa’s crime. The film begins with his return, where Sukhee and Jinjiimaa meet—each with a secret.
Love blossoms for Lily over double Meaty Boy burgers at mid-day when uber-computer nerd Jarrod comes in and leaves with free extra large fries. After gatecrashing Jarrod's party and proving her skills on the game console, Lily goes down to Jarrod's home town with him so he can settle an old score with a past school bully.