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LE CHOIX DE SOFIA ★★★★ By Adrian Perez, Lonely Wolf London International Film Festival, Spring 2021 "Le Choix De Sofia--which translates Sophie's Choice--finds its more "progressive" heroine confronted with a less horrific choice to her 1982 predecessor (in Meryl Streep), but a slow-burning and soul-destroying one nevertheless; one that much like Naomi Klein's famous quote disclaims upon the film's commencement, requires a total suspension of one's moral belief infrastructure at the expense of one's survival in a highly capitalist Matrix. Alain Deslongchamps triumphs in his architectural sculpting of a world that engulfs Sofia into unsustainable materialism, clinical corporate panorama and ultimately a self-confined solitary existence devoid of socio-emotional connection. Véronique Gallant sophisticatedly peels off Sofia's facade of a self-reliant and efficient business matriarch and workaholic, whose secret inferiority complex at the hands of her inexperienced male colleagues, ultimately lead her down a downward spiral that sees her cancel on her girlfriends and work into the night on an already-immaculate report. Le Choix De Sofia's finds unquestionable high-class achievements in both its intricate character- and world-building; it's in the film's overall tempo-rhythmic and editorial assemblage that Deslongchamps's tale of corporate dystopia implores the same level of minutiae and omnipresence to take this short spectacle all the way into stratosphere. Deslongchamps's directorial vision for the film is one of a parallel-canvas where Sofia's soul being is slowly deteriorated and climactically collapses, just like the Arctic's melting ice caps; it's through tv background noise, channel surfing and a surrealistic dream-sequence that Deslongchamps brings us to his metaphoric terrain, but the results have a tendency to feel over-pressed in the third act and undercooked for the entire audiovisual entendre. Deslongchamps's original intent is for a lighthearted and understated dramedy, which is an ascertained choice, but a sprinkle of Sofia's interiority for a more nail-bitting spectatorial experience (in the style of Darren Aronofsky's Black Swan (2010) and Emma Seligman's Shiva Baby (2020)) would have up the film's stakes and climate change socio-economic impact. Deslongchamps's directorial ambition and tenacity here place him on the map and en-route on an exciting and prosperous career trajectory. Le Choix De Sofia exhibits a magnetic lead in Véronique Gallant wrapped in a most gorgeous cinematographic canvas presentation."
After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.
The bodies of women lying on the ground weave relationships around them, they breastfeed, they connect with the ground ... Carla Simón's first short, shot on 16 mm in the Californian forests. An experimental exercise that connects with the cinematographic avant-gardes of the early twentieth century.
Self-important author Leon joins his best friend on a summer holiday near the Baltic Sea to complete his novel. When they arrive, they find their house is already occupied by a carefree woman who challenges Leon to open up. Meanwhile, forest wildfires rage around them and impending disaster looms.
Elisabeth leaves her abusive and drunken husband Rolf, and goes to live with her brother, Göran. The year is 1975 and Göran lives in a commune called Together. Living in this leftist commune Elisabeth learns that the world can be viewed from different perspectives.
The summer of his high school freshman year, Hodaka runs away from his remote island home to Tokyo, and quickly finds himself pushed to his financial and personal limits. The weather is unusually gloomy and rainy every day, as if taking its cue from his life. After many days of solitude, he finally finds work as a freelance writer for a mysterious occult magazine. Then, one day, Hodaka meets Hina on a busy street corner. This bright and strong-willed girl possesses a strange and wonderful ability: the power to stop the rain and clear the sky.
The crew of an atomic submarine battle to save the world from global destruction.
Camelia, an escort with a troubled past, is newly employed at an erotic massage parlour in eastern Montreal. Met coldly by her competitive new colleagues, she struggles to establish a clientele while maintaining her dignity.
There is a world beyond our world where men say NO to Women when it comes to the making decision. Most women suffer extreme inequality, but only few women accept dangers and fights against it.
Emily has just been dumped by her girlfriend, kicked out of her apartment, and fired from her job. Her best friend hooks her up with a new gig: personal assistant to a dominatrix. But when Emily falls for her new boss - and her new boss's boyfriend - she must decide what risks are worth taking for love. 2 in the Bush is an unconventional romantic comedy about dungeons, a fish named Archimedes, and the many forms that love takes.
After a mobster agrees to cooperate with an FBI investigation in order to stay out of prison, he's relocated by the authorities to a life of suburban anonymity as part of a witness protection program. It's not long before a couple of his new neighbours figure out his true identity and come knocking to see if he'd be up for one more hit—suburban style.