Entre el grito y la celda: Una historia sobre Lolita Lebrón

After a wonderful time in Hungary Sissi falls extremely ill and must retreat to a Mediterranean climate to rest. The young empress’ mother takes her from Austria to recover in Madeira.

In Casablanca, Morocco in December 1941, a cynical American expatriate meets a former lover, with unforeseen complications.

The defense and the prosecution have rested and the jury is filing into the jury room to decide if a young Spanish-American is guilty or innocent of murdering his father. What begins as an open and shut case soon becomes a mini-drama of each of the jurors' prejudices and preconceptions about the trial, the accused, and each other.

Set during the first Anglo-Boer War 1880-1881 details the events leading up to this final battle ending in one of the most humiliating defeats for Britain in history.

A Cuban emigre, living in Miami and involved in an affair with the American seaman who rescued her and her daughter years earlier, must face her husband after he is unexpectedly released from a Cuban prison.

In the slums of the upper West Side of Manhattan, tensions are high as a gang of Polish-Americans compete against a gang of recently immigrated Puerto Ricans, but this doesn't stop two romantics from each gang falling in love.

An attempt to create a bridge between the different political positions that coexist, sometimes violently, in the Basque Country, in northern Spain.

Set in colonial French Indochina during the 1930s to 1950s, this is the story of Éliane Devries, a French plantation owner, and of her adopted Vietnamese daughter, Camille, set against the backdrop of the rising Vietnamese nationalist movement.

A Puerto-Rican ex-con, just released from prison, pledges to stay away from drugs and violence despite the pressure around him, and lead a better life outside NYC.

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

When his family moves from their home in Berlin to a strange new house in Poland, young Bruno befriends Shmuel, a boy who lives on the other side of the fence where everyone seems to be wearing striped pajamas. Unaware of Shmuel's fate as a Jewish prisoner or the role his own Nazi father plays in his imprisonment, Bruno embarks on a dangerous journey inside the camp's walls.