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Letters and Numbers - (Jan 1st)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Seoul Busters - (Oct 2nd)
The Bay - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
Are You Smarter Than a Celebrity - (Jan 1st)
Queen Of The New Year - (Jan 1st)
Missing You - (Jan 1st)
Hard Knocks - (Jan 1st)
The Chocolate Queen - (Jan 1st)
All Elite Wrestling- Collision - (Jan 1st)
NEXT at the Kennedy Center - (Jan 1st)
Live at the Apollo - (Jan 1st)
Houdini Affairs of the Heart and Head. Death Defying Acts is directed by Gillian Armstrong and written by Tony Grisoni and Brian Ward. It stars Guy Pearce, Catherine Zeta-Jones, Timothy Spall and Saoirse Ronan. Music is by Cezary Skubiszewski and cinematography by Haris Zambarloukos. Not a biopic of Harry Houdini, but an episode in his life, Death Defying Acts (a bum steer of a title) is lukewarm across the board. Story charts the years after the death of Houdini’s mother, where he travels to 1920s Edinburgh and falls in with Psychic Tricksters Mary (Jones) and Benji McGarvie (Ronan), a mother and daughter team who spy an opportunity to prise a cash reward offered by the great escapologist. What is intended to be a searching examination of Houdini, his mental fragility, hang-ups, strengths and etc, just plays out as a romantic period piece lacking vim and vigour. Pearce works hard as Houdini but never gets to grasp the tormented angle of the man, while Jones is miscast and not even her pretty face can light up a dull performance. Ronan is sprightly enough and Spall shows some emotive verve as Houdini’s concerned manager. The moments of trickery perk things up a bit, but even then the makers think it’s wise to debunk the mysticism. The romanticism of the era, and that of Houdini’s place in it, is well crafted onto the screen, but the flatness and confused thematic threads elsewhere leave this well below average. 4/10
In 1965, a young woman with dreams of becoming a writer has a son at the age of 15 and struggles to make things work with the drug-addicted father.
A fairy tale love-story about pre-med student Paige who falls in love with a Danish Prince "Eddie" who refused to follow the traditions of his parents and has come to the US to quench his thirst for rebellion. Paige and Edward come from two different worlds, but there is an undeniable attraction between them.
Alex, an intersexed 15-year-old, is living as a girl, but she and her family begin to wonder whether she's emotionally a boy when another teenager's sexual advances bring the issue to a head. As Alex faces a final decision regarding her gender, she meets both hostility and compassion.
Eleven-year-old petty criminal Maroa lives with her violent grandmother Brigida in Caracas. After her boyfriend Carlos is involved in a shooting, Maroa is arrested and sent to a school where Joaquin conducts the youth orchestra, and he asks the naturally talented Maroa to join. Days now revolve around the classes that Joaquin, the shy and unconventional teacher, gives her. He is immediately interested in this talented young girl, who lacks all notion of discipline. Joaquin, the only person to offer hope in the midst of her rejection, finds that through Maroa, his world has also changed forever.
Several years after leaving the orphanage, to which her father never returned for her, Gabrielle Chanel finds herself working in a provincial bar. She's both a seamstress for the performers and a singer, earning the nickname Coco from the song she sings nightly with her sister. A liaison with Baron Balsan gives her an entree into French society and a chance to develop her gift for designing.
Elling has lived with his mother all his life. Mom is the practical one, while Elling ponders the more theoretical aspects of life. He spends his time in their apartment reading books and looking at the neighbours through the living room window. Elling doesn't seem to need to be around others like most people. That's why Elling is less than enthusiastic when his mother suddenly decides to take her son on a beach vacation to Spain. Reluctantly, Elling agrees. After all, a lady at her age needs a good man by her side. But what Elling refuses to realize is that Mom is not only old, but also sick. Very sick. On her last vacation she tries to get Elling to see that life is bigger than their living room.
Fernanda likes to play football with the boys. But for this tomboyish, the apogee of his intimacy with the ball is to make it fly straight, direct, to the bag boys. Then she smiles. One day she comes running to the hit-ball, delayed but can not find anyone. The boys are in hiding. Fernanda knows where it is, but can not imagine what they plot!
This short story is a prequel to our favorite friendship unit, Apple. Follow her in her adventure from the other side of the Wasteland, right before her memorable encounter with the Kid!
In 1968 new Bishop Thomas Gumbton in Detroit is faced with a city filled with uncertainty and a community divided by anger.
The millennial generation was dealt a hard hand in early adulthood. Adjusting previous expectations with realities. When Zoey Radkey and Nate Homve have a chance meeting, their clashing ideas of hope may change how they live forever.