A School for Husbands

Hiram, a country youth, is in love with Sallie. They go fishing and Sallie falls into the water. Hiram cannot swim, so he runs to the road and stops an automobile, driven by Alfred, a city chap. The latter rescues Sallie, and she feels grateful to him. His attentions to Sallie are not displeasing, and Hiram becomes insanely jealous.

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

Rich young Joan Hope is ashamed of how her father made his money-as a chewing gum magnate. While taking a train trip, she meets the Countess of Crex, a member of the Russian nobility-who is, in reality, a jewel thief.

A 1919 film directed by Sidney Franklin.

Clarence Brooks is a shy, timid man working for Mr. Flavell. He is love with Flavell's daughter, Nancy. Nancy is shallow and fickle, always chasing after other, less-upstanding men. Clarence enlists when World War I erupts. While Clarence is off defending his country, Nancy's mother arranges for her daughter to marry the wealthy Mr. Braille. When Braille is drafted, Nancy's mother starts arranging a rush wedding, against Nancy's wishes. Nancy claims that she and Clarence are already secretly married. When the war is over and Clarence returns home, he refuses to be a part of her charade. When Clarence declines the offer to marry Nancy for real, she must mature to win his affections back. A lost film.

Smith's chum is a very poor Baron. Smith and the Baron are invited to a ball, and the Baron, not having evening clothes of his own, "borrows" Smith's dress suit. He is having the time of his life when Smith arrives, thoroughly angry, and taking the Baron in a room takes the clothes away from him. The Baron is in a terrible predicament, dodging around from room to room, as people intrude upon his hiding places. He tries to hide his face with a handkerchief, and a lady catches a glimpse of him as he dives under a bed. She screams in terror, thinking he is a mad man, and then the poor Baron is chased all over the house. Someone telephones for the police and they assist in the capture and lead him away.

Anita Gray is the spoiled daughter of a millionaire. Returning home from a party, her car breaks down and she is picked up by a stranger, who sells her his car for a diamond bracelet. The car has been stolen and the police arrest her, but she escapes and takes refuge on a freighter bound for China. She has no money and has to work her way there. Her father learns of her destination and hires Hamlin to bring her safely home.

This unfinished, never-released 1922 Alfred Hitchcock-directed film was about low-income residents of a tenement building.

Marianna Miller, who together with her sister Sarah pounds the pavements, looking for a job. After a period of starvation and deprivation Marianna is hired as secretary to duplicitous businessman Philip Hancock.

Struggling young painter Ruth Elliott has written her Eastern friend Mildred Colburn that she has gained fame in the West as an artist. When Mildred stops to visit on her way to Honolulu, Ruth hires Peter Neyland to pose as her chauffeur for five hours. Peter is actually a wealthy young man who accepts the offer as a lark.

When Madge, a clerk in a flower shop, is sent to a bachelor's apartment to deliver and arrange a bouquet, she discovers a guest, young and handsome Bradley Lane, taking a bath. She loses her job and becomes a playgirl until Bradley, her true love, asks her to marry him.