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After Midnight - (Sep 6th)
The Real Housewives of Orange County - (Sep 6th)
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I have a soft spot in my heart for movies about making movies. Whether you go back to Fellini’s “8 1/2” or point to modern efforts such as “Adaptation” or “Seven Psychopaths,” I rarely grow tired of the meta-frameworks of the usually self-referential films. They serve as constant reminders that no matter the seriousness, toil and drama poured into cinema, there’s always room for levity. That said, Argentinian writer-director Diego Rougier’s “Sal” hit me just the right way with its mix of Western iconography, gorgeous photography and limitless sardonicism. To simply make the comparison between this darkly comic Western thriller and “No Country for Old Men” seems insufficient, even though the Best Picture winner immediately springs to mind while watching “Sal.” The influence of the Coen Bros. is steeped throughout this film, right from the opening caveat (a la “Fargo”) that the story is based on true events — a claim that seems dubious but in good fun. Fele Martínez (best known from Alejandro Amenábar’s “Abre Los Ojos” and Pedro Almodóvar’s “Bad Education”) leads viewers between the world of aspiring screenwriter Sergio and the rough-and-tumble arena of revenge faced by Diego, a man for whom Sergio is mistaken after traveling to northern Chile to research his troubled script, a Western titled “Sal.” The fabled Diego left some scores unsettled with the local jefe, Victor (Patricio Contreras), and his wife, Maria (Javiera Contadar, who also serves as producer), all of them Sergio must answer for, a mistaken identity case that reminds me of the fun and twisted “The Big Lebowski” at times. Aiding Sergio in his quest to find a tantilizing story for his script (not to mention survive the torment of Victor and his gang) is the old man Vizcacha (Sergio Hernández), who himself has revenge on his mind vis a vis Victor. While somewhat heavy-handed in its transitions between the supposed reality of Sergio’s script trip and the boots-and-belts drama of Diego, “Sal” never suffers for lack of humor, especially from Hernández’s mentor-hermit character and the comically irascible henchman Pascual (Luis Dubbo). Equally compelling is the rich cinematography of David Bravo, whose camera movements and respect for natural light across scorched desert days and fire-lit nights help ground the main narrative while indulging in color and saturation tricks for dream sequences and cutaways to the plot of Sergio’s film-within-a-film. While some viewers may find the transitions grating and tiresome, the humor, performances and overall production quality in “Sal” keep you invested and entertained.
A mysterious drifter bonds with a boy with tales of the West. Past and present collide when a lawman appears seeking long-lost gold.
Llewelyn Moss stumbles upon dead bodies, $2 million and a hoard of heroin in a Texas desert, but methodical killer Anton Chigurh comes looking for it, with local sheriff Ed Tom Bell hot on his trail. The roles of prey and predator blur as the violent pursuit of money and justice collide.
A man wanders out of the desert not knowing who he is. His brother finds him, and helps to pull his memory back of the life he led before he walked out on his family and disappeared four years earlier.
It's a beautiful modern-day for rancher and family patriarch Roy Standing, who takes pride in the land that he owns for as far as you can see. Then it starts to rain.
An elderly rodeo rider becomes mentor to a young man attempting to make his own name in the business.
In a tale set in the rough and tumble world of professional rodeo, an over-the-hill former champion broncobuster and a young hitchhiker develop a special friendship.
La Pampa, Argentina. María, a teacher in a small town who is about to become a mother, decides to leave her violent husband to raise her child in a better place. A small incident triggers the beginning of her journey through the hostile desert.
A fiercely independent cowboy arranges to have himself locked up in jail in order to then escape with an old friend who has been sentenced to the penitentiary.
A modern day crime story set in the world of a Native American Indian reservation, and explores power, loyalty, and spirituality in a community led by the ambitious Chief Lincoln Red Crow, as he reckons with Dashiell Bad Horse who has returned home after years away from the reservation.
A crash-landed crop-duster betrays a fugitive and his girlfriend to Mexican bounty hunters.
A mysterious stranger rolls into town on a unique motorcycle. All he carries is the bible and a desire for justice. Past vengeance collides as Ryder rights an injustice from his past and liberates the small town from a malicious oppressor.