Haunting of the Queen Mary 2023 - Movies (Mar 28th)
Uproar 2023 - Movies (Mar 28th)
Peter Five Eight 2024 - Movies (Mar 28th)
Windcatcher 2024 - Movies (Mar 27th)
The Truth vs. Alex Jones 2024 - Movies (Mar 27th)
Easter Evil 2024 - Movies (Mar 27th)
The Iron Claw 2023 - Movies (Mar 26th)
Kung Fu Panda 4 2024 - Movies (Mar 26th)
The Book of Clarence 2023 - Movies (Mar 26th)
Molli and Max in the Future 2023 - Movies (Mar 26th)
Ordinary Angels 2024 - Movies (Mar 26th)
Imaginary 2024 - Movies (Mar 26th)
Easter Bloody Easter 2024 - Movies (Mar 26th)
Snow Valley 2024 - Movies (Mar 26th)
Drift 2023 - Movies (Mar 26th)
Good One A Show About Jokes 2024 - Movies (Mar 26th)
Sentinel 2024 - Movies (Mar 26th)
Cessationist 2023 - Movies (Mar 26th)
Tig Notaro Hello Again 2024 - Movies (Mar 26th)
The Peasants 2023 - Movies (Mar 26th)
My Acting Coach Nightmare 2024 - Movies (Mar 25th)
Dimension 20 - (Mar 28th)
Resident Alien - (Mar 28th)
Allegiance - (Mar 28th)
Invincible - (Mar 28th)
The Kelly Clarkson Show - (Mar 28th)
The Great Canadian Pottery Throw Down - (Mar 28th)
After Midnight - (Mar 28th)
Reality of Wrestling - (Mar 28th)
Gogglebox Australia - (Mar 28th)
Tipping Point Australia - (Mar 28th)
The Chase Australia - (Mar 28th)
Salvage Hunters- The Restorers - (Mar 28th)
Selling Houses Australia - (Mar 28th)
New Zealand Today - (Mar 28th)
Deal or No Deal - (Mar 28th)
Salvage Hunters - (Mar 28th)
Loaded in Paradise - (Mar 28th)
The 11th Hour with Stephanie Ruhle - (Mar 28th)
Dateline- Secrets Uncovered - (Mar 28th)
The Cook Up with Adam Liaw - (Mar 28th)
BARAKA is a 1993 film, shot by Ron Fricke in some 24 countries, that is a sort of documentary on three universal themes: 1) the grandeur of the natural world, from the peaks of Everest to low deserts, 2) the oneness of the human race illustrated by juxtaposing almost identical shots from vastly separated cultures, and 3) the desire for a connection with something transcendent. Shot in 70mm film, watching the Bluray on a projector or a large-screen television offers one of the most visually stunning cinematic experiences around. There is no dialogue or voiceover, no characters, but the enormous amount of footage is presented here in a way that gives BARAKA a gripping dramatic arc, and it's a sequence that, on repeated viewings, increasingly seems the one logical way in which all this could have been edited. With unquenchable anthropological curiosity, Fricke identifies commonalities that link us all. A Japanese mafioso's tattoos, for example, are followed immediately by a shot of the same on an indigenous resident of Papua New Guinea. But it's not only exotic tribalism. A shot of affluent Japanese schoolgirls looking at the camera is mirrored later by an almost identical shot of low-caste girls in Calcutta. Nonetheless, don't expect a mushy call for tolerance; Fricke's editing indeed makes a convincing case for appreciating differences, but there is nuance. Fricke's occasional use of footage from churches, mosques, temples, etc. is less an advocacy for belief in religion than an extension of the commonalities he identifies. Human beings have an urge for contemplation as solace among the complicated and sometimes senseless world around them, and they draw on inner sources of mercy to go against the cruelty that people show to their fellow man. The consequences of a world cut adrift from calm and compassion are shown during a heartbreaking sequence that ranges from Auschwitz and the Cambodian killing fields to homeless across the globe and teenage prostitutes in a Bangkok nightclub. The footage is accompanied by an array of musical pieces which help to set the mood for each series of shots: minimalist loops form the soundtrack for scenes of industrial production, we hear harsh bagpipes as the camera tours the burning oil fields of Kuwait, and Dead Can Dance's "The Host of Seraphim" plays during an indictment of poverty worldwide. Some of musicians involved are rather New-Agey and would never have a place in my music listening, but when integrated into the film they are remarkably effective. The 5.1 surround sound excellently balances cinematic effect and faithfulness to the scenes portrayed. I've watched BARAKA many times now, each time discovering many new things and always being moved, whether to pity (Calcutta garbage-pickers) or wonder (the unreal glittering hall of Shiraz's Shahcheragh mausoleum). I would certainly rank it among my favourite films. Will you like it? That's hard to say. BARAKA is my go-to Bluray when friends and family want to try out my fancy home theatre setup with HD projector and surround sound, and while some of them have been just as stunned as I am, others don't really care. Apparently many people, even those with a well-rounded education, don't have much curiosity for things outside their own everyday experience, and so Fricke's survey of world cultures doesn't resonate with them. (Note that while Fricke created a 2011 follow-up called SAMSARA, I would recommend staying away from it, as it is less focused and only repeats BARAKA to diminishing effect.)
This documentary explores the aftermath of a 2015 mass shooting that took place during an anti-violence community basketball tournament at the Boys and Girls Club in Rochester, New York. Members of the Community along with family members of the victims join together to speak out against the needless violence that took the lives of multiple children and young adults and injured many others.
A train speeds through the country on its way to Berlin, then gradually slows down as it pulls into the station. It is very early in the morning, about 5:00 AM, and the great city is mostly quiet. But before long there are some signs of activity, and a few early risers are to be seen on the streets. Soon the new day is well underway. It's just a typical day in Berlin, but a day full of life and energy.
In this tense and immersive tour de force, audiences are taken directly into the line of fire between powerful, opposing Peruvian leaders who will stop at nothing to keep their respective goals intact. On the one side is President Alan Garcia, who, eager to enter the world stage, begins aggressively extracting oil, minerals, and gas from untouched indigenous Amazonian land. He is quickly met with fierce opposition from indigenous leader Alberto Pizango, whose impassioned speeches against Garcia’s destructive actions prove a powerful rallying cry to throngs of his supporters. When Garcia continues to ignore their pleas, a tense war of words erupts into deadly violence.
A short documentary about gentrification and tenant activism in one Toronto neighbourhood, "This House Is Not A Home" presents a poignant and informative look into resident experiences in Parkdale.
Kenny Wayne Shepherd's reverence for his musical roots are center-stage on Ten Days Out...Blues From The Backroads. The guitar-slinger is featured with the Double Trouble rhythm section of bassist Tommy Shannon and drummer Chris Layton performing with some of the greatest blues players of our time as well as lesser-known but historically significant bluesmen. Traveling to their hometowns to record everywhere from juke joints to front porches, from New Orleans to Kansas, Shepherd celebrates and becomes part of blues history with Ten Days Out...Blues From The Backroads.
A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.
This shows physicist Stephen Hawking's life as he deals with the ALS that renders him immobile and unable to speak without the use of a computer. Hawking's friends, family, classmates, and peers are interviewed not only about his theories but the man himself.
For the Yamakasi the "Art of Displacement" is a way of life. Racing through the new cities that ring Paris, climbing walls, swinging from balconies and leaping across rooftops, they transform the oppressive concrete architecture into places of fantasy, possibility and play. The heart of our documentary is the story of how the Yamakasi are transforming the youth of the suburbs, and themselves, through discipline, will and desire. Now, as the Art of Displacement is being embraced as an extreme sport and urban pastime, will the social message be transmitted as well? What is it for the new generation?
This short experimental documentary challenges stereotypes about Indigenous people in the workplace. Featuring portraits set to a powerful poem by Mohawk writer Janet Marie Rogers, the film urges viewers to go beyond their preconceived notions. As I Am is a celebration of Indigenous people's pride in their work and culture.
A short film highlighting the epidemic of missing indigenous men and women who have gone missing in Bighorn County, Montana. It features several victims' stories and interviews with their families and indigenous activists who are pushing for their cases to be re-examined and solved.