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Hollywood, 1942. The US government pressures Hungarian-born film director Michael Curtiz, who is about to finish shooting Casablanca, to accentuate the film's propaganda message in order to sway public opinion in favor of the country's intervention in the European war.

The only surviving film directed by Tazuko Sakane. A propaganda film to encourage Japanese young woman to move to Manchuria to become the wives of Japanese emigrants, so-called brides of the Continent. Villagers played roles different from their actual lives; single women from "school of training future brides" were recruited to act in the film.

The way home for Aleksandr Rekhviashvili is not charted in the conventional sense. It takes the viewer along some peculiar roads and across a unique landscape: Georgian history and legend, politics and social stratification, religion and ethics. Allusive, stylized and allegorical from beginning to end, his long-banned The Way Home is in part a tribute to Rekhviashvili’s favorite director, Pasolini, especially to The Hawks and the Sparrows (1966). Together with the short film Nutsa (1971) and the widely acclaimed Georgian Chronicle of the 19th Century (1979; SFIFF 1983), The Way Home closes a triptych of films that represent Rekhviashvili’s poetic contemplation of Georgia’s past. It makes extensive use of poems by Bella Akhmadulina (the major female poet of the cultural ‘thaw’ of the ’50s and ’60s and a Georgian by descent), and of sets by Amir Kakabadze. Like other films in the trilogy, The Way Home is stunningly photographed in black-and-white.-Oxymoron

The Devil works with Adolf Hitler to cause inflation in the United States.

Anti-Congress propaganda film made by a District Officer in India.

Before the Korean War (1950-1953), a daughter of a Russian soldier stationed at Heungnam falls in love with a young Korean anti-Communist. Their love story shows how cruel the Russian soldiers were and how badly many North Koreans craved for freedom.

This patriotic short film promotes America's war effort at home. The story looks at a fictional small town's main street, seeing where additional workforce, for increased production of materials needed by the military, might come from.

Oscar winning postwar propaganda film in support of the United Nations Relief and Rehabilitation Administration. Strident but poignant, focusing on children. The film surveys the Nazi/Japanese atrocities, post-war devastation and the early relief efforts. This film was responsible for raising over $200,000,000, making it a top moneymaking film. Preserved by the Academy Film Archive in 2005.

From 1945 to 1989, after the capitulation of Nazi Germany, two rival ideologies, communism and capitalism, faced each other in a merciless battle. On one side of the Iron Curtain and on the other, throughout the Cold War, the USSR and the United States sought to shape children’s imaginations through their magazines and films. Never in the history of mankind have so many comic books been published and so many cartoons produced for young people. In November 1989, communism collapsed with the Berlin Wall; capitalism was left to decide the future of the world. What if this victory had been prepared for a long time, and our thinking conditioned, from our early childhood, to ensure this absolute triumph?

This short film in support of the war effort focuses on the training and missions of Army Air Corps Captain Hewitt T. Wheless just after the U.S. entry into World War II.

This film was made by the U.S. government during World War II to show its young servicemen the results of "fooling around" with "loose women" overseas. Actual victims of such sexually transmitted diseases as syphilis and gonorrhoea are shown, along with the physical deterioration that accompanies those diseases.