Strauss R: Elektra

Hans Werner Henze’s “The Raft of the Medusa” is directly inspired by Théodore Géricault’s famous painting. The German composer sets to music the fate of 150 people who have been shipwrecked and abandoned to their destiny. This is a radical work that fluctuates between hope and inevitability, agony and sudden bursts of life. The Raft of the Medusa is an oratorio that was first performed in 1968. Fifty years on, the Italian director Romeo Castellucci underscores its immense modernity, drawing a striking parallel between Hans Werner Henze’s work and the current migrant crisis in the Mediterranean.

In 2007, the Berliner Philharmoniker celebrated their 125th anniversary. Film director Enrique Sánchez Lansch took this occasion to tell a hitherto unknown chapter in the history of the Berliner Philharmoniker: the years of National Socialism from 1933 to 1945. The film, “The Reichsorchester”, made in collaboration with musicians of the orchestra and its archive.

Mélanie Prouvost, a ten-year-old butcher's daughter, is a gifted pianist. That is why she and her parents decide that she sit for the Conservatory entrance exam. Although Mélanie is very likely to be admitted, she unfortunately gets distracted by the president of the jury's offhand attitude and she fails. Ten years later, Mélanie becomes her page turner, waiting patiently for her revenge.

Audiences went wild for Bartlett Sher’s dynamic production, which found fresh and surprising ways to bring Rossini’s effervescent comedy closer to them than ever before. The stellar cast leapt to the challenge with irresistible energy and bravura vocalism. Juan Diego Flórez is Count Almaviva, who fires off showstopping coloratura as he woos Joyce DiDonato’s spirited Rosina—with assistance from Peter Mattei as the one and only Figaro, Seville’s beloved barber and man-about-town.

It is a rare opera indeed that calls for one soprano diva and no fewer than six tenors. Mary Zimmerman’s fanciful production of Rossini’s drama, designed by Richard Hudson and with choreography by Graciela Daniele, provides the perfect setting for superstar Renée Fleming’s captivating performance of the title role. A beautiful but evil sorceress in the times of the Crusades, Armida sets out to regain the love of the Frankish knight Rinaldo (Lawrence Brownlee) by putting her magical spells on him. She at first succeeds to draw him into her web of sorcery, but ultimately divine intervention—and his fellow soldiers—free Rinaldo from his enchantment—much to the vengeful fury of Armida and her demons.

An Icelandic documentary chronicling the life and career of the musician GDRN (Guðrún Ýr Eyfjörð). The film utilizes an interview-style narrative to convey the story of the famed musician, as well as treating the audience to scenes of her recent concert which celebrated her self named and award-winning album "GDRN".

Following the artist from the bustling streets of New York to her rain-soaked hometown of Bergen, the film includes interviews with AURORA's closest friends, as well as uniquely stripped-back performances of tracks including “Warrior” and “Murder Song (5, 4, 3, 2, 1).” Whether she’s reminiscing on her childhood with her sisters, dancing through the city streets in her headphones, or discussing the secret life of apples, there’s a spellbinding quality to everything the artist does.

In 1991, Toto was in the midst of a run of headline dates and European summer festivals, while finishing their new album Kingdom Of Desire. It was a time of rebirth for the band, and the Montreux stage proved the perfect opportunity to test drive the new songs. Fans could feel the electricity in the air as Lukather, Paich, and the late brothers Jeff and Mike Porcaro took the stage.

The impulsive and charismatic Don Giovanni travels through Europe seducing women, accompanied by his long-suffering servant Leporello. But when Don Giovanni commits murder, he unleashes a dark power beyond his control. Kasper Holten’s production is rich in both colourful comedy and exhilarating drama. Set designs by Es Devlin (Les Troyens) and costume designs by Anja Vang Kragh (Stella McCartney, John Galliano for Christian Dior), with video projections by Luke Halls and choreography by Signe Fabricius, portray the visually entrancing world of Don Giovanni. At the heart of the production are the beauty and invention of Mozart’s dazzling score, which ranges from gorgeous arias and dramatic duets to the brilliant layering of dance melodies that bring Act I to a virtuoso close.

"The Truth About Love Tour: Live From Melbourne" is a 1 hour and 50 minute concert that was filmed in Melbourne during the Australian leg of the tour, where P!nk broke the record for most dates in one venue on the same tour, performing an astounding 18 shows to almost 250,000 fans – breaking her own record from her previous acclaimed Funhouse Tour in 2009. Pulling from her seven album repertoire, the show includes some of her biggest hits such as "Blow Me (One Last Kiss),"F***in' Perfect," "Try," "Raise Your Glass," and "So What" and P!nk's recent single, "Just Give Me A Reason" featuring Nate Ruess. "The Truth About Love Tour: Live From Melbourne" features the jaw-dropping theatrics and acrobatics that P!nk has become renowned for, collaborating with creative partner and show director Larn Poland to produce a visually stunning stage production that includes pyrotechnics, soaring stunts, and career-spanning hits.

U2's ZooTV shows at Yankee Stadium NY and Houston Astrodome in 1992, broadcast as a frenetic one-hour Fox network television special on Thanksgiving weekend. The broadcast featured William S. Burroughs' reading of the sardonic poem "Thanksgiving Prayer".