The Ozu Diaries

An extremely lovely tribute to Ozu, on the 20th anniversary of his death. It uses a combination of footage from vintage films and new material (both interviews and Ozu-related locations) shot by Ozu's long-time camera-man (who came out of retirement to work on this). Surprisingly (or perhaps not), it focuses less on Ozu's accomplishments as a film-maker than on his impact on the lives of the people he worked with..

Footage shot in and around North Bergen, New Jersey presented in a minimalist series of fixed camera angles and long-takes accompanied by the ambient noise of city streets.

“This film was a gift to me. I make no claims for it, nor do I offer any apologies. It comes from work on The Thoughts That Once We Had. There was one shot we had to cut whose loss I particularly regretted. It was a shot of a train pulling into Tokyo Station from Ozu’s The Only Son (1936). So I decided to make a film around this shot, an anthology of train arrivals. It comprises 26 scenes or shots from movies, 1904-2015. It has a simple serial structure: each black & white sequence in the first half rhymes with a color sequence in the second half. Thus the first shot and the final shot show trains arriving at stations in Japan from a low camera height. In the first shot (The Only Son), the train moves toward the right; in the last shot, it moves toward the left. A bullet train has replaced a steam locomotive. So after all these years, I’ve made another structural film, although that was not my original intention.”

A documentary film with some acted sequences sprinkled throughout, The Butler is about the special bond between the director and her brother Nino, in Melbourne, Australia. Kannava, re-establishing her life after developing a chronic health condition (scleroderma) at the age of 30, is assisted by her brother to live her life, and she in turns provide company and support to him, as he attempts to alleviate his loneliness.

A documentary tracking the life and career of the model-musician turned first lady of France.

A documentary of the German national soccer team’s 2006 World Cup experience that changed the face of modern Germany.

A riveting account of the tragic adventure of filmmaker Varick Frissell and his filming of "The Viking" (1931) and the tragic events that befell that adventure into early film-making.

The fur trade is Canada's oldest industry, but today some people challenge the morality of killing animals for their fur. This film examines the public relations war raging between the industry and its opponents and takes an objective look at the ethical, environmental and economic issues raised by the debate. The struggle to win over public opinion has been joined by Indigenous peoples in Canada who fear that their way of life will be jeopardized if the fur industry is destroyed. The cycle of the industry is followed from the trapper's bush camp and the fur ranch to the final sale of a coat in the furrier's salon. Throughout the film, the conflicting opinions of fur industry representatives, animal rights activists and Indigenous people challenge the viewer to consider all aspects of this complex debate. —NFB

Riding Giants is story about big wave surfers who have become heroes and legends in their sport. Directed by the skateboard guru Stacy Peralta.

The American comedian/actor delivers a story about the alternative Hip Hop scene. A small town Ohio mans moves to Brooklyn, New York, to throw an unprecedented block party.

A documentary that follows Corey Lucas, a 21-year-old African Canadian, as he tries to reconcile his urge to be a hustler with his need to be a responsible father and a supportive partner. Life in Jellybean Square, a housing project in Dartmouth, Nova Scotia, was a world away from the things Corey grew up wanting: a fancy car, a big house, a great job and a bright future. With a head full of dreams and empty pockets he turned to selling drugs on the street. Central to the film is the transformative power of a weekend retreat for young Black males, organized by BROS (Brothers Reaching Out Society) together with the film's director, Russell Wyse. At the heart of the film lies Wyse's conviction that despite all the odds against them young Black men can succeed if they have the will, the opportunity, and the support of a community. -NFB