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The feature film is based on true events that changed two families forever. The story, both comical, satirical and a tragedy begins in the city of Yerevan, Armenia. Grigor Janoyan, a professor of agriculture at the University of Yerevan, dies from a freak accident, almost as strange as the events that soon follow. In accordance with Armenian tradition, the relatives bring the deceased into their home for the "viewing" by his friends and family before the burial. The family, consumed with grief fails to realize that the body on the dining room table is not Grigor. A friend of the family, while paying respects, discovers the mistake. Grigors look-a-like, Ruben Pashayan was the head of Armenia's organized crime families. Trouble is inevitable, but as the story continues, Grigor's son Hayk and his friends begin the quest of finding his father's body.
Hovering between the realms of poetry and history, this stunningly photographed, elegiac work – shot mostly in long takes – mixes cryptic metaphor and fantastic symbolism to tell the story of Avetik, an Armenian filmmaker exiled in Berlin. In sensuous, lyric styling, Askarian employs dreamlike images to reflect the history of his homeland, tranquil childhood memories, images inspired by erotic medieval poetry, and autobiographical shades of his own exile in Germany.
In Munich, the Armenian Areg dreams of studying cinema with his German girlfriend Lilly. Until her widowed mother fell seriously ill with diabetes. Areg and her little brother Garnik have to take care of her.
1920. Last days of the first Armenian Republic. Armenian Army fights on two fronts: war with Turkish army in the west, and Red Army incursion and Bolshevik mutiny in the northeast. Hayk Saroyan returns to his native provincial town from Russia to assume a minor post at Dashnak Army command center. His brother Gevorg, captain at the same command center, is a real patriot prefering death to "eternal exile", army power to relegious mercifullness. Very soon a suspicion creeps inside him: his beloved brother is Bolshevik spy.
The Lark Farm is set in a small Turkish town in 1915. It deals with the genocide of Armenians, looking closely at the fortunes, or rather, misfortunes of one wealthy Armenian family.
Two part film about David Bek and Mkhitar Sparapet's major Armenian uprising against Safavid Persia in the Syunik region in the 18th century.
The Armenian national hero, David Bek, leads a major Armenian uprising against Safavid Persia in the Syunik region in the 18th century.
The tranquility of a remote Armenian mountain community is disrupted when a group of shepherds affected by the pangs of an evening hunger, decide to butcher and barbecue the sheep of another's that have strayed into their herd. An official inquiry by the city police complicates matters, and questions of law, morality and community only seem to lead to further entanglements.
the story of a young boy who must go to the store by himself for the first time. Things get complicated when the 140 Dram his mother gave him for milk are not enough, and he has to make a difficult choice.
Artak has served his military service in the Russian countryside where he meets Valya. But Valya's mother refuses to send her only daughter to “these far highlands, where earthquakes happen all the time”. Artak is forced to ask his contrasting and numerous relatives –Armenian villagers– to visit a remote Russian village to bring a bride to Armenia.