Interracial Orgy 4

The film consists of re-edited material from the original television series Ultraman. Episodes 1, 8, 26, and 27 were used for the film. They were narrated by Hikari Urano as an "Ultraman Documentary". Allegedly only one new scene was shot, and that some parts of the movie where shot in black and white for unknown reasons. The movie screened at the same time as the Toho movie King Kong Escapes.

On a test-run of the Mini Merry, Usopp tells Brook the story of the Going Merry, a ship that served the crew well. However, to the Straw Hats, the Going Merry was not just a ship: It was a priceless, irreplaceable friend. *Scenes have been recreated with brand-new animation.

In this anime fantasy, Kanglim is a 5th grade Ghost Messenger on a supernatural mission. When he finds himself trapped in a Soul Phone, Kanglim, who has the power to see mystical spirits, must successfully capture one of them to free himself from the trap.

Animaniacs: Spooky Stuff is a VHS tape that contains "Draculee, Draculaa," "Phranken-Runt," "Meatballs or Consequences," "Scare-Happy Slappy," "Witch One" and "Hot, Bothered and Bedeviled."

When SpongeBob and pals are swept out to sea, they must learn to surf or be stranded on a remote island forever! Then, SpongeBob and Patrick start 'Livin' like Larry,' Patrick gets a nose, Plankton gets a customer and lots more!

The amazing wartime saga of a young American GI who travels to Budapest to find his former companion, a French soldier who told him of the spectacular bathhouses he visited there. The GI explores the fraternal joy of these Turkish baths and loses himself in passion - only to discover his real sexual self!

Welcome to the Private Life of Kyle Ross. In this intimate documentary, you'll get to know the boy behind the star. From his corporate gig at Helix Studios to the dissolution of his high profile relationship, nothing is off the table. Intent on bending stereotypes and gracefully aging in an industry that celebrates youth, Kyle shares the work that goes into maintaining an image while simultaneously shedding it. After all, he's always enjoyed a contradiction.

During the 1950s, musical masterpieces that have yet to be equaled were produced in Cinemascope with stereophonic sound. These two episodes explore how the post-war years were alive with bold experimentation in musical film. Later in the decade, Rock & Roll became the musical choice of the younger generation and movie musicals followed suit. Highlights of this 2-part program include: Films based on smash Broadway musicals become the rage. A pretty starlet with no musical training named Marilyn Monroe takes the country by storm in "Gentlemen Prefer Blondes." With favorites from the previous decade continue to delight audiences: Rock & Roll films, songs and musical numbers.

In the 1980s we got our MTV but seemed to have lost much of the musical film in the process. But the genre is resilient. A handful of masterpieces along with a few cult classics emerged from this decade. In the 1990s the Hollywood musical was largely animated, rather than live action. However, television had a surprising number of musical offerings, including “Gypsy” with Bette Midler and “Annie” which launched director Rob Marshall. In the 2000s musicals came back starting with “Moulin Rouge” and carrying on with “Chicago,” “Dreamgirls” and “Hairspray.” There are movies based on Broadway triumphs and once again there are teens singing and dancing.

Boys On Film showcases short works from around the world that challenge genre, initiate discussion and explore issues of sexuality in beautiful ways. Volume 11: We Are Animals contains eight complete films: Dominic Haxton's "We Are Animals" starring Daniel Landroche, Clint Napier, and Drew Droege; "Burger" from director Magnus Mork; Shaz Bennett's "Alaska Is A Drag" starring Martin L. Washington Jr., Spencer Broschard, and Barret Lewis; Carlos Augusto de Oliveira's "Three Summers" starring Morten Kirkskov and Simon Munk; Nicholas Verso's "The Last Time I Saw Richard" starring Toby Wallace, Cody Fern, and Brian Lipson; Eldar Rapaport's "Little Man" starring Daniel Boys, Darren Evans, and Jamie Thompson; Rodrigo Barriuso's "For Dorian" starring Ron Lea and Dylan Harman; and Bryan Horch's "Spooners" starring Walter Replogle and Ben Lerman.