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Dispatches - (Apr 4th)
Dogs Behaving (Very) Badly - (Apr 4th)
Kate Garraways Life Stories - (Apr 4th)
Lucky - (Apr 4th)
Law and Order Toronto- Criminal Intent - (Apr 4th)
Ask This Old House - (Apr 4th)
Pitino- Red Storm Rising - (Apr 4th)
This Old House - (Apr 4th)
Power Book III- Raising Kanan - (Apr 4th)
Yellowjackets - (Apr 4th)
The Rachel Maddow Show - (Apr 4th)
Law and Order- Special Victims Unit - (Apr 4th)
Matlock - (Apr 4th)
Doctor Odyssey - (Apr 4th)
Swamp People - (Apr 4th)
Inside with Jen Psaki - (Apr 4th)
Law dis-Order - (Apr 4th)
9-1-1 - (Apr 4th)
Dope Thief - (Apr 4th)
Found - (Apr 4th)
Bruno Ganz is on top form in this characterful study of desire - physical and spiritual. He is "Daniel" an angel invisible to all but his own kind (and to the innocence of children) who finds himself, with his colleague "Cassiel" (Otto Sander) policing the city of Berlin at the end of the second world war. Needless to say, there are no shortages of claimants on their compassion and they do what they can to help assuage the difficulties faced by the desperate and the struggling. When he alights on circus trapeze artiste "Marion" (Solveig Dommartin) though, "Daniel" starts to have doubts. His entire raison d'être starts to become compromised as he realises that there are benefits to being mortal, and human, and that being in love is probably the greatest of these. Up until this moment, his life has been intangible and he determines that must change. It's risky though... There are no guarantees! It's a bit of a slow burn so don't expect a great deal to happen quickly. It is, however, quite a potent tale of realising priorities and dealing with demons - some more apparent than others - told in a gradually accumulating, effective and emotionally charged manner. It is not in the least sentimental but just as the angels observe their subjects, we are invited by Wim Wenders to do the same with them - and it's surprisingly effective to watch as some of the questions and challenges facing him could easily be applied to those in the audience. The monochrome photography is also striking and well authenticates the scenario of a desolate and despairing post war environment. Perhaps serendipity takes too big an hand at the end, but... you decide.
**Essay on Sleepiness.** When I decided to see this film, I did it for three reasons: the first is the participation of Bruno Ganz, a German actor that I appreciate and that I started to like after seeing him do excellent work in other films such as “The Fall”; the second is the enormous consideration in which this film has been held by a very high number of distinguished critics and specialists; the third is the fact that it's the first West German film I've seen in my life (as far as I know and that I'm aware of). The script, however, couldn't be more tasteless than it turns out to be: the film begins with the turns and wanderings of two angels through the streets and places of West Berlin, observing people's daily lives. Damiel and Cassiel, each in their own way, are interested in human beings. They cannot be seen, except for children, and for a single individual who manages to talk to them, and one of them ends up deciding to become a human being and live a mortal life, on Earth, after falling in love with a woman. circus trapeze artist. In fact, there is no lack of television or literary material about angels who fall in love with humans or who, for other reasons, give up their angelic life and become humans. It seems that there is, among us, a desire to humanize these creatures. In the wake of all this, the film makes a series of philosophical and metaphysical considerations that will only truly interest philosophers, or theologians, or writers in general. Wim Wenders is a director who appreciates this type of ultra-intellectual cinema, made for artistic cycles and festivals, never for the general public, who find it a good substitute for sleeping pills. Personally, I don't like this type of cinema, even though I recognize its artistic merit. Bruno Ganz, on his journey, awakens to the beauty of humanity in an elegant way that borders on poetry. He sees beauty in the most trivial things, which we usually don't, not without an extreme artistic sensitivity that the common individual rarely cultivates. The actor couldn't be more competent in the work he does, and is skilfully assisted by Otto Sander, who has another angelic role. Solveig Dommartin and Peter Falk are also very good additions, with time to show value. The problem with this film is really the excessively slow and cold way in which it unfolds and gradually exposes itself. The pace of the film is so slow that it becomes boring, and I confess that I didn't pay much attention to the permanent monologues. Things improve a lot when Falk enters the scene, giving movement to a bloodless and soporific plot. The closing credits, in German expressionist style, make a direct allusion to the cinematographic past of the city, and of the country, something that Wenders may have done as a tribute, or asserting himself as a continuer of the legacy of the past (which is not as modest as the first idea). Almost the entire film is shot in black-and-white, with cinematography that is very well achieved and worthy of merit. Colors are introduced later, becoming more associated with humanity, that is, with the way we see the world we live in. Original, well thought out. The film does not have a great soundtrack, betting more on monologues and very boring dialogues. Furthermore, the film is practically a city tour of West Berlin, a metropolis that has changed radically in recent years, as we know. The wall is there, even though it was purposely built for the movie and is not the real thing.
After failing to find success as a writer in New York City, Jim slinks back to his family's home in the Midwest to lick his wounds. But his visit is quickly complicated when his angst spreads to his brother, Tim, who promptly decides to drive his car straight into a tree. Under the shadow of his sibling's injurious actions, Jim strikes up an unlikely friendship with Anika, whose centered small-town wisdom gradually rubs off on him.
The amazing true story of a Uruguayan rugby team's plane that crashed in the middle of the Andes mountains, and their immense will to survive and pull through alive, forced to do anything and everything they could to stay alive on meager rations and through the freezing cold.
Halil goes to a bar with his friends and meets Sabiha, a prostitute, and they fall in love. Two lovers want to escape their past and live together. However, Sabiha knows little about Halil's life, and she has to face some facts.
He fought his first battle on the Scottish Highlands in 1536. He will fight his greatest battle on the streets of New York City in 1986. His name is Connor MacLeod. He is immortal.
In the year 2024, the ozone layer is believed to have been destroyed, and it's up to MacLeod and Ramirez to set things right. Opposition comes from both the planet Zeist (MacLeod and Ramirez's homeworld) and a corporation profiting from the supposed lack of ozone. Also, flashbacks show the story behind MacLeod and Ramirez's exile from Zeist.
Starts off in the 15th century, with Connor McLeod training with another immortal swordsman, the Japanese sorcerer Nakano. When an evil immortal named Kane kills the old wizard, the resulting battle leaves him buried in an underground cave. When Kane resurfaces in the 20th century to create havoc, it's up to McLeod to stop him.
In the ruins of post-WWII Berlin, a twelve-year-old boy is left to his own devices in order to help provide for his family.
A conflicted youth confesses to crimes he didn't commit while a man and woman aroused by death become obsessed with each other.
A couple of angels, O'Reilly and Jackson, are sent to Earth to make sure that their next supervised love-connection succeeds. They follow Celine, a spoiled rich girl who has just accidentally shot a suitor and, due to a misunderstanding, is kidnapped by janitor Robert. Although Celine quickly frees herself, she stays with Robert for thrills. O'Reilly and Jackson pursue, hoping to unite the prospective lovers.
Sakura, who just graduated from a university, begins to work at a library in Katsuragi, Nara Prefecture. She is flustered with her new job and unfamiliar environment. One day, an elderly woman named Reiko visits the library and shows Sakura an old photo of a man and a woman. Sakura takes her to the place where the photo was taken. Reiko sometimes brings other photos and Sakura takes her to the place where the photos were taken. While doing this, Sakura learns about the history and culture of Katsuragi. She also talks with the residents and grows as a person.