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It was made in '81 and is actually a pretty solid police film. It's not great, it's not Chinatown, but it also is pretty far from horrible. The dialogue is absolutely fantastic, and even in the throw away moments, there is a humor that seems very human. It's Hollywood sharp and witty to the point where it's almost too good to be realistic, it's just, human. There are a lot of little throw away conversations that seem like the kind of thing you'd hear in your everyday life. And that adds a nice touch of realism to what is otherwise a cop film, and those are always pretty unrealistic. The sound track is a little dated, a little 70s Adult film in places, but that was just a trope of the era and even great films like Three Days of the Condor had that 70s had that "I expect John Holmes to walk in any minute now" kind of music... but then it also had the cliche 80s sex scene instrumentals. So it feels like the merging of two eras and, audioly, it can't really decide if it wants to be 70s or 80s. And then it has crooning that seems like it fits better in a Sean Connery era 007 film. I guess what I'm saying is that, if there is a flaw, it's the sound track. Essentially what it is though is a solid cop film that is bucking for 1970s gritty and realistic, but is still, ultimately, as over the top and unrealistic as most police thrillers. It's a very enjoyable film to watch.... despite the music.
A young woman is tricked into prostitution, thinking she is going to sell beverages at a village store. She soon learns about the dark world of Korea's red-light districts, where their pimps and society exploit her.
A lab accident gives a beagle named Shoeshine some serious superpowers - a secret that the dog eventually shares with the young boy who becomes his owner and friend.
A man visits a school to enroll his son, but then he pulls out a gun and robs the school from their money. The movie follows the man and is shot with an unsteady handycam.
A TransSiberian train journey from China to Moscow becomes a thrilling chase of deception and murder when an American couple encounters a mysterious pair of fellow travelers.
Several people start receiving voice-mails from their future selves - messages which include the date, time, and some of the details of their deaths.
Yamakasi - Les samouraïs des temps modernes is a 2001 French movie written by Luc Besson. It demonstrates the skills of the Yamakasi, a group of traceurs who battle against injustice in the Paris ghetto. They use parkour to steal from the rich in order to pay off medical bills for a kid injured copying their techniques.
Walker investigates a murder connected with a missing government weapon. In addition, he tries to track down a teen on the run from a crime syndicate.
In this biopic about the life and death of Ângela Diniz, Angela meets Raul and believes she has found someone who loves her free spirit as much as she does. The overwhelming attraction makes the couple drop everything and live the dream of rebuilding their lives on the beach. But the relationship declines into abuse and violence, giving rise to one of the most remembered murders in Brazil.
On the night of their tenth anniversary, corporate lawyer Michael Barnes' wife is brutally murdered. Labelled the prime suspect by Detectives Jack Burns and Amy Cobb, Barnes must try to clear his name before it's too late... Along the way, Barnes' closest friends begin to show their true colors, and with no one left to trust, he finds himself with nothing to lose as he's faced with the toughest decision of his life.
