Black Rodeo

A Video about a horse race held every year, during the second week of August, in Omak, Washington as a part of the Omak Stampede, a rodeo. Held for more than 70 years, the race is known for the portion of the race where horses and riders run down Suicide Hill, a 62-degree slope that runs for 225 feet (69 m) to the Okanogan River.[1] Though the race was inspired by Indian endurance races, the actual Omak race was the 1935 brainchild of a local Omak business owner.

A feature film that chronicles a complete season of the International Gay Rodeo Association. Roping and riding across north America for the past 30 years, the IGRA's courageous cowboys and cowgirls brave challenges both in and out of the arena on their quest to qualify for the World Finals at the end of the season. And along the way, they'll bust every stereotype in the book.

Where does voguing come from, and what, exactly, is throwing shade? This landmark documentary provides a vibrant snapshot of the 1980s through the eyes of New York City's African American and Latinx Harlem drag-ball scene. Made over seven years, PARIS IS BURNING offers an intimate portrait of rival fashion "houses," from fierce contests for trophies to house mothers offering sustenance in a world rampant with homophobia, transphobia, racism, AIDS, and poverty. Featuring legendary voguers, drag queens, and trans women — including Willi Ninja, Pepper LaBeija, Dorian Corey, and Venus Xtravaganza.

When the film West Side Story was released in 1961, New York's reviled Puerto Rican community gained some visibility and, over time, both in Spanish Harlem and the Bronx, neighborhoods plagued by poverty, drugs and crime, Hispanic identity was reborn and strengthened, thanks to a syncretic and intentionally popular music that eventually conquered the entire city.

A group of black bull-riders travel throughout the country in the hopes of making it to the rodeo finals in Oklahoma City. In the end, determination and sacrifice will lead one cowboy to the title of 'IPRA World Champion'.

A feature length documentary that tells the story of nine young men and women constructing positive lives as they face the challenges of growing up poor in one of America's most famous African American communities.

During the same summer as Woodstock, over 300,000 people attended the Harlem Cultural Festival, celebrating African American music and culture, and promoting Black pride and unity. The footage from the festival sat in a basement, unseen for over 50 years, keeping this incredible event in America's history lost — until now.

While filming professional bullriders for a commercial at the national rodeo in Houston, Texas, Spike Jonze befriended two suburban teenagers who aspired to be cowboys. The documentary chronicles an afternoon in their lives.

Old-timer Billy Slater organizes a rodeo for kids.

The Harlem Blues & Jazz Band during its sunset years: 87-year-old Al Casey, who had worked closely with Fats Waller throughout the 1930s; guitarist Lawrence Lucie, 95 years young, from the bands of Louis Armstrong, Benny Carter and Duke Ellington; saxophonist Bubba Brooks, 79, who was with Bill Doggett; Edwin Swanston, 80, pianist with Louis Armstrong's Orchestra; 91-year-old drummer Johnny Blowers, ex-Bunny Berigan, Billie Holiday and Frank Sinatra; Ivan Rolle, 85, bassist with Jonah Jones; and 88-year-old Laurel Watson, one-time vocalist with Duke Ellington and Count Basie. Baron's cameras record the musicians through their tours and concerts, capturing their joy in performing together. A celebration of the jazz spirit.

Focusing on the sport of chuckwagon racing at the Calgary Stampede, captured through a mix of aerial, POV, and ringside footage, the film is ahead of its time in the way it captures adrenaline-pumping action. This short documentary offers a ringside view of the chuckwagon race, star attraction of the world-famous Calgary Stampede. Once ponderous Percheron and Clydesdale draught thundered around the course. Now they are racers, and it takes a firm hand to guide such horsepower.