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Whit Stillman’s _Metropolitan_ offers a witty and arch glimpse into the lives of Upper East Side debutantes and their slightly aimless escorts during Christmas break. It's like _The Breakfast Club_, but with black-tie soirées instead of detention and ironic detachment and spirited Jane Austen debates instead of teen angst. The film's charm is sure to intrigue you. The film’s champagne fizz and sharp repartee conceal a darker undercurrent. Characters like the sardonic Nick, a disillusioned heir to a fortune, and brooding Charlie, a struggling artist from a wealthy family, exude a cool cynicism that hints at Patrick Bateman-esque disaffection, making one wonder if Brett Easton Ellis found inspiration here for _American Psycho’s_ chilling socialites. While some scenes flirt with overindulgence, _Metropolitan_ still cuts through with moments of incisive charm. Its privileged protagonists may test patience, but their quirks make them hard to look away from.
Claire Gregory, an upper class New York personality, witnesses a murder in a luxurious nightclub. Detective Mike Keegan, recently promoted, is assigned to protect her.
Tina Balser is a bored New York housewife-mother married to Jonathan, a pompous, social-climbing lawyer who ridicules her in front of their children, criticizing everything she does or wears. She begins an affair with George Prager, a dashing, successful, and blatantly sadistic writer.
The daring convict no. 23, known as The Eel, escapes from prison and, after mocking his inept persecutors, saves the lives of three people in peril: a beautiful girl, her mother and an annoying suitor, only to get exhausted and almost drowned. Once he regains his strength at Judge Brown's home, he participates on an upper-class social party where he competes with the suitor for the favors of the charming Miss Brown. But prison guards are still after him…
Henrietta Robbins borrows money from a loan shark to finance her husband's investment in the stock market. However, when their stock plummets, she scrambles to find a way to pay the money back.
An aspiring Jewish actor moves out of his parents' Brooklyn apartment to seek his fortune in the bohemian life of Greenwich Village in 1953.
A hired killer from Cleveland has a job to do on a second-string mob boss in New York. But a special girl from his past and a fat gun dealer with pet rats get in his way.
Enthusiastic emcee Taylor James (Tim Peper) leaves behind his home state of New Jersey when party planner Vanessa Dupree (Judy Reyes) hires him to work the busier New York City bar mitzvah scene. Tutored by slick Manhattan emcee Sebastian (George Valencia), Taylor spices up his wardrobe and becomes a more clever showman. Soon, he's a bar mitzvah celebrity. But when he has a disastrous problem with his glow-in-the-dark props, his career heads in another direction.
A recently discovered conversation between photographer Peter Hujar and his friend Linda Rosenkrantz in 1974 reveals a glimpse into New York City’s downtown art scene and the personal struggles and epiphanies that define an artist’s life.
Three sailors wreak havoc as they search for love during a whirlwind 24-hour leave in New York City.
Ballet star Petrov arranges to cross the Atlantic aboard the same ship as the dancer and musical star he's fallen for but barely knows. By the time the ocean liner reaches New York, a little white lie has churned through the rumour mill and turned into a hot gossip item—that the two celebrities are secretly married.
When Sarah accidentally proposes to her girlfriend in Provincetown, the mixup turns their loving relationship into a minefield of marital exploration.