Harron's biography, specializing on Page's early life, start in pin-ups and notoriety due to being the target for a Senate hearing on indecency and her subsequent born-again Christianity, is very enjoyable, and Gretchen Mol is great at portraying the inner sexiness, naivety and Southern charm that made the Nashville-born Page take the world by storm. Though it made the biopic more graceful by concentrating on the earlier times, it would have been more complete had it also included her later, troubled times, punctuated with brushes with the law and institutionalization for schizophrenia, as well as being greatly financially troubled due to not getting royalties for her years of photo-work and celebrity. Thankfully, late in life, that was rectified and she was able to live her last years decently and in happiness, dying of a heart attack at 85, three years after seeing Harron's work come to light, and her success come full circle...
Well acted and directed bio-drama that most of the time feels pretty surface level in terms of Bettie Page, though Gretchen Mol did a good job in the role. **3.0/5**
Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.
It ain't easy bein' green - especially if you're a likable (albeit smelly) ogre named Shrek. On a mission to retrieve a gorgeous princess from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot - a wisecracking donkey.
Martina and Lupita are two housemaids who steal shoes and clothes from their boss Marcela, trying to impress Lupita's boyfriend. When Marcela founds out about the robbery, she and her friend Marifer go looking for them to retrieve her stuff and bring them to justice. "What did you tell God?" is a comedy that uses Juan Gabriel's songs.
A dreamy, ironic comedy about a generation of hedonistic students in the 1990s. Their favourite activity: talking endlessly. During a series of vacation days filled with sun-drenched naps, squabbling, waterskiing competitions and love-making, the amateur actors discuss their concerns in dry dialogues. For instance, semi-intellectual reflections on the end of time and how Michael Jordan plays basketball.
Dreaming of the West, Boryana is determined not to have a child in communist Bulgaria. Nonetheless, her daughter Viktoria enters the world in 1979, curiously missing a belly button, and is declared the country’s Baby of the Decade. Pampered by her mother state until the age of nine, Viktoria’s decade of notoriety comes crashing down with the rest of European communism. But can political collapse and the hardship of new times finally bring Viktoria and her reluctant mother closer together
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During the making of a video film about a communist printing press, a union member and a leftist activist discuss how to present their information, especially how to caption two specific images: one of a protest in Portugal, the other of a strike in France. One of them decides to write to his son, a manual worker living outside of Paris with his girlfriend, telling the young man about his troubles.
When famed photographer Christina Eames dies unexpectedly, she leaves her estranged daughter, Mae, hurt, angry and full of questions. When Mae finds a photograph tucked away in a safe-deposit box, she soon finds herself delving into her mother's early life - an investigation that leads to an unexpected romance with a rising journalist.
On a desolate Navajo reservation in New Mexico, three young people – a college-bound, devout Christian; a rebellious and angry father-to-be; and a promiscuous but gorgeous Nádleehi (trans person)- search for love and acceptance.
Following in the footsteps of her idol and bandmate Jaqueline, Shelly intends to become a great singer of Brega. She enters show business in search of fame and fortune but, inserted in a world where everything is disposable, including love and human relationships, she will encounter great difficulties to achieve fame.
After several behavior problems, teenager John is admitted to a psychiatric clinic by his family. There he meets Judith, for who he soon falls in love. The problem is that she does not have long to live and they know it. This shall not prevent the emergence of a great romance in the clinic.