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Harron's biography, specializing on Page's early life, start in pin-ups and notoriety due to being the target for a Senate hearing on indecency and her subsequent born-again Christianity, is very enjoyable, and Gretchen Mol is great at portraying the inner sexiness, naivety and Southern charm that made the Nashville-born Page take the world by storm. Though it made the biopic more graceful by concentrating on the earlier times, it would have been more complete had it also included her later, troubled times, punctuated with brushes with the law and institutionalization for schizophrenia, as well as being greatly financially troubled due to not getting royalties for her years of photo-work and celebrity. Thankfully, late in life, that was rectified and she was able to live her last years decently and in happiness, dying of a heart attack at 85, three years after seeing Harron's work come to light, and her success come full circle...
Well acted and directed bio-drama that most of the time feels pretty surface level in terms of Bettie Page, though Gretchen Mol did a good job in the role. **3.0/5**
Tensions rise when a doctor (Daniel Veronese) pressures his teenage son to follow in his footsteps.
In post-9/11 New York City, an eclectic group of citizens find their lives entangled, personally, romantically, and sexually, at Shortbus, an underground Brooklyn salon infamous for its blend of art, music, politics, and carnality.
After their mother ends up in jail, two sisters turn to train robbery in order to support their family.
After being neglected by her mother, a little girl is taken in by her uncle and his transgender girlfriend, who create a loving home for her.
Agnes, a teacher from the Hessian provinces, has come to Berlin to identify a dead girl who might be Lydia, her runaway daughter. It turns out not to be Lydia, but Agnes stays in the city anyway. Still frantically looking, she comes a young stray called Ines who no longer leaves her side...
After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims, and he begins to use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
Clara Law's debut feature deals with her common theme of emigration as two people, man and woman, from separate couples, have to room together while their spouses are in America to finalize the Canadian citizenship process.
Two women, one American and one British, swap homes at Christmastime following bad breakups. Each woman finds romance with a local man but realizes that the imminent return home may end the relationship.