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Bang 2025 - ()
A Line of Fire 2025 - ()
Fear Cabin The Last Weekend of Summer 2024 - ()
Dear Viv 2025 - ()
Tornado 2025 - ()
Unknown Number The High School Catfish 2025 - ()
Splitsville 2025 - ()
Cleaner 2025 - ()
Ship of the Damned 2024 - ()
The Thursday Murder Club 2025 - ()
Ballerina 2025 - ()
The Players 2025 - ()
Au revoir 2024 - ()
Oh Hi 2025 - ()
Sketch 2024 - ()
KPop Demon Hunters 2025 - ()
Together 2025 - ()
Stans 2025 - ()
I Know What You Did Last Summer 2025 - ()
Prepare to Die 2024 - ()
Jim Jarmusch's work can be either intimidating or off-putting, and in equal measure, to cinephiles because it feels so relaxed--almost as if it was a spur-of-the-moment, off-the-cuff precursor of reality-TV, an inside-joke with everyone involved slipping a nod and a wink, as if on a drunken dare, a mickey of JD passed back and forth along with a pack of Marlboros. This brought to mind many good memories of one of the oddest residents of The Criterion Collection: 'Fishing with John' (an exemplary and hilarious six-part mini-series in which John Lurie goes on fishing expeditions with five American cinematic greats, his partners-in-crime here, Jarmusch and Tom Waits amongst them; one that I'd love to see both get a blu upgrade as well as more episodes, now 25 years later). Also, clearly Jarmusch had a fine rapport with his actors, for this is by far the best and most restrained work I have ever seen from Roberto Benigni. One of Jarmusch's more atypical films, 'Ghost Dog: The Way of the Samurai', is still my personal favourite, but this is right up there alongside. It would also make an intriguing double-bill with Jeff Nichols' stellar, though more serious in tone, recent film, 'Mud'.
**It's not a film for those looking for suspense or action, but it's perfect for those who want a solid film with very well-developed characters.** Directed and written by Jim Jarmusch, this film was obviously never going to be a suspenseful action drama. The director seems to prefer something more subtle, favoring cinematography, with very good filming angles and framing and the use of good sets. That's precisely what we have in this film, where we follow a man in a bizarre story: he's unemployed, urgently needs some money and accepts a seemingly simple job. However, this work was nothing more than a trap: accused of a crime he never committed, he is arrested and ends up with another wronged man and an Italian, who barely speaks English, but who devises an escape plan where the three decide to cooperate. The strong point of this film is the development of the characters. The possible crimes they committed and the injustices they experienced are never in question, all of this only serves to place the three of them in that penitentiary cell together. That's where the film really becomes better and more interesting, after a slow introduction, somewhat lengthy, but perhaps necessary. Each of the three main characters has the right to their time and space to develop and to show their character, personality and way of acting. With time and forced coexistence, and the creation of a common escape plan, they create a bond of trust that the film makes convincing and quite credible. On a technical level, the strong points of this film are the black and white cinematography, the credible sets and costumes, a very well written script and excellent editing. It's a film that doesn't take much time, which we watch quickly in less than two hours. It doesn't have a very notable soundtrack, but it doesn't need it either. It is clear that Jarmusch's direction does a very solid job, despite the certain inexperience that the director still had, which inclines him more towards experimentalism than any kind of obvious insecurity. Tom Waits and John Lurie do an excellent job with their characters and actually manage to respond positively to the challenges they face. However, it is the Italian Roberto Benigni who shines most in the squad. He is currently a highly regarded filmmaker and actor, but at this time he was not well known to the general international public. With a gentle lightness and creativity that characterize him in almost all of his work, the actor dominates every scene in which he appears and it is truly pleasant to see him work here, with his dignified wife, Nicoletta Braschi, who has a smaller role close to the end of the movie.
It's quiet in Chastity Gulch, a small town in the Wild West. The men of the village are all in the army and fight their battles far away. The women are getting very bored! At once a bunch of robbers drops into the saloon. They love the beer but are also looking for beautiful women. Will the town whores keep these delightful men for themselves or will the doctor's wife and the mayor's wife also get a part of the fun?
In a strange outfit and full of youthful energy, the explosive Boss Kumatora raises hell like there's no tomorrow. The first movie of a new series starring Wakayama Tomisaburo as everybody's favorite character Boss Kumatora from the Red Peony Gambler series. Having made a fortune in the Russo-Japanese War, the Kumatora Family migrates to Kyushu to take on a military-related job. There they encounter the evil and malicious interference of the Chindai family of Kumamoto, and Boss Kumatora boldly fights back with the help of O'Ryu the Red Peony. A super entertaining film with non-stop comedy and action directed by Suzuki Norifumi.
A couple of rival farmers discover the plan to build a nuclear power plant on their lands, and decide to ally to avoid it.
Based on a true story, renowned Korean poet, Yun Dong-ju, is detained and abused by the Japanese for participating in the Korean Independence Movement.
A group of inhabitants from Ferté-sous-Jouarre decide to spend their jackpot on a three day trip to Paris.
Best – His Mother’s Son (BBC Two) was a gloomy drama about Ann Best, mother of George, who was strictly teetotal until her mid-40s, when she had her first sip of sherry to celebrate her son’s footballing success. Ten years later, she was dead from alcoholism-related heart disease. The recreation of late-Sixties Belfast was accurate and, thank goodness, intelligently subdued: no comedy Ulster accents and no point-scoring subplot about the Troubles.
Émilie meets Camille who is attracted to Nora, who crosses paths with Amber. Three girls and a boy – They're friends, sometimes lovers and often both.
In 2009 the Norwegian government introduced several measures to restrict immigration. One of the measures was to provide unaccompanied asylum seeking children temporary residence permits. They should be returned to their country of origin when they turn 18. In Norway child welfare custody of their children without close caregivers. This does not apply to unaccompanied asylum-seeking children between 15 and 18 years.
Ambrose likes his mother's assistant, but when she inherits a fortune, the obstacles to their relationship keep mounting.