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Match of the Day 2 - (Jan 26th)
Deadline- White House - (Jan 26th)
Love Island- All Stars - (Jan 26th)
GRAND SUMO Highlights - (Jan 26th)
Saturday Kitchen Best Bites - (Jan 26th)
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22 Kids and Counting - (Jan 26th)
The Great Pottery Throw Down - (Jan 26th)
Mystery Music Show- King of Mask Singer - (Jan 26th)
Perfect Match - (Jan 26th)
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In his younger years it would be fair to say that Michael Caine was typecast as a rough-and-ready Cockney. Whether that was agent Harry Palmer in _The Ipcress File_ or the efficacious Charlie Croker in _The Italian Job_, Caine became Britain's greatest self parody of a bygone era. In _Alfie_, Caine plays the eponymous character, a womanising lad-about-town who cares more about with who he'll be sleeping with than where he'll be sleeping that evening. The ladies - and there are more than a few - are often discarded as, literal, objects of desire, but as Alfie comes to learn, actions will eventually have consequences. When watched through a contemporary lens, there is something both creepy and despicable about Alfie - if any modern man behaved the way that Alfie does, he would rightly be lambasted by the #MeToo movement. But then, this is both the sexually liberating 1960's and Alfie never claims to want to be admired or looked up to. It would be easy to say that he treats all the women badly, but there is an argument that it is the men who usually come off worse, whether he is charming another man's wife into bed, or demanding so much attention that a perfectly respectable man is barely noticed. In fact, there are moments when Alfie's moral side appears to shine through as he suddenly become repentant of his actions, and it is impossible not to feel sorry for him. With Caine often breaking the fourth wall and delivering Alfie's inner monologues, you quickly realise that you - the viewer - are also being cleverly manipulated. Through clever writing and Caine's irresistible roguish charm, _Alfie_ is a multi-layered comedy with an exceptionally important moral message.
Michael Caine is a bit too convincing as the sleazy, London man-about-town who only cares about having a beautiful girl on his arm (and in his bed). It isn't so much that he's a misogynist, more that sees women in only one linear fashion and as he has no use for them - or anyone else, for that matter, unless it is for his own immediate gratification. The narrative of the film takes us on his slow journey of self-realisation; he starts to comprehend the shallowness of his existence and embarks on his own yellow brick road to maturity. There are some great supporting contributions from Shelley Winters and Denholm Elliott and a cast of glamorous 1960s British models to lend credence to his hedonistic lifestyle. It is hard to watch 50-odd years later; the character is so odious - but that is testament to good acting and a novel - intimate - creative style of directing from Lewis Gilbert. Sonny Rollins turns out a great score too.
John, a first-time filmmaker, finds himself in Lansing, Michigan to present his film at a local film festival. Vince, his high school friend who is now a volunteer fireman and small-time drug dealer, also visits the town to support John on his big day, or so it seems. After a raucous hello and much backslapping, it appears that there is an undercurrent of tension in the air.
Daniel is a young man struggling with an inner identity that is desperate to be realised. After leaving his father to move to London, his subconscious desires begin to take control. Led by his new co-worker and upon finding London's Drag hotspot 'Lost & Found' nightclub, Daniel realises his life will never have to be the same again.
North Africa, World War II. British soldiers on the brink of collapse push beyond endurance to struggle up a brutal incline. It's not a military objective. It's The Hill, a manmade instrument of torture, a tower of sand seared by a white-hot sun. And the troops' tormentors are not the enemy, but their own comrades-at-arms.
Low-level bureaucrat Sam Lowry escapes the monotony of his day-to-day life through a recurring daydream of himself as a virtuous hero saving a beautiful damsel. Investigating a case that led to the wrongful arrest and eventual death of an innocent man instead of wanted terrorist Harry Tuttle, he meets the woman from his daydream, and in trying to help her gets caught in a web of mistaken identities, mindless bureaucracy and lies.
In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way to extend their short life spans.
A card shark and his unwillingly-enlisted friends need to make a lot of cash quick after losing a sketchy poker match. To do this they decide to pull a heist on a small-time gang who happen to be operating out of the flat next door.
Léon, the top hit man in New York, has earned a rep as an effective "cleaner". But when his next-door neighbors are wiped out by a loose-cannon DEA agent, he becomes the unwilling custodian of 12-year-old Mathilda. Before long, Mathilda's thoughts turn to revenge, and she considers following in Léon's footsteps.
Unscrupulous boxing promoters, violent bookmakers, a Russian gangster, incompetent amateur robbers and supposedly Jewish jewelers fight to track down a priceless stolen diamond.
Jeffrey 'The Dude' Lebowski, a Los Angeles slacker who only wants to bowl and drink White Russians, is mistaken for another Jeffrey Lebowski, a wheelchair-bound millionaire, and finds himself dragged into a strange series of events involving nihilists, adult film producers, ferrets, errant toes, and large sums of money.