Common Side Effects - (Feb 10th)
Ready to Love - (Feb 10th)
Baddies Midwest - (Feb 10th)
Married at First Sight UK - (Feb 10th)
The Chase Australia - (Feb 10th)
Tipping Point Australia - (Feb 10th)
Tribunal Justice - (Feb 10th)
Scars of Beauty - (Feb 10th)
StuGo - (Feb 10th)
PULISIC - (Feb 10th)
Austin City Limits - (Feb 10th)
The Great American Baking Show - (Feb 10th)
LIVE with Kelly and Mark - (Feb 10th)
The Sunday Show with Jonathan Capehart - (Feb 10th)
TMZ Live - (Feb 10th)
The View - (Feb 10th)
The Good Stuff with Mary Berg - (Feb 10th)
The Last Socialist Artefact - (Feb 10th)
NFL Honors - (Feb 10th)
For the Love of DILFs - (Feb 10th)
Five maids in São Paulo are observed in this episodic, impressionistic film. The women interact with each other, ride busses, work, and have longings: Rai for a husband, Créo for her lost daughter, Roxane for a career in modeling. Quitéria is naive, a gull for thieves. Cida has a husband and also a lover. While each woman gets what she wishes for (more or less), it doesn't always make things better.
A case of mistaken identity forces a Federal agent and a dental supply salesman to team up as they speed through the streets of Detroit to pull off a sting operation and solve the murder of the agent's former partner.
As she reaches her mid-thirties and quits her lucrative job, singleton Olivia finds herself unsure about her future and her relationships with her successful and wealthy friends. She begins to envy the security of her richer friends and, although their lives may seem easier, Olivia's friends have their problems too: screenwriters Christine and Patrick are unable to collaborate on their latest project, Jane and Aaron have lost the romance in their relationship, and Franny and Matt have difficulties handling the demands of parenthood.
Meduzot (the Hebrew word for Jellyfish) tells the story of three very different Israeli women living in Tel Aviv whose intersecting stories weave an unlikely portrait of modern Israeli life. Batya, a catering waitress, takes in a young child apparently abandoned at a local beach. Batya is one of the servers at the wedding reception of Keren, a young bride who breaks her leg in trying to escape from a locked toilet stall, which ruins her chance at a romantic honeymoon in the Caribbean. One of the guests is Joy, a Philippine chore woman attending the event with her employer, and who doesn't speak any Hebrew (she communicates mainly in English), and who is guilt-ridden after having left her young son behind in the Philippines.
Marisa Ventura is a struggling single mom who works at a posh Manhattan hotel and dreams of a better life for her and her young son. One fateful day, hotel guest and senatorial candidate Christopher Marshall meets Marisa and mistakes her for a wealthy socialite. After an enchanting evening together, the two fall madly in love. But when Marisa's true identity is revealed, issues of class and social status threaten to separate them. Can two people from very different worlds overcome their differences and live happily ever after?
Verónica, a prostitute who works under the orders of El Cangrejo, tired of her life as a sex worker, runs away with a client who promises to change her life forever.
In 1930s England, a group of pretentious rich and famous gather together for a weekend of relaxation at a hunting resort. But when a murder occurs, each one of these interesting characters becomes a suspect.
Mr. Teas is a door to door salesman for dentists' appliances. Everywhere he goes he encounters beautiful "well-developed" nude women, which of course stir his interest. The only sound in the film is the voice of a narrator and a very monotonic musical theme played on the clarinet or some similar instrument.
After dumping a bucket of water on a beautiful young woman from the window of a train car, wealthy Frenchman Mathieu, regales his fellow passengers with the story of the dysfunctional relationship between himself and the young woman in question, a fiery 19-year-old flamenco dancer named Conchita. What follows is a tale of cruelty, depravity and lies - the very building blocks of love.
Set in the 1950s, this prequel to Keeping Up Appearances looks at the life, relationships, and aspirations of 18-year-old Hyacinth. Long before she becomes Mrs. Bucket (pronounced Bouquet), young Hyacinth is already dreaming of matching china and a bedroom in pastel shades. If only her family were more like the upper-class Cooper-Smiths in whose home Hyacinth works as a maid.