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So Kane Richmond takes top billing as the "Shadow/Cranston" but it's really "Miss Effie" (Almira Sessions) and "Miss Millie" (Nora Cecil) who steal the scenes as the busy-body lift operators who shimmy around in perfectly symmetrical attire running one of those counter-weight elevators that has a mind of it's own as they entrap their "passengers" whilst they accrue all the gossip. The rest of the plot is all centred on rather a silly misunderstanding between our sleuth and police inspector "Cardona" (James Flavin). You see, the eponymous character is not actually a person, but a foot-high jade statue worth a cool $250,000 - and it's been pinched. The policeman thinks it's a person but "Cranston" knows it's not - and that's the premiss of the hour as they both try to track it/her down whilst the body count mounts up. There's plenty of fisticuffs, trashed furniture and a few wise cracks along the way to an ending that's probably about as convoluted as they come. It's all production-line stuff this with little to remember, but I did think there was just a soupçon of charisma on display here from Barbara Read's "Margo" and the dynamic between the investigator, the inspector and is boss, the "Commissioner" (Pierre Watkin) does raise a smile now and again.
Based on the 1930s comic strip, The Shadow is put up against his archenemy Shiwan Khan, who plans to take over the world by holding a city to ransom using an atom bomb. Using his powers of invisibility and "the power to cloud men's minds", The Shadow comes blazing to the rescue with explosive results.
The Shadow's second movie short, an adaptation from a Ray Humphreys story, "The Cat's Paw," from Detective Story Magazine.
The Shadow's third movie short, an adaptation from a Donald Van Riper story, "Dying Lips," which appeared in an issue of Detective Story Magazine.
A group of people in an old dark house are terrorized by a mysterious hooded figure dressed in black who proceeds to kill them off one by one.
Lamont Cranston, aka The Shadow, investigates the murder of a New Orleans bandleader.
Lamont Cranston assumes his secret identity as "The Shadow", to break up an attempted robbery at an attorney's office. When the police search the scene, Cranston must assume the identity of the attorney. Before he can leave, a phone call summons the attorney to the home of Delthern, a wealthy client, who wants a new will drawn up. As Cranston meets with him, Delthern is suddenly shot, and Cranston is quickly caught up in a new mystery.
The second and final Grand National Pictures film to feature The Shadow, played again by Rod La Rocque. In this version, Lamont Cranston is an amateur detective and host of a radio show with his assistant Phoebe (not Margo) Lane. Cabbie Moe Shrevnitz and Commissioner Weston also appear.
The Shadow battles a villain known as The Black Tiger, who has the power to make himself invisible and is trying to take over the world with his death ray.
Falsely accused of murdering a crooked newspaper reporter, suave detective Lamont Cranston - aka the Shadow - vows to track down the real killer.
