An Unexpected Valentine 2025 - Movies (Feb 2nd)
Matt and Mara 2024 - Movies (Feb 2nd)
Alpacalypse 2024 - Movies (Feb 1st)
The Ultimate Stack A Poker Documentary 2024 - Movies (Feb 1st)
Baul Soul of Bengal 2024 - Movies (Feb 1st)
Blondie Glass Heart 2024 - Movies (Feb 1st)
The Paranormal UFO Connection 2024 - Movies (Feb 1st)
Kid Snow 2024 - Movies (Feb 1st)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Eternal Theater 2024 - Movies (Feb 1st)
Companion 2025 - Movies (Jan 31st)
The Fabulous Four 2024 - Movies (Jan 31st)
Homestead 2024 - Movies (Jan 31st)
Piglet 2025 - Movies (Jan 31st)
Absolution 2024 - Movies (Jan 31st)
Björk Cornucopia 2025 - Movies (Jan 31st)
Dark Match 2024 - Movies (Jan 30th)
Omni Loop 2024 - Movies (Jan 30th)
Oceanfront Property Hunt - (Feb 2nd)
Lakefront Luxury - (Feb 2nd)
Jesse Watters Primetime - (Feb 2nd)
Hannity - (Feb 2nd)
Special Report with Bret Baier - (Feb 2nd)
The Ingraham Angle - (Feb 2nd)
Married at First Sight UK - (Feb 2nd)
Saturday Kitchen Live - (Feb 2nd)
Air Crash Investigation- Special Report - (Feb 2nd)
On Patrol- Live - (Feb 2nd)
Mayfair Witches - (Feb 2nd)
The Masked Singer - (Feb 2nd)
New York Homicide - (Feb 2nd)
Prosecuting Evil with Kelly Siegler - (Feb 2nd)
Match of the Day - (Feb 1st)
The Beat with Ari Melber - (Feb 1st)
The Sunday Show with Jonathan Capehart - (Feb 1st)
The 1 Club - (Feb 1st)
WWE Main Event - (Feb 1st)
Love Island- All Stars - (Feb 1st)
Vivre sa vie was Jean-Luc Godard's fourth feature film. The protagonist Nana (Anna Karina) is a young Parisian woman who is not especially bright, but full of life and endowed with great beauty. Unable to make ends meet by working at a record shop, and unable to break into films as she dreams, she starts to work as a prostitute. Postwar French law permitted prostitution, with certain rules and regulations that the film explains in a documentary-like segment. Nana, who yearns to live her life according to her own desires, initially thinks that this new profession has set her free from cares. In fact, Nana's liberation from penury through prostitution only subjects her to new constraints imposed by her pimp and clientele. The film, divided into twelve tableaux with fade-to-black transitions that quicken as it goes on (which one commentator compares to breathing faster and faster) brings us to one of the most shocking endings I have ever seen. This is a superlative film. Clocking in at 85 minutes, it lasts exactly as long as its story demands, with not a single moment that feels superfluous. Everything fits together, perfectly even things that ought to seem extraneous, the overindulgence of the auteur. Early in the film Nana goes to see Carl Dreyer's 1928 silent film La Passion de Jeanne d'Arc, and this is not a mere gratuitous tribute to earlier cinema as is common in French New Wave films. Nana speaks with an elderly philosopher in a café, who is in fact the real-life philosopher Brice Parain whose dialogue here consists of his own writings, and yet this is not shallow intellectualism. Rather, these scenes increase the three-dimensionality of Nana as a character: not very intelligent and with negligible education, an easy woman since long before the film begins, but feeling strongly that there must be more out there. The believability of Nana as a character is increased all the more by Anna Karina's masterful performance. When coming to Godard's films, after the filmmaker has taken a beating from some circles, one might think that Karina was simply a beauty with no especial talent that enchanted the director due to her looks and foreign origin. Nope, the Danish actress here presents a completely believable Parisian airhead who is so easily moved by sentimental art.
It's Jean-Luc Godard at the avant-garde of filmmaking. It's a brilliant film with so many new ideas for early the 60s. What else is there to say?
Brenda sets up a white slave business after escaping from prison. Not a woman who has entered her business comes out alive.
Angoroj (1964; Esperanto for "Agonies") was the first feature film to be produced entirely in Esperanto. (Jacques-Louis Mahé, a friend of Raymond Schwartz and under the pseudonym of 'Lorjak', had however already produced a silent Esperanto publicity film before World War II, titled Antaŭen! (Onwards!). At the start of the 1960s Mahé, a professional photographic and cinematic expert, invested in the production of the first fictional film in Esperanto. Using a scenario by Mahé himself, the actors of the Internacia Arta Teatro (International Arts Theatre) presented a crime story, set in the Parisian periphery of petty thieves and cheats. Other notable people who played parts in the film included Schwartz (the commissioner), Gaston Waringhien (the voice-over) and many from the environs of the contemporary Paris, including a very young Michel Duc-Goninaz.
A stripper from Club Chez Nous is murdered. The killer contacts a newspaper to whitewash himself. Two journalists start to investigate the case and stumble on other crimes along the way.
Madame Jouve, the narrator, tells the tragedy of Bernard and Mathilde. Bernard was living happily with his wife Arlette and his son Thomas. One day, a couple, Philippe and Mathilde Bauchard, moves into the next house. This is the accidental reunion of Bernard and Mathilde, who had a passionate love affair years ago. The relationship revives... A somber study of human feelings.
No overview found. Waitress Doris meets a stranger on a train to Leipzig. This well-dressed thirty-something man decides to follow her, as they are drawn to each other, but neither seem prepared to admit to their loneliness.
Bud Clay races motorcycles in the 250cc Formula II class of road racing. After a race in New Hampshire, he has five days to get to his next race in California. During his road trip, he is haunted by memories of the last time he saw Daisy, his true love.
A gallery of characters in Brooklyn in the 1950s are crushed by their surroundings and selves: a union strike leader discovers he is gay; a prostitute falls in love with one of her clients; a family cannot cope with the fact that their daughter is illegitimately pregnant.
A transgender woman returns – with her two male lovers – to her family home in the countryside to look after her dying mother.
A troubled actor, a television show runner, and an acclaimed videogame designer find their lives intertwining in mysterious and unsettling ways.
Based on true events, Lakshmi is a story of heroism and untold courage. Lakshmi, a 13 year old girl is kidnapped and sold into prostitution. Thrown into this horrific, inhuman world where she is raped and brutally beaten she barely survives with the help of the other girls and her own will to never give in. Finally she is rescued in a police raid. Against all odds, Lakshmi shows courage where everybody else fails. Resisting all pressure - violent threats, coercion and bribes, she stands up in court and in a landmark case in India, succeeds in putting the traffickers behind bars.
Two prostitutes in a small corrupt South American town, falls in love with a freedom fighter, posing as a guard at the local prison. Run by the corrupt Governor and a sadistic wardress.