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**Larry Flynt: the man, the monster, the hero and the pervert.** After seeing this film, I had the feeling that I should start this text with a warning: we should not mix our opinion about Larry Flynt with our assessment of the film. I loved the film, but I'm the first to admit that I don't feel any sympathy for the biographed person. Regardless of my opinion, sex sells, people are attracted to anything that has a forbidden aroma and, even today, the magazine “Hustler” is a success, with a television channel dedicated to adult content. The real Larry Flynt proved to be a provocative and materialistic man: he made a fortune off the exploitation of pornographic magazines and used all means to shock people, ridicule the conservatives who criticized him, and confront society and the judicial system. He demanded to be respected, but was incapable of respecting anyone who criticized him; He used the First Amendment to defend his right to publish what he wanted, forgetting that same document when he heard criticism of what he published. Dear reader, I don't have to be a lawyer to know that the same right that protected Mr. Flynt also protected everyone who expressed a negative opinion about him within the limits of urbanity. And if it is true that freedom of expression is crucial to the democratic system, it is also true that it is not an absolute value, it must be limited in a way that protects the rights and freedoms of other people. Unfortunately, the world is full of people like Larry Flynt, who demand the right to say whatever they want, but are unable to tolerate an opinion contrary to theirs. Of course, I also don't feel any sympathy for the professional activity of Mr. Flynt, a sexist man who profited from the objectification of sex and the female body, and I am disgusted by the business he created around that magazine. However, the film is fantastic. Milos Forman, who accustomed us to great works full of style and personality, surprises us once again with a film that does not shy away from provoking its audience, putting its finger on the wounds that hurt the most. The director made skillful use of cinematography, environments, filming locations, sets and costumes in order to construct a narrative that explores very well Flynt's controversial and contradictory nature. For several moments, I was afraid that the script would make the mistake of beatifying or cleaning up Flynt's image. However, I truly believe that Forman managed to avoid this and give the audience a neutral narrative, where he reveals the best and worst of this complex man. The film is reasonably discreet in its use of effects and the way it was edited, but it has a strong cast solidly based on the participation of Woody Harrelson. Looking at the finished film, I don't think I could imagine another actor better suited for the character in question. Harrelson gave himself body and soul to this project and produced one of the most consistent and powerful works of his film career, rightly deserving of an Oscar nomination. Courtney Love is perfect for the role she played, especially because the actress knew perfectly well the effects of substance abuse and was uninhibited enough to naturally face the nude scenes she was subjected to (something I tend to condemn, but I can understand, considering the film and the character) In turn, Edward Norton (at the time, experiencing a particularly radiant moment in his professional career) and Brett Harrelson make a frankly positive contribution. Richard Paul and James Cromwell also do a decent job, but they don't have the space or time to add much and seem somewhat wasted.
When illegal card dealer and recovering heroin addict Frankie Machine gets out of prison, he decides to straighten up. Armed with nothing but an old drum set, Frankie tries to get honest work as a drummer. But when his former employer and his old drug dealer re-enter his life, Frankie finds it hard to stay clean and eventually finds himself succumbing to his old habits.
A transgender woman takes an unexpected journey when she learns that she had a son, now a teenage runaway hustling on the streets of New York.
Brimming with action while incisively examining the nature of truth, "Rashomon" is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man's murder and the rape of his wife.
The brief life of Jean Michel Basquiat, a world renowned New York street artist struggling with fame, drugs and his identity.
When beautiful young Grace arrives in the isolated township of Dogville, the small community agrees to hide her from a gang of ruthless gangsters, and, in return, Grace agrees to do odd jobs for the townspeople.
"The Hours" is the story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.
Scout Finch, 6, and her older brother Jem live in sleepy Maycomb, Alabama, spending much of their time with their friend Dill and spying on their reclusive and mysterious neighbor, Boo Radley. When Atticus, their widowed father and a respected lawyer, defends a black man named Tom Robinson against fabricated rape charges, the trial and tangent events expose the children to evils of racism and stereotyping.
In April of 1945, Germany stands at the brink of defeat with the Russian Army closing in from the east and the Allied Expeditionary Force attacking from the west. In Berlin, capital of the Third Reich, Adolf Hitler proclaims that Germany will still achieve victory and orders his generals and advisers to fight to the last man. When the end finally does come, and Hitler lies dead by his own hand, what is left of his military must find a way to end the killing that is the Battle of Berlin, and lay down their arms in surrender.
When teen-socialite Kelly Van Ryan and troubled bad girl Suzie Toller accuse guidance counselor Sam Lombardo of rape, he's suspended by the school, rejected by the town, and fighting to get his life back. One cop suspects conspiracy, but nothing is what it seems...
Wyatt and Billy, two Harley-riding hippies, complete a drug deal in Southern California and decide to travel cross-country in search of spiritual truth.
Heroin addict Mark Renton stumbles through bad ideas and sobriety attempts with his unreliable friends - Sick Boy, Begbie, Spud and Tommy. He also has an underage girlfriend, Diane, along for the ride. After cleaning up and moving from Edinburgh to London, Mark finds he can't escape the life he left behind when Begbie shows up at his front door on the lam, and a scheming Sick Boy follows.