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The Miners Son 2024 - ()
Weapons 2025 - ()
One Million Babes BC 2024 - ()
Souls of the Damned 2024 - ()
On the Run 2024 - ()
Night Always Comes 2025 - ()
Superman 2025 - ()
The Facebook Honeytrap Catching A Killer 2025 - ()
Snoopy Presents A Summer Musical 2025 - ()
The Alto Knights 2025 - ()
Terrestrial 2025 - ()
The Killing Cove 2025 - ()
Fixed 2025 - ()
Songs from the Hole 2024 - ()
Monk in Pieces 2025 - ()
Goodbye Horses The Many Lives of Q Lazzarus 2025 - ()
Lilo and Stitch 2025 - ()
Eddington 2025 - ()
Smurfs 2025 - ()
Morlaix 2025 - ()
"Mississippi Burning" has both insight and intelligence and it is an incredibly uncompromising scrutinization of how racism blighted American society and it is frightening to think the residents of Jessop in Mississippi possess minds much smaller than their town. This film also prompts you to seriously examine your own conscience in relation to the matter of the race issue, but how many people will actually be enthusiastically prepared to carry out such a thing? And how many of us will be shocked to discover something of Mayor Tilman in ourselves: we know all about what is going on and yet we choose to do nothing about it? That is the real lasting power of this superb film and that is why it will continue to have great longevity and deservedly so.
When three men go missing from their small-town Mississippi home, the FBI sends a team to investigate. "Anderson" (Gene Hackman) is very much the more hands-on of the pair leading the team, with "Ward" (Willem Dafoe) more inclined to play by the book. Their arrival exposes them to an open culture of racial hatred that's not only tolerated by the local sheriff "Stuckey" (Gailard Sartain) but enthusiastically supported by his deputy "Pell" (Brad Dourif). Their arrival only seems to empower the bigots as more Negro property is trashed or razed to the ground and the people themselves subjected to increasingly dangerous violence. The audience watching this know the local dynamic and who is pulling the strings, so the thrust of this rather potent look at the ghastliness going on here comes as we follow the differing styles of policing these men use to get to the bottom of things - and in a way that will make the equally complicit judicial system sit up and take note. With a media carnival only fanning the flames and tempers flying on both sides, the agents put into place a complex sting operation to turn the weapons of these intimidators into the very things that will hopefully entrap them. Hackman and Dafoe make for a formidable coupling in this well written and presented thriller that shines an unashamed light on the toxic attitudes of the white population whose concern for the missing men amounted to little more than "they got whet they deserved". Dourif is also on good form as his truly odious character emerges - not just against his black neighbours, but against his own wife (Frances McDormand) too. Alan Parker and Chris Gerolmo have created a palpably criminal scenario here and the ensemble deliver well that sense of fear, loathing and superiority. The photography captures well this increasingly menacing, dark and swamp-infested environment and by the denouement I did feel that this was all a perfectly plausible train of events in the mid-1960s USA.
A young woman wakes up in a cheap motel, covered in blood, next to a dead body with no memory of the previous evening. Scared out of her mind, she attempts to put the pieces back together, trying to remember the horrors might have happened.
Corinne d'Alys (Daniels) achieves sudden success on the stage and among her many admirers is noted artist Robert Townsend (Menjou). Robert is married to Elsa (Williams), the sister of John Elliott (Stone), the producer responsible for Corinne's rise to fame. The young woman's head is turned by the praise she receives and, despite John's warning against Robert, she permits the latter to paint her portrait and pay her a good deal of attention. John himself loves Corinne and believes that wisdom will come to her with time.
Quentin Jacobsen has spent a lifetime loving the magnificently adventurous Margo Roth Spiegelman from afar. So when she cracks open a window and climbs back into his life dressed like a ninja and summoning him for an ingenious campaign of revenge, he follows. After their all-nighter ends and a new day breaks, Quentin arrives at school to discover that Margo, always an enigma, has now become a mystery. But Quentin soon learns that there are clues, and they're for him. Urged down a disconnected path, the closer Quentin gets, the less he sees of the girl he thought he knew.
A married man has a brief affair, then goes back to his wife and children. His jilted mistress, believing that if he had no more family he'd come back to her, sets fire to his house, hoping to kill them. The man, unsuccessfully trying to rescue them, is horribly burned. After he undergoes an operation to reconstruct his face, he begins to plot his revenge against his former mistress.
Quebec native Claire Beaucage has a one-night stand with a photographer of some renown. Despite the language barrier between them, he invites her to visit him in Toronto. She shows up on his doorstep after an arson attack leaves her homeless, but soon finds herself caught up in a case of murder and mistaken identity.
A sick young man drives around in his daddy's camper, looking for lone stray females to kidnap, torture, rape and murder.
Some youngsters rape and kill their teacher; but they won't tell their motivation. The police detective on the case feels some sinister influence behind the young murderers.
An escaped convicted murderer invades the cottage of a man, his wife and the wife's sister, whereupon he proceeds to torment this already dysfunctional trio with rape and violence.
Gioia is a buxom centerfold working for Pussycat magazine. In such a profession, having an admirer or two is expected, but Gioia's admirer is a vicious killer! He murders her fellow magazine models one at a time, using a variety of twisted implements of death. Gioia is the lucky recipient of a collection of photos, each with murdered bodies arranged around posters of her.
While doing the inventory for a lingerie outlet in a high rise office building, five attractive women are terrorized by a series of bizarre killings. They suspect that the strange janitor, who witnessed another series of killings years back, is at the bottom of the whole thing. Little do they know the real horror that they face in the end.
In her many years as a social worker, Emily Jenkins believes she has seen it all, until she meets 10-year-old Lilith and the girl's cruel parents. Emily's worst fears are confirmed when the parents try to harm the child, and so Emily assumes custody of Lilith while she looks for a foster family. However, Emily soon finds that dark forces surround the seemingly innocent girl, and the more she tries to protect Lilith, the more horrors she encounters.