Love By Design 2023 - Movies (Apr 20th)
One Life 2023 - Movies (Apr 20th)
South of Hope Street 2024 - Movies (Apr 20th)
Villains Incorporated 2023 - Movies (Apr 20th)
The Absence of Eden 2023 - Movies (Apr 20th)
A Tribe Called Judah 2023 - Movies (Apr 19th)
Blood for Dust 2023 - Movies (Apr 19th)
Rebel Moon - Part Two The Scargiver 2024 - Movies (Apr 19th)
Asphalt City 2023 - Movies (Apr 19th)
Late Night with the Devil 2023 - Movies (Apr 19th)
Problemista 2023 - Movies (Apr 19th)
Ghostbusters Frozen Empire 2024 - Movies (Apr 19th)
The Christmas Break 2023 - Movies (Apr 19th)
The Christmas Detective 2023 - Movies (Apr 19th)
Meet Me in Paris 2023 - Movies (Apr 18th)
Never Alone For Christmas 2023 - Movies (Apr 18th)
Peppermint and Postcards 2023 - Movies (Apr 18th)
The Braid 2023 - Movies (Apr 18th)
A Royal Christmas Surprise 2023 - Movies (Apr 18th)
Civil War 2024 - Movies (Apr 18th)
The First Omen 2024 - Movies (Apr 18th)
Gutfeld! - (Apr 20th)
The Five - (Apr 20th)
The Ingraham Angle - (Apr 20th)
Football Focus - (Apr 20th)
Divided Youth - (Apr 20th)
Four in a Bed - (Apr 20th)
Penn and Teller- Fool Us - (Apr 20th)
Casualty - (Apr 20th)
Cesar Millan- Better Human, Better Dog - (Apr 20th)
Crime Beat - (Apr 20th)
Reality of Wrestling - (Apr 20th)
WWE SmackDown - (Apr 20th)
Whos Talking to Chris Wallace? - (Apr 20th)
On Patrol- Live - (Apr 20th)
S.W.A.T. - (Apr 20th)
The Last Word with Lawrence ODonnell - (Apr 20th)
Gardeners World - (Apr 20th)
Alex Wagner Tonight - (Apr 20th)
Michael Portillos Long Weekends - (Apr 20th)
Best Bite in Town - (Apr 20th)
On a particularly nondescript weekend afternoon, Edison must deal with his exasperated mother, who is bearing down on him like a force of nature; the looming deadline of a paper on the philosophical writings of Immanuel Kant; and a persistent, insidious force that aims to destroy the tranquility of his existence.
Powerful but ill-stricken business woman, Vilma Santos navigates her complicated relationship with her caregiver, Angel Locsin and her estranged son, Xian Lim in this story about acceptance, love and forgiveness.
The title “Kamera Obskura” is a Filipino spelling of the latin “Camera Obscura” which simply means “dark room”. The film’s concept adheres to formalist cinema, where the filmmaker’s thesis is to make a semblance of a vintage film seemingly produced sometime in the late 1920s to early 1930s in the Philippines. The thesis is to conjure up a film from a period that did not really exist in Philippine cinema’s historical cultural heritage as we know it, such as a pseudo-expressionist / experimental Filipino cinema of the silent film era. It is a film within a film. The narrative plays with the idea of a retro-futurist world where a prisoner locked away in a dark chamber for over two decades only sees the reality of the world outside through the small hole in his cell, which projects an image of the city on his wall, the phenomenon of the “camera obscura”.
Every night, Nana Lusing lies on her bed sleepless because she sees a dark figure looming in her room. Who is this shadow? Is this the devil? Her late husband? A manifestation of her anxieties? Or simply a figment of her imagination?
Intoy has had the hots for Doray since they were kids in Kalye Marino, Cavite City, formerly the American Naval Base in Sangley Point. Both marginalized as the long-lasting effect of American abandonment of the said base, Intoy has become Kalye Marino’s best “tahong” caretaker-with-no-angst-about-poverty, while Doray a cheap prostitute-with-no-guilt, tending to her siblings’ needs. Intoy strives to have his own cages of “tahong” so he can have Doray, not for just a night of quickie sex, but forever. But what will he do to when she offers to drop by his hovel-on-stilts to quench his passion, but before it happens Nature has chosen to play a joke on his tahong cage? Will it be goodbye to his tahong business or to his damsel-in-distress and ultimately to Kalye Marino? From Eros S. Atalia’s 2001 Palanca Grand Prize-winning Short Story, Intoy Syokoy ng Kalye Marino is a love tale minus the obligatory romantic sentiments.
Guam, U.S.A. Thursday, November 24, Thanksgiving Day. Alex, a local newspaper photographer, gets into a “green card marriage” with her good friend James, a Guam-born Filipino. Miriam, a former member of the Philippine press and now an established Guam journalist, longs to repair a damaged relationship with her American husband. Ella, a hotel housekeeper for almost 20 years, finds means of sending her 88-year old mother to the Philippines with the uncertainty of coming back. As the island of Guam celebrates this classic American holiday when people count their blessings and give thanks, the lives of the three Filipina immigrants intersect and find themselves at a tug-o-war of sacrifice and significance where they must find their home or must they find it somewhere else.
Circus hijinks surround the barangay of Sta. Maria in the midst of an international murder sensation. Swanie, Sta. Maria’s barangay chair and a distant relative of the killer, tries to gain political points by staging a wake for the criminal-turned-celebrity. Meanwhile in faraway Manila, Joanna, Swanie’s runaway son, navigates his way through labyrinthine bureaucracy, to give a neighbor a proper burial. With these two unrelated deaths, estranged mother and son each bury the dead long shelved in their hearts. Amidst these unspoken family burials, the neighborhoods’ penchant for funeral fiestas, gossip and secrets, bizarre social events and the sheer mix of scandal and inebriation complete the picture of dying the Pinoy way.
It is the time of El Niño, a season ruled by superstition and fear. The rain is long in coming, the ground has cracked up dry. The ricestalks are thin and sickly. Villagers go hungry. And a boy dies from a snakebite. The adults splinter. Some pray. Others join a cult to appease earth spirits and wait for the ada, the ricefield spirit goddess of bountiful harvest who dances naked on moonlit nights and signals the need for a virgin’s sacrifice. There are fence sitters, equally pro-church and pro-cult. A landlord’s steward enforces his master’s usury on hapless farmers. A self-righteous priest says rain must first be deserved. Two young women fight for the right to do with their bodies as they please. A bastard boy and a blind girl come of age. Yesterday, they were children.
Boses (Voices) is the story of a musician named Ariel who offers violin lessons to a child of the slums. Through the violin, the abused child Onyok is able to get back his voice from a mute, desensitized existence. A violin teacher and his student, a mute 7-year old abused child in a shelter, develop a friendship stemming from their love of music. Ariel discovers the immense talent of Onyok hiding behind a veneer of silence and pain caused by an unhappy and cruel father. In the developing relationship of teacher and student, both characters reveal more of themselves that otherwise may have remained unspoken. They discover each other's strengths and failures through the violin lessons.
Due to a delayed flight a group of German flight passengers have to wait in the hall of the airport of Manila. The crowd is quite mixed, ranging from an cultivated east German teacher couple up to sleazy sex tourists. As the waiting prolongs, more and more aggressions and long repressed behaviors shed their way to the surface.