The Night Watchman

‘There’s a Big Bad Wolf’ was based on the wonderful poem by Blue Peter Amazing Authors competition winner Phoebe.

A woman hires a photographer to document her estranged family's last day with their dying matriarch, but her sister is running late.

In ancient times, many centuries before our era, the Greeks fought so often and shed blood that even the formidable Zeus could not stand it and suggested taking a break every four years. For this, sports competitions were invented, during which it was strictly forbidden to fight with each other. The competition was named the Olympic Games, and since then the tradition has been passed down from generation to generation.

Drift by Max Hattler sees the body as a metaphorical landscape. Eerie and sometimes too close for comfort the film manages to transform the familiar and mundane into something poetic and mysterious. A narrative grows out of what at first seems like nothing, but by the time the journey is over the viewer is left wanting more. What has happened is uncertain and maybe unimportant. The mood is at the heart of this piece. One part horror film and one part nature study certainly makes for a compelling mix.

The plot of this Action/Romance short-film starts with the duel of Carl (Robot-Gladiator-Champion) and Space Jesus. Before the finishing blow could land, rescue comes in the form of a Techno-Angel, who turns out to be Carl’s long lost love. So he changes sides and goes head to head against Drill-Raptors, EggBeater-Scorpions and a mighty BBQ-Octopus.

This animation is based on Stephen Coates composition under the same title. This film is about The Great Revolution of the British Cuckoos, who bravely took over London, forcing all the people to move inside the cuckoo clocks. Animation by Alex Budovsky. Music by "(The Real) Tuesday Weld."

A hand-made, scratched-on film experiment in intermittent animation. The images are a group of twenty-four visuals, all non-representational, which arrange and rearrange on the screen in many combinations. The result is a changing pattern of sound and image that has its own rhythm for eye and ear.

It's midnight in a graveyard. The principal characters are spooks, ghosts, bats, bells, and, at the end, the sun. As midnight strikes, 12 spooks appear, then two ghosts. They move to the music's rhythm. Against the black night, they are blue and yellow. Bats appear as does a xylophone of bones. Mist rises, spooks swirl. A bell tolls. The sky turns light blue, the ghosts' dance slows. Then black night returns bringing intimations of frenzy. Bones play snare drums; spooks peek out of square graves. Scary faces appear. Frenetic movement takes over. A rooster crows and all return to earth as the sun's light appears.

A young woman's relationship takes a dark turn when every sound her boyfriend makes starts to annoy her. We don't want to spoil the ending for you, but things get a little messy.

The world is under attack by an alien armada led by the powerful Apokoliptian, Darkseid. A group of superheroes consisting of Superman, Batman, Wonder Woman, The Flash, Green Lantern, Cyborg, and Shazam must set aside their differences and gather together to defend Earth.

Theodore Ushev’s acclaimed 20th century trilogy concludes with this brilliant fusion of 3D and Russian constructivist-styled animation. Recycling elements of surrealism and cubism, this animated short by Theodore Ushev focuses on the relationship between art and war. Propelled by the exalting “invasion” theme from Shostakovich’s Leningrad Symphony (No. 7), the film presents imagery of combat fronts and massacres, leading us from Dresden to Guernica, from the Spanish Civil War to Star Wars. It is at once a symphony that serves the war machine, that stirs the masses, and art that mourns the dead, voices its outrage and calls for peace.