Hinsehäxan

A year in the life of a family in a typical backyard in the center of the Moldovan capital Chisinau in the 1990s: Zina lives here with her husband Victor and daughter Eva and, like the other inhabitants of the house, struggles for the family's financial survival. Through the eyes of the family, we experience a country in transition after the fall of the Iron Curtain.

A story about normal people who have not lost themselves in today's narcissistic world.

In 1947, two years after the end of the Second World War, Film Journal No. 1 was released in Sarajevo. Fifty years later, after the collapse of the Communist bloc, this newsreel was lost in the confusion of the fighting in Yugoslavia. In Journal No. 1 Hito Steyerl attempts to find out how the footage got lost and what was on this document from the Sutjeska studio. In the simultaneous projection of Journal No. 1 the ‘unattainability of an historical zero hour of the national identity’ takes concrete form: The lost newsreel reports on a literacy campaign as well as Muslim women confidently removing their headscarves. We listen however to eyewitnesses trying to recapture the lost content and we see the artist Arman Kulasic making a number of drawings that resemble the story-boards for the lost film. What appears to be moments of great change remain limited by subjective and uncertain memory. The film was premiered at documenta 12.

Som, an ordinary young woman who works as a movie make-up artist. Her longtime live-in boyfriend Rang is also in the business. But the handsome musclebound prop guy – always wearing tight, biceps-baring vest T-shirts – captures many adoring eyes, like that slutty actress, but also his straight-acting gay boss and just about anyone else with a pulse.

Maggie Cooper thinks it would be really cool if her son Lloyd were gay. So cool, in fact, that she outs him to the entire school.

Anita and her children, Santa and Kristaps, live in an apartment in Riga. Every year, they celebrate New Year’s Eve with grandma, uncle Peter and a feast fit for kings…

Probably the first Indian film directed by a woman. It was a big-budget fantasy abounding with special effects set in a Parastan or fairyland.

Cocaine has always gotten a bad rap, and for a reason. It is a drug used by the rich and the poor legally and illegally, Mexican cartels fought over it with Colombia once associated with the brutal cocaine wars, and a source of tension between the American and Mexican borders on the people who are illicitly bringing in cocaine from one side of the border to another and will do anything to do it. So it can be surprising at times to the viewer throughout the course of the documentary special, that it was never always like this.

An idealistic FBI agent is enlisted by a government task force to aid in the escalating war against drugs at the border area between the U.S. and Mexico.

Khush means ecstatic pleasure in Urdu. For South Asian lesbians and gay men in Britain, North America, and India, the term captures the blissful intricacies of being queer and of color. Inspiring testimonies bridge geographical differences to locate shared experiences of isolation and exoticization but also the unremitting joys and solidarity of being khush.

Sang-sook is a competent politician who captivates the public with all kinds of nice words. One day, Sang-sook visits her grandmother who lives in the isolated house. But when she returns home, she finds out that she is not able to lie anymore.