Sum 41: Introduction to Destruction

Tells the story of punk in the GDR.

King Corn is a fun and crusading journey into the digestive tract of our fast food nation where one ultra-industrial, pesticide-laden, heavily-subsidized commodity dominates the food pyramid from top to bottom – corn. Fueled by curiosity and a dash of naiveté, two college buddies return to their ancestral home of Greene, Iowa to figure out how a modest kernel conquered America. With the help of some real farmers, oodles of fertilizer and government aide, and some genetically modified seeds, the friends manage to grow one acre of corn. Along the way, they unlock the hilarious absurdities and scary but hidden truths about America’s modern food system in this engrossing and eye-opening documentary.

Indie rock icons the Archers of Loaf reunited in 2011, and during the course of their reunion tour played two legendary concerts at Cat’s Cradle in Chapel Hill, NC. Combining in-your-face concert footage along with rare interviews of the band, this film by director Gorman Bechard documents those concerts, and captures the excitement and explosive energy of what its like to see this extraordinary band perform live.

A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."

In 2012 two members of anarchistic female band Pussy Riot were sentenced to two years in a Mordovian labor camp for "hooliganism motivated by religious hatred". Russian film collective Gogol’s Wives follow each step of the feminist punk band’s battle against Putin including their first disruptive performances on a trolley bus, shooting a video about transparent elections, a controversial performance in a Red Square cathedral, and footage shot in a jail cell. Support comes from many corners including Madonna who painted the words "Pussy Riot" on her back and wore a balaclava during her Moscow show. The documentary portrays the grim state of present-day Russia, a country starkly divided between conservatism and anarchy. Pussy Riot believes that art has to be free and they're willing to take it to extremes. "Pussycat made a mess in the house," they say, and the house is Russia. The filmmakers do not seek to moralize, they simply edit events and leave viewers to draw their own conclusions.

Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.

A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.

Set in Varanasi, an ancient city of India, Tana Bana offers a rare look at the hidden world of Moslem weavers and Hindu traders and how their lives are interwoven through the production of the silk and the beauty it creates. However, as the technology advances, the trade is threatened by computerization and globalization.

No sick days. Mandatory diets. Boob jobs. Endless rehearsals. It's what showgirls do for love-and a steady job-in the Las Vegas spotlight. 'A Chorus Line' meets 'Real Sex' in this sexy yet poignant documentary that follows the mounting of a new all-female musical revue in Las Vegas-from auditions through opening night-over the course of ten pressure-packed weeks.

Legendary Canadian glamour-punk band "Teenage Head" is determined to enter the limelight once again some 40 years after causing the notorious punk rock riots during the summer of 1980 in Toronto. But first they need to save the band's founding member from a debilitating depression.

Gender Me is a road movie about Mansour’s voyage into the world of Islam. It is a personal odyssey through a world of taboos, filled with contradictory images. He explores questions regarding faith and gender in Islam with a special focus on the unusual stories of Muslim gays. Mansour is a homosexual Iranian refugee who has been living in Oslo for the past 18 years where he works as a pharmacist. Now he wants to travel back to Istanbul, where he lived for two years before he was granted asylum in Norway.