Aiden 2024 - Movies (Nov 30th)
A Good Enough Day 2024 - Movies (Nov 30th)
Bringing Christmas Home 2023 - Movies (Nov 30th)
Never Let Go 2024 - Movies (Nov 30th)
Music Box Yacht Rock A DOCKumentary 2024 - Movies (Nov 30th)
Joker Folie à Deux 2024 - Movies (Nov 30th)
The Rev 2023 - Movies (Nov 30th)
Malum 2023 - Movies (Nov 30th)
Home Kills 2023 - Movies (Nov 30th)
Deck the Walls 2024 - Movies (Nov 30th)
A 90s Christmas 2024 - Movies (Nov 30th)
Heightened 2023 - Movies (Oct 2nd)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
Knox Goes Away 2023 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Secret Lives of Orangutans 2024 - Movies (Nov 29th)
Christmas Wreaths and Ribbons 2024 - Movies (Nov 29th)
Defoe 2024 - Movies (Nov 29th)
Porch Pirates 2024 - Movies (Nov 29th)
Made In Mumbles - (Dec 1st)
Michael McIntyres The Wheel - (Dec 1st)
Match of the Day - (Nov 30th)
Legends of Comedy with Lenny Henry - (Nov 30th)
Strictly Come Dancing- It Takes Two - (Nov 30th)
The Chase - (Nov 30th)
A Bite to Eat with Alice - (Nov 30th)
Alex Witt Reports - (Nov 30th)
Lucky - (Nov 30th)
WWE NXT- Level Up - (Nov 30th)
The Late Late Show - (Nov 30th)
Motorway- Hell On The Highway - (Nov 30th)
A History Of Royal Scandals - (Nov 30th)
Football Focus - (Nov 30th)
Saturday Kitchen Live - (Nov 30th)
Gutfeld - (Nov 30th)
Hannity - (Nov 30th)
Jesse Watters Primetime - (Nov 30th)
Special Report with Bret Baier - (Nov 30th)
Life After Lockup - (Nov 30th)
Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.
A stylized version of Vijay Tendulkar’s radical Marathi play chronicling the Peshwa regime in western India, a collective effort of direction and cinematography made by an independent group of young filmmakers.
Zubeidaa, an aspiring Muslim actress, marries a Hindu prince to become his second wife. Her tumultuous relationship with her husband, and her inner demons lead her to a decision which has fatal consequences for them all.
Bare Transit follows the journey of a 23-year-old yoga teacher, Mia, who has travelled back to India from the UK to seek resolution and forgiveness. The film is the debut feature from Irish poet and photographer, O.P. Durkin, and is the first release from creative collective Nodrum. The film was shot in 2019–20 commencing in north India in the mountain town of Minali and continues on a journey in an ancient bus, through the Indian continent to south Goa. The film uses a mixture of professional and amateur actors and crew and was in itself a journey of discovery for all involved. Filming finished just a few weeks before the world and the nature of human interaction changed with the global reaction to the COVID-19 virus. The musical soundtrack comes from the shamanic binaural beats of MEYA.
After moving from Calcutta to New York, members of the Ganguli family maintain a delicate balancing act between honoring the traditions of their native India and blending into American culture. Although parents Ashoke and Ashima are proud of the sacrifices they make to give their children opportunities, their son Gogol strives to forge his own identity without forgetting his heritage.
A young taxi driver who is a happy man encounters lots of different stories through his daily life. One day, he is driving a young American woman and he enters an unusual and protracted adventure which he should follow to the end. The American woman has lost the address she is going to refer and it is almost impossible to reach her relatives. The young driver believes that he should help the woman until she finds her relatives and this issue causes many problems between him and his fiancee. He also has other problems regarding the American woman and his unusual friend.
Four ordinary women, inflicted by silly societal norms, have to steal, lie, cheat and hide in order to lead the lives that they rightfully deserve.
Vicente Ferrer traveled to India in his youth as a member of a Jesuit mission. Years later, he returns to the Asian country in the company of a group of collaborators to develop his humanitarian work. Agustín Crespi directs this biographical film that takes place in India and reviews the last 30 years of the Spanish aid worker and his struggle to help the most disadvantaged . Vicente Ferrer was a figure admired for his humility, his perseverance and his dedication to others, work that was recognized with prestigious awards as the Prince of Asturias de la Concordia. Manuel Arias takes on the challenge of embodying the former curator of Barcelona, a man whose complex idiosyncrasies try to reveal this work. A personality impossible to understand completely without the figure of Anna Ferrer, played by Aída Folch. Folch incarnates the English girl who fell in love with the worker, given in body and soul, from the age of 21, to the cause of her future husband.
Ali and Zuhal take their first step out of the orphanage into this big world committing a crime. It becomes impossible for them to live amongst people now, and the forest they take shelter in becomes a desert island for them. A boy and a girl that were thrown out of the civilized world would live the entire human story from scratch.
An aspiring actor succumbs to pressure from his father and takes up the role of lawyer.