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**_Realistic Western about an Aging Cowboy's Last Chance at Love & Family_** Charlton Heston stars as loner Will Penny, an aging cowboy who takes a winter job riding line on a vast ranch. He runs afoul of a family of psychotic rawhiders while discovering love and a sense of family for the first time in his nigh fifty years of life. "Will Penny" (1967) gives the viewer a good peek at what it must have been like to be a cowboy out West in the late 1800s. Needless to say, the lifestyle is anything but glamorous. Most everything works great here: locations, cast, story, writing, etc. With three exceptions: The score is boring & dated. In the 60s there were numerous great Western scores that stood the test of time ("Duel at Diablo," "Bandolero!," "The Good, the Bad and the Ugly," "MacKenna's Gold" and "The Magnificent Seven," to name a few), but the score to "Penny" is a badly-aged dud. Yet it DOES fit the film's theme. Also, the villains are somewhat contrived. Donald Pleasence is impressive as the over-the-top psycho patriarch of the rawhiding family and Bruce Dern is always reliable as a villain, but -- I don't know -- this whole side plot just seems tacked on to supply action and menace to a story that might have been better without it. The heart of the story is Penny's discovery of love & family. It's implied in the story that he was an orphan as a child and simply fell into the loner cowboy lifestyle to survive. He has never known true love or had a real sense of family. Before meeting Joan Hackett's character, his experiences with women were limited to shallow hook-ups with prostitutes. Penny learns he has a knack for fatherhood and likes it. The boy clearly looks up to him and loves him. It's almost as if God sees Penny's noble character through all the grime and gruff cowboy exterior and throws him a pot of gold in the form of the love of Catherine and her boy. Will he take advantage of this opportunity of happiness and fulfillment, despite the risks? Will he even recognize it as an opportunity? Unfortunately, the ending leaves a sour taste. So I detract points for the pizazz-less score, the forced villain subplot and the ending. Otherwise this is a worthwhile Western, similar to "Monte Walsh" with Lee Marvin and Jack Palance that debuted a few years later. The film runs 1 Hour, 50 minutes, and was shot in Bishop & Inyo County, California. GRADE: B
Will Kane, the sheriff of a small town in New Mexico, learns a notorious outlaw he put in jail has been freed, and will be arriving on the noon train. Knowing the outlaw and his gang are coming to kill him, Kane is determined to stand his ground, so he attempts to gather a posse from among the local townspeople.
Western, featuring Rin Tin Tin Jr., about a man trying to find an old friend in a town that is trying to deceive him.
A sweeping epic that explores the lives of two young men, a ranch hand and a rodeo cowboy, who meet in the summer of 1963 and unexpectedly forge a lifelong connection. The complications, joys and heartbreak they experience provide a testament to the endurance and power of love.
The lives of a young couple intertwine with a much older man as he reflects back on a lost love while he's trapped in an automobile crash.
While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.
Marnie is a thief, a liar, and a cheat. When her new boss, Mark Rutland, catches on to her routine kleptomania, she finds herself being blackmailed.
The mother of a severely traumatized daughter enlists the aid of a unique horse trainer to help the girl's equally injured horse.
An aging group of outlaws look for one last big score as the "traditional" American West is disappearing around them.
Brash businessman Hideki (Arata Iura) convinces his Tokyo bosses he can turn a profitless Montana cattle ranch into a premiere-performing asset. However, when his Japanese Wagyu-beef expert fails him, Hideki is poised to fail unless he identifies a missing element that's key to the transformation: himself.
A man must decide whether or not to show mercy or shoot the man that killed his brother...