Dias Melhores Virão

In a spoof on the contemporary sacred cons, two yuppy couples get entangled with warring smugglers of dope that include fake priests and nuns as well as Japanese and Chinese agents.

Shortly after the Royal Family adopts a young girl named Alise, she is taken away into the forest. Princess Odette, Derek and their woodland friends, must work together to find a way to bring her home to the castle.

Young Count Georg Wolkersheim is sent to the Congress of Vienna to represent the interests of his country, Reuss-Schleiz-Greiz. Tensions arise between the count, his wife Melanie, and their two chamberlains, and when the four attend a court ball, Melanie leaves Georg, assumes the identity of a famous actress, and attracts the affections of Crown Prince Ludwig of Bavaria.

Students at the Davis School of the Theatre are assigned "Antigone" as their class play, but they conspire to do a swing musical instead.

Donald Hardwick (Dick Powell) is a stuffed-shirt, classical music professor. His family and small-town music college that he works are of equal mindset. When Don visits his black-sheep aunt in New York in order to find a buyer for his Rhapsody he is exposed to her shocking swing music crowd. His life begins to make dramatic changes after drinking a "lemonade" that turns out to be a Hurricane.

The story of five girls and one epic night. The girls will find love, lust, girl-fights, rock and roll, and a whole lot of stoned sorority girls.

Step back into the imaginative and frankly terrifying world of Becky & Joe with Don’t Hug Me I’m Scared. In this episode: Some things change over Time.

Ripley is now an ordained minister and owner of the Chapel of Love. He's on a search for the prize that will bring him untold riches - the Jules Rimet trophy. But when glamorous Kitty De-Luxe is jilted at his altar, Ripley falls hopelessly in love.

Visionary artist Matthew Barney returns to cinema with this 3-part epic, a radical reinvention of Norman Mailer’s novel Ancient Evenings. In collaboration with composer Jonathan Bepler, Barney combines traditional modes of narrative cinema with filmed elements of performance, sculpture, and opera, reconstructing Mailer’s hypersexual story of Egyptian gods and the seven stages of reincarnation, alongside the rise and fall of the American car industry.

On an island buffeted by storms, the seamen are confined with no desire to abandon the life by the sea. They spend days and nights drunk in the tavern. The young woman who serves them has one desire: to go far away. This sets the stage for a musical in the open, and will frame a story of love and adventure, reminiscent of the director's film Aoom.

Two vaudevillians on the run from crooks try to pass themselves off as cowboys.