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**A long form review originally posted in 2011:** Dubbed as a “re-quel”, _The Incredible Hulk_ was first released in 2008, and now, I’m here to review it in the line of Marvel films I’m getting through a the moment. I always like to think of films individually, but with the Marvel Cinematic Universe getting so big, that can be rather difficult to do. So though I may comment on films in relation to their sequels, remakes, prequels, spin-offs, parodies and the like, know that my final score out of ten is always based purely on the films merits, or lack thereof. It’s pretty crazy seeing Edward Norton (_American History X, Fight Club, Red Dragon, Kingdom of Heaven, Pride and Glory, Stone_) as a very scrawny Bruce Banner, considering that he turns into the giant, muscular Hulk. But to me it totally worked. As an interesting side-note, Norton co-wrote the script, which may or may not have contributed to his being ousted as Banner for any future films after the movie was released. Not because the script is particularly awful or anything, but because as a general rule production doesn’t like actors getting all up in "dey grillz" half way through. Although it’s not like Norton’s never done this sort of thing before. Under-appreciated Tim Roth (_Reservoir Dogs, Pulp Fiction, Planet of the Apes, Lie to Me, Rob Roy_) is also excellent (as far as I’m concerned) playing the role of Abomination/Emil Blonsky. Interesting side-note, no, he’s not related to Eli Roth, who’s also a friend and actor of Quentin Tarantino and his films. Ultimately, _The Incredible Hulk_ is a fine film, but it just can’t stand up to the superior writing and character building of Thor, Iron Man or Iron Man 2. Liv Tyler (_The Strangers, The Lord of the Rings Trilogy, Armageddon_) is rather a non-event as supposed love interest Betty Ross. And William Hurt (_Robin Hood, A History of Violence, The Village, A.I.: Artificial Intelligence, Dark City_) as semi-antagonist General Thunderbolt Ross, is nothing but annoying (although it is pretty cool to see just how much they got him looking like the comic book character he is based on. You would’ve thought that having a modern day Dr. Jekyll and Mr. Hyde story to run with, backing from the success of the franchise you’ve got supporting you, that it would be easy to write strong characters, unfortunately, it’s not the case. And while the action sequences are cool, and the fighting is possibly some of the best that Marvel’s come up with, it’s not enough to bring this film up to the standards of the other 3. The film lacks the flair I’m sure everyone would be expecting, and while it’s a perfectly good monster-movie movie, perhaps a completely separate Super Hero origin story would have been better than the overly-CGI-ridden quasi-sequel to 2003’s _The Hulk_ that we ended up with. 66% _-Gimly_
It's an improvement on the Ang Lee film only in the sense that the smashy smashy bits are more entertaining than the previous film's thinky thinky bits. But the fact that the entire film is just one long extended fight scene is disappointing to us who enjoy the darker, more emotional beats of the Hulk's story. I enjoy this movie quite a bit as a well put together piece of fluff entertainment, but I hold no delusions that even Marvel Studios couldn't get the definitive version of Hulk on screen.
Much more enjoyable than the 2003 film, which this 2008 release reboots. So that's a positive. As for a follow-up in the MCU, it's a little underwhelming if still passably good - at least to me. 'The Incredible Hulk' is closer to being forgettable than it is to being memorable, but that's not to say I didn't have a solid time watching. It's only really the ending that I felt dragged, yet even then it still has positive moments. I liked Edward Norton's performance for the most part, particularly early on in South America. Tim Roth is good too, though a few of his scenes irritated me slightly - perhaps more to do with how the film uses him, rather than what Roth does himself. There are a few others, but those two are the most standout. I did expect more, but there's enough there that I rate.
So the "Gamma Bomb" has done it's stuff and "Banner" (Edward Norton) has got to find some way to control his newly found, bodice-ripping powers - there must have been quite a bit of lycra in his trousers! Anyway, desperate for a cure and on the run from army general "Ross" (William Hurt) he alights on that man's daughter - and his ex-girlfriend - "Betty" (Liv Tyler) to help him sort himself out. "Ross" isn't the giving up easily type, though, and he engages the help of British killing machine "Blonsky" (Tim Roth). Tired of coming off second best in their battles, this man decides that he too must find a way to mutate - setting up the prospect of a battle royal between the two powerhouses of brute strength and terrible skin conditions. It's watchable, this, but I always found the "Hulk" stories amongst the most boring from amongst the comic characters. Norton enters into the spirit of things well enough, as does the always reliable Roth, but neither William Hurt nor the terribly sterile Tyler really add any richness to this otherwise procedural fantasy. The visual effects are efficient, the pyrotechnics likewise but the sum of these parts just doesn't really add up to much of an whole as it concludes in the only way it can. A triumph for the make-up department, certainly, but not really much else.
Everything was green and no one had a character.
The inhabitants of the British Isles have lost their battle against the onslaught of disease, as the deadly rage virus has killed every citizen there. Six months later, a group of Americans dare to set foot on the Isles, convinced the danger has passed. But it soon becomes all too clear that the scourge continues to live, waiting to pounce on its next victims.
New York detective John McClane is back and kicking bad-guy butt in the third installment of this action-packed series, which finds him teaming with civilian Zeus Carver to prevent the loss of innocent lives. McClane thought he'd seen it all, until a genius named Simon engages McClane, his new "partner" - and his beloved city - in a deadly game that demands their concentration.
One year after his heroics in Los Angeles, John McClane is an off-duty cop who is the wrong guy in the wrong place at the wrong time. On a snowy Christmas Eve, as he waits for his wife's plane to land at Washington Dulles International Airport, terrorists take over the air traffic control system in a plot to free a South American army general and drug smuggler being flown into the US to face drug charges. It's now up to McClane to take on the terrorists, while coping with an inept airport police chief, an uncooperative anti-terrorist squad, and the life of his wife and everyone else trapped in planes circling overhead.
Angela Bennett is a freelance computer systems analyst who tracks down software viruses. At night she hooks up to the internet and chats to others 'surfing the net'. While de-bugging a new high-tech game for a cyber friend, she comes across a top secret program and becomes the target of a mysterious organization who will stop at nothing to erase her identity and her existence, in order to protect the project.
Despite trying to keep his swashbuckling to a minimum, a threat to California's pending statehood causes the adventure-loving Don Alejandro de la Vega and his wife, Elena, to take action.
After seeking to live a normal life, Logan sets out to avenge the death of his girlfriend by undergoing the mutant Weapon X program and becoming Wolverine.
Doc McCoy is put in prison because his partners chickened out and flew off without him after exchanging a prisoner with a lot of money. Doc knows Jack Benyon, a rich "business"-man, is up to something big, so he tells his wife (Carol McCoy) to tell him that he's for sale if Benyon can get him out of prison. Benyon pulls some strings and Doc McCoy is released again. Unfortunately he has to cooperate with the same person that got him to prison.
Led by a strange dream, scientist Aki Ross struggles to collect the eight spirits in the hope of creating a force powerful enough to protect the planet. With the aid of the Deep Eyes Squadron and her mentor, Dr. Sid, Aki must save the Earth from its darkest hate and unleash the spirits within.
Hoping to alter the events of the past, a 19th century inventor instead travels 800,000 years into the future, where he finds mankind divided into two warring races.
In order to save an assassinated scientist, a submarine and its crew are shrunk to microscopic size and injected into his bloodstream.