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**A long form review originally posted in 2011:** Dubbed as a “re-quel”, _The Incredible Hulk_ was first released in 2008, and now, I’m here to review it in the line of Marvel films I’m getting through a the moment. I always like to think of films individually, but with the Marvel Cinematic Universe getting so big, that can be rather difficult to do. So though I may comment on films in relation to their sequels, remakes, prequels, spin-offs, parodies and the like, know that my final score out of ten is always based purely on the films merits, or lack thereof. It’s pretty crazy seeing Edward Norton (_American History X, Fight Club, Red Dragon, Kingdom of Heaven, Pride and Glory, Stone_) as a very scrawny Bruce Banner, considering that he turns into the giant, muscular Hulk. But to me it totally worked. As an interesting side-note, Norton co-wrote the script, which may or may not have contributed to his being ousted as Banner for any future films after the movie was released. Not because the script is particularly awful or anything, but because as a general rule production doesn’t like actors getting all up in "dey grillz" half way through. Although it’s not like Norton’s never done this sort of thing before. Under-appreciated Tim Roth (_Reservoir Dogs, Pulp Fiction, Planet of the Apes, Lie to Me, Rob Roy_) is also excellent (as far as I’m concerned) playing the role of Abomination/Emil Blonsky. Interesting side-note, no, he’s not related to Eli Roth, who’s also a friend and actor of Quentin Tarantino and his films. Ultimately, _The Incredible Hulk_ is a fine film, but it just can’t stand up to the superior writing and character building of Thor, Iron Man or Iron Man 2. Liv Tyler (_The Strangers, The Lord of the Rings Trilogy, Armageddon_) is rather a non-event as supposed love interest Betty Ross. And William Hurt (_Robin Hood, A History of Violence, The Village, A.I.: Artificial Intelligence, Dark City_) as semi-antagonist General Thunderbolt Ross, is nothing but annoying (although it is pretty cool to see just how much they got him looking like the comic book character he is based on. You would’ve thought that having a modern day Dr. Jekyll and Mr. Hyde story to run with, backing from the success of the franchise you’ve got supporting you, that it would be easy to write strong characters, unfortunately, it’s not the case. And while the action sequences are cool, and the fighting is possibly some of the best that Marvel’s come up with, it’s not enough to bring this film up to the standards of the other 3. The film lacks the flair I’m sure everyone would be expecting, and while it’s a perfectly good monster-movie movie, perhaps a completely separate Super Hero origin story would have been better than the overly-CGI-ridden quasi-sequel to 2003’s _The Hulk_ that we ended up with. 66% _-Gimly_
It's an improvement on the Ang Lee film only in the sense that the smashy smashy bits are more entertaining than the previous film's thinky thinky bits. But the fact that the entire film is just one long extended fight scene is disappointing to us who enjoy the darker, more emotional beats of the Hulk's story. I enjoy this movie quite a bit as a well put together piece of fluff entertainment, but I hold no delusions that even Marvel Studios couldn't get the definitive version of Hulk on screen.
Much more enjoyable than the 2003 film, which this 2008 release reboots. So that's a positive. As for a follow-up in the MCU, it's a little underwhelming if still passably good - at least to me. 'The Incredible Hulk' is closer to being forgettable than it is to being memorable, but that's not to say I didn't have a solid time watching. It's only really the ending that I felt dragged, yet even then it still has positive moments. I liked Edward Norton's performance for the most part, particularly early on in South America. Tim Roth is good too, though a few of his scenes irritated me slightly - perhaps more to do with how the film uses him, rather than what Roth does himself. There are a few others, but those two are the most standout. I did expect more, but there's enough there that I rate.
So the "Gamma Bomb" has done it's stuff and "Banner" (Edward Norton) has got to find some way to control his newly found, bodice-ripping powers - there must have been quite a bit of lycra in his trousers! Anyway, desperate for a cure and on the run from army general "Ross" (William Hurt) he alights on that man's daughter - and his ex-girlfriend - "Betty" (Liv Tyler) to help him sort himself out. "Ross" isn't the giving up easily type, though, and he engages the help of British killing machine "Blonsky" (Tim Roth). Tired of coming off second best in their battles, this man decides that he too must find a way to mutate - setting up the prospect of a battle royal between the two powerhouses of brute strength and terrible skin conditions. It's watchable, this, but I always found the "Hulk" stories amongst the most boring from amongst the comic characters. Norton enters into the spirit of things well enough, as does the always reliable Roth, but neither William Hurt nor the terribly sterile Tyler really add any richness to this otherwise procedural fantasy. The visual effects are efficient, the pyrotechnics likewise but the sum of these parts just doesn't really add up to much of an whole as it concludes in the only way it can. A triumph for the make-up department, certainly, but not really much else.
Everything was green and no one had a character.
After earth is taken over by an army of robots, the small number of humans left are forced into hiding. In the nuclear winter, only droids walk the face of the earth, in fear of the rumored human resurgence, and in search of a hidden cache of weapons. One robot, his evil circuits destroyed, enters a small town where a robot civil war is taking place.
When a group of astronomers calculate a star is on a course to slam into Earth, a few days before, it's accompanying planet will first pass close enough to the Earth to cause havoc on land and sea. They set about building a rocket so a few selected individuals can escape to the planet.
In the year 2074, the cybernetics market is dominated by two rival companies: USA's Pinwheel Robotics and Japan's Kobayashi Electronics. Cyborgs are commonplace, used for anything from soldiers to prostitutes. Casella Reese is a prototype cyborg developed for corporate espionage and assassination. She is filled with a liquid explosive called Glass Shadow. Pinwheel plans to eliminate the entire Kobayashi board of directors by using Casella
After ex-con Jimmy and his girlfriend are brutally murdered by a biker gang, he is resurrected by the power of The Crow to avenge their deaths and reunite with her in the afterlife.
Everyone's favorite lazy, lasagna loving, Monday hating orange tabby leaves his exciting star of a popular comic strip world for the real one. But as the novelty wears thin, Garfield begins looking for a way back before his strip is permanently cancelled.
After a battle with Dr. Animo in a power plant, Ben notices something strange is happening with the Omnitrix but doesn't tell anyone. Tetrax arrives and tells them the Omnitrix is broadcasting a self-destruct signal. Tetrax and Ben go to find the creator of the Omnitrix to fix it before it destroys itself and the universe along with it. Gwen stows away to help her cousin.
As the Joker visits Metropolis with a plan to kill Superman for Lex Luthor, Batman pursues the clown to Superman's turf.
An elite superhuman agent must stop a foreign military unit from seizing control of an ancient artifact that holds the key to ultimate power.
A folklore professor becomes unwittingly possessed by the ancient Japanese demons of Thunder and Lightning. But when The Bureau of Paranormal Research & Defense dispatches a team of agents to investigate, a cursed samurai sword sends Hellboy to a supernatural dimension of ghosts, monsters, and feudal mayhem. Now while pyrokinetic Liz Sherman and fishboy Abe Sapien battle one very pissed-off dragon, a lost and cranky Hellboy must find his way home.
The Joker is back with a vengeance, and Neo-Gotham's Dark Knight, Terry McGinnis, needs answers as he stands alone to face the old Gotham's most infamous Clown Prince of Crime.