Years to Come

Bugs takes a wrong turn off the Hollywood freeway and tunnels into the headquarters of Napoleon Bonaparte.

Crusoe, played by Yosemite Sam, has been living off coconuts for 20 years when Bugs washes up on his island.

This is a story about love.

The Roses, Barbara and Oliver, live happily as a married couple. Then she starts to wonder what life would be like without Oliver, and likes what she sees. Both want to stay in the house, and so they begin a campaign to force each other to leave. In the middle of the fighting is D'Amato, the divorce lawyer. He gets to see how far both will go to get rid of the other, and boy do they go far.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Cindy is allowed to leave the Women’s Mental Ostopital to spend the weekend with her husband Alex. Back home, it seems that her state hasn’t improved. She still sees men spying on her everywhere in the kitchen. Men with cameras ! There’s even one in the freezer!

A short film about not being able to choose what to wear on a night out.

Sky and Linda meet on vacation and become engaged. When Sky introduces Linda to his best friend, Jeff, Linda and Jeff fall in love and marry. But Jeff's work puts a strain on the marriage and a divorce is planned. Sky uses an experimental memory loss drug to make Linda and Jeff forget their rough times (and the fact that they were married) and they fall in love all over again.

Four strangers meet in a mysterious home. There for different reasons, they slowly begin to realize something is terribly wrong with their host… and their chef.

The Extraordinary Child applies his developing style to broad slapstick. His friends from the previous films and the director himself play out a riotous farce about an overgrown baby who steals his father’s cigars. Everyone mugs hilariously. The movie could be taken as another example of the Romantic notion of the artist as a monstrous child or misfit, or a parody of the same rather than the personal confessional statement seen so often in these film movements.