Vulgar 2024 - Movies (Dec 22nd)
Bad Tidings 2024 - Movies (Dec 22nd)
Buffalo Kids 2024 - Movies (Dec 22nd)
Nothing Even Matters 2024 - Movies (Dec 21st)
Katy Perry Night of a Lifetime 2024 - Movies (Dec 21st)
Happy Howlidays 2024 - Movies (Dec 21st)
Megalopolis 2024 - Movies (Dec 21st)
The Holiday Club 2024 - Movies (Dec 21st)
Diabolik - Who Are You 2024 - Movies (Dec 21st)
Stalked 2024 - Movies (Dec 21st)
Cold Road 2023 - Movies (Dec 21st)
Battle for Disclosure 2024 - Movies (Dec 21st)
The Big Dog 2023 - Movies (Dec 21st)
In a Violent Nature 2024 - Movies (Dec 21st)
Heightened 2023 - Movies (Oct 2nd)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
Knox Goes Away 2023 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Order 2024 - Movies (Dec 20th)
Krempoli - A Place For Wild Children - (Dec 22nd)
The Kelly Clarkson Show - (Dec 22nd)
The Chocolate Queen - (Dec 22nd)
Miss Scarlet and the Duke - (Dec 22nd)
Invincible Fight Girl - (Dec 22nd)
Mysteries Unearthed with Danny Trejo - (Dec 22nd)
Masters Of Taste - (Dec 22nd)
The UnBelievable with Dan Aykroyd - (Dec 22nd)
48 Hours - (Dec 22nd)
All Elite Wrestling- Collision - (Dec 22nd)
WWE Main Event - (Dec 22nd)
What If... - (Dec 22nd)
Lidias Kitchen - (Dec 22nd)
Accident, Suicide or Murder - (Dec 22nd)
Philly Homicide - (Dec 22nd)
On Patrol- Live - (Dec 22nd)
Saturday Kitchen Live - (Dec 22nd)
Michael McIntyres The Wheel - (Dec 22nd)
Earth Abides - (Dec 22nd)
Tyler Perrys Sistas - (Dec 22nd)
Apparently I saw this before (had a rating on my computer program) but didn't really remember much of it. A bit uneven between a serious drama with supernatural fantasy, but I had fun with these performances by Reeves and Pacino (forgot how normal he once looked) and never a bad thing with Charlize Theron and Connie Nielsen being there for the obvious reasons. Not great and could've cut some of the running time but still found it somewhat entertaining. **3.5/5**
OK, full disclosure, I have a thing for Al Pacino. I'll watch just about anything he's in and...if he screams and yells a monologue in it, if he delivers a diatribe of rage....yeah I get flashbacks to him screaming: "I'd take a flame thrower to this place" and roll my eyes back like a shark in a feeding frenzy. Oh, yeah, almost forgot, Keanu is in this one too...but for a good slice of the film he doesn't play the most savory of characters and, really, honestly, he just seems too nice to play a lawyer... ...but despite that he does a pretty good job of exhibiting the ego that has to come with the law profession...just not the vile evilness. So, I can't totally fault him for miscast as I could for Dracula. Jeffery Jones is in there too and due to recent revelations he totally fits the sleazy lawyer role. But yeah, 1997, the 90s had a way with films that was only really beaten by the 70s and The Devil's Advocate is one of those films that could really only be made in those two decades. Stand alone horror not intended as a franchise piece and one with a twist that asks you to think a little. No way that would be made today and that is a shame. I could tout its glory, but really, honestly, the movie could have stank and I wouldn't care thanks to Pacino screaming "I'm a fan of man!" It's worth the watch.
If it looks too good to be true, then it probably is... That's what "Kevin" (Keanu Reeves) must learn to appreciate after he is offered a dream job at a prestigious New York legal firm by "Milton" (Al Pacino). The potential wealth and the status of his new career path bring out the green-eyed monster in him and together with his reluctant wife "Mary-Ann" (Charlize Theron) they are soon living it up in their penthouse apartment with plenty of money but an increasingly dwindling amount of time together. She starts to cool on their arrangement and wants to return to Florida but pretty soon it's clear that "Kevin" is addicted - and not to her! Pacino is on good form here as it becomes clear just who his character is, and how adeptly he is pulling all the strings and manoeuvring his new charge into a position that might suggest that the clue is in the title! Now as a life-long lover of the baddie in films, I felt a bit let down by the ending. Faust it isn't - but, to be fair, it still goes as close as Hollywood will probably ever go in portraying a characterisation of the epitome of evil (and offering a wonderful critique on vanity being the downfall of mankind) that actually has a fighting chance of prevailing! Reeves is not the finest actor to grace our screens. Easy on the eye, certainly, but somehow he's just a bit too lightweight here. That might be because, however, Pacino is very much in his element and even though it can drag at times during the almost 2½ hour running time, it's a remarkably compelling ride that still holds up quite well.
John, a first-time filmmaker, finds himself in Lansing, Michigan to present his film at a local film festival. Vince, his high school friend who is now a volunteer fireman and small-time drug dealer, also visits the town to support John on his big day, or so it seems. After a raucous hello and much backslapping, it appears that there is an undercurrent of tension in the air.
From the 1960s to the 1980s, evangelist Jim Baker and his ambitious wife, Tammy Faye, rose from humble beginnings to build an empire based on big-time evangelical Christianity-only for the couple to fall from grace because of some all-too-human sins.
After years of failing to get pregnant, Frank's baby-crazed wife, Estelle, forces the issue by secretly putting them back on the adoption wait list. When Estelle receives a phone call about the possibility of an available child, Frank must suddenly decide whether he's committed to becoming a "Pop" or not.
Sam is a shy, mysterious and inconspicuous teenage girl, who falls in love with Troy, leader of an ultraviolent teenage gang, who does not feel physical pain, nor knows what love is. Together, against everyone and everything, they will face a series of obstacles trying to separate them, meanwhile figuring out what love and pain are. Debuting at Curtas, French filmmaker Elsa Rysto presents a love story mediated by ultraviolence, in a modern variation on the classic story of Bonnie and Clyde – or of the more contemporary Mickey and Mallory from “Natural Born Killers”. “Love Hurts” is a simple yet sensitive narrative about the so-called growing pains.
A college freshman involved in a fatal car crash discovers she may not have survived after all when she becomes caught between the worlds of the living and the dead.
Kate and her brutish boyfriend Big Al sell handguns on the streets of New York. She's smart, stylish, and self-confident, but all that leaves her when Al, in a jealous and self-indulgent rage, beats her. Three friends encourage her recovery: Vic, a woman who would like to be Kate's lover; Reilly, who runs with Al but also is attracted to Kate and repulsed by Al's violence; and, Liz, the counselor assigned to Kate from a battered-women's program. Vic and Reilly talk about killing Al, Liz gives pep talks; Kate remains frightened. Will Al's menace and Kate's dependency hold sway?
A sixteenth century love story about a marriage of alliance that gave birth to true love between a Mughal emperor and a Rajput princess.
My Master Satan is the shot on VHS horror/crime/dark humor anthology film by Denver auteur filmmaker Dakota Ray. My Master Satan features three interconnected tales revolving around serial killer/druggie Alister (Dakota Ray) & his equally demented serial killer friends Woody, Charlie, Bubba, Dealin' Dick & takes the viewer deep into a seedy underworld of crime, drugs and murder.
The story of August who loses his beloved sister Christina, a former porn star known as The Princess. He adopts Christina's five-year-old daughter Mia. Weighed down by grief and guilt, August breaks down and with Mia in tow, he embarks on a mission of vengeance to erase Christina's pornographic legacy.
Happily unattached, the sexually voracious Leila satisfies her desires with a host of rapidly changing bed partners, unconcerned about the emotional consequences. But that all changes when she meets an artist looking for a deeper commitment.
A college dropout gets a job as a broker for a suburban investment firm and is on the fast track to success—but the job might not be as legitimate as it sounds.