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Now I know this is going to sound kind of radical, but did it ever occur to you that it might make things easier if you told the truth occasionally? The Brasher Doubloon is directed by John Brahm and adapted to the screen by Dorothy Hannah and Leonard Praskins. It stars George Montgomery, Nancy Guild, Conrad Janis, Roy Roberts, Fritz Kortner and Florence Bates. Music is by David Buttolph and Alfred Newman and cinematography by Lloyd Ahern. Adapted from Raymond Chandler's novel "The High Window", plot has Montgomery as Private Investigator Philip Marlowe. Marlowe is hired to find a missing gold coin known as The Brasher Doubloon, but soon he finds himself in the middle of a blackmail and murder case that puts him in jeopardy. The lesser light of the Marlowe filmic adaptations, that should not however deter anyone from seeking this out. The novel has obviously been condensed down and simplified for ease of viewing, but it maintains the sharp dialogue touches so beloved by Marlowe's fans, whilst the characterisations are splendidly noir in substance. The look and feel is suitably atmospheric, where in Brahm's and Ahern's hands the mansion at the heart of the story is ominously photographed. Both men compliment each other, where one tilts the angles the other brings the shadow bars, these tech touches bring alive the key scenes in the story. Also nice to get some Los Angeles locations in the production, while the sound mix is a sneaky accompaniment as the wind features prominently throughout. Montgomery is just fine if you accept his more breezy portrayal of Marlowe, managing to be suave and sharp enough to deliver the killer lines for entertainment impact. Guild is lovely and does enough to bring out her character's troubled vulnerability. Bates grand-dame's it with suspicious glee, while Kortner is the stand out performer from the roll call of sinister baddies. Good solid entrant into the film noir pantheon, arguably stronger on visual terms than actual plot devices, but enjoyable either way. 6.5/10 Footnote: The High Window was previously adapted into Time to Kill (1942) and starred Lloyd Nolan and Heather Angel.
A documentary film investigating the 1928 murder of a Pennsylvania farmer and the allegations of witchcraft that shocked the nation.
Inspector Susikoski is inspecting the murder of an agronom in the countryside, during his summer holiday trip. He participates to the investigation of the case. The case seems to be clear, but there is much more than meets the eye.
Joe and Paul Fabrini are Wildcat, or independent, truck drivers who have their own small one-truck business. The Fabrini boys constantly battle distributors, rivals and loan collectors, while trying to make a success of their transport company.
Graham Young is a teenage misfit living in suburban London in the 1960s. He hates his stepmother but loves chemistry, and the two impulses unite in a wicked plot to slowly poison her. After she dies, he's found guilty and sent to a psychiatric hospital, where an idealistic doctor thinks he can be cured.
As the residents of sorority house Pi Kappa Sigma prepare for the festive season, a stranger begins a series of obscene phone calls with dubious intentions...
Recently paroled from prison, legendary burglar "Doc" Riedenschneider, with funding from Alonzo Emmerich, a crooked lawyer, gathers a small group of veteran criminals together in the Midwest for a big jewel heist.
When a congressional aide is killed, a Washington, D.C. journalist starts investigating the case involving the Representative, his old college friend.
Gabby, the waitress in an isolated Arizona diner, dreams of a bigger and better life. One day penniless intellectual Alan drifts into the joint and the two strike up a rapport. Soon enough, notorious killer Duke Mantee takes the diner's inhabitants hostage. Surrounded by miles of desert, the patrons and staff are forced to sit tight with Mantee and his gang overnight.
A screenwriter with a violent temper is a murder suspect until his lovely neighbor clears him. However, she soon starts to have her doubts.
Cashier and part-time starving artist Christopher Cross is absolutely smitten with the beautiful Kitty March. Kitty plays along, but she's really only interested in Johnny, a two-bit crook. When Kitty and Johnny find out that art dealers are interested in Chris's work, they con him into letting Kitty take credit for the paintings. Cross allows it because he is in love with Kitty, but his love will only let her get away with so much.
