Во имя Бога

It is a supernatural melodrama of a woman's misfortune and suffering interwoven with the legend of the Pasig. The legend itself is inspired by the immortal kundiman of the director's brother, Nicanor Abelardo.

Nalai Namathe is about the man who struggles to raise the standards of the society he lives in. The film is based on the concept that government should make Rs. 500 crores the maximum limit for property that could be owned by anyone and should confiscate any excess, to be distributed to the poor and needy.

An ambitious artist is to present his magnum opus, a time controlling device, at a gala in his nemesis' museum. Getting him into the device is the perfect opportunity to exert revenge and create the ultimate art piece. Stakes rise when the artist's ex-wife volunteer to test the machine instead.

Located in the backwaters of a dam, Sita Parvata is an island slowly submerging due to the rains. The government succeeds in evacuating the residents by giving them compensation for the properties they own. The village temple priest Duggajja, his son Ganapa, and his daughter-in-law Nagi find it impossible to leave their homeland and make a living with the meager compensation given by the government. On the island, they are important people, but outside, they would be one among hundreds of families struggling to make a living. The film narrates the struggles of the family and how ultimately in the end they manage to continue life on the island.

Tatiana is a journalist with a routine life in all its aspects and a recently failed love relationship. Motivated by her best friend, she decides to make a stop and travel around Costa Rica to find herself and inner peace.

A revolutionary is sentenced to death for his anti-national activities. And so begins a battle of wits between the prison officer and his comrades, who try to rescues him with the help of the reluctant hangman who has been selected to deliver the punishment.

Amongst the mountains of Lesotho, an 80-year-old widow winds up her affairs and makes arrangements for her burial. But when her village is threatened with resettlement due to the construction of a reservoir, she finds a new will to live and ignites a spirit of resistance within her community.

Workers in a high-powered New York business office are stranded on the 50th floor when the power fails during the East Coast blackout of 1965.

Two opposing gangs. Two individuals from either side of the dispute. In Judas, watch as they come together and share a moment during a seemingly innocent game of basketball.

Zura, a son of a rich businessman, steals a car of his father’s friend to amuse his classmates. When informed about it, the school principal discards him from the bike tournament. Nevertheless, Zura’s father manages to persuade her to allow his son to participate and even succeeds in bribing his championship. Zura’s classmates know that he became a champion undeservedly but can’t do anything about it. Only Khatuna, his alleged girlfriend, and Lexo, Zura’s friend, dare to protest against it. Their lack of loyalty enrages Zura and in the rush of the blood he crashes his father’s car. The accident takes Laxo’s life. Zura’s father does his best to save his son from deserved punishment but the first one against his decision is Zura himself.

The first of four installments in the groundbreaking Heartbeat of the World anthology film series. Comprised of several short films by some of the world's most exciting directors, Words with Gods follows the theme of religion - specifically as it relates to an individual's relationship with his/her god or gods...or the lack thereof. In Words with Gods, each director recounts a narrative centered around human fragility, as well as environmental and cultural crises involving specific religions with which each has a personal relationship; including early Aboriginal Spirituality, Umbanda, Buddhism, the Abrahamic faiths, Hinduism, and Atheism. An animated sequence by Mexican animator Maribel Martinez is woven through each of the film segments, with each segment narratively connected as a feature-length film.