Mi querida señorita

A transgender woman takes an unexpected journey when she learns that she had a son, now a teenage runaway hustling on the streets of New York.

Invited by the conductor Premil Petrovic to stage Arnold Schoenberg’s Pierrot Lunaire, a musical theater work from 1912 based on the poems of Albert Giraud, LaBruce transposed a strange and tragic episode of true crime onto the composition. Complementing the original atonal score is a narrative about a trans man who is outed by his girlfriend’s father and forbidden from seeing the young woman again. Crestfallen, the protagonist decides to prove the fact of his manhood by castrating a taxi driver and then revealing his newly transplanted member to the two of them. This story, which for LaBruce “serves as a kind of allegory for all gender radicals and outcasts driven to extremes by the disapproval and hostility of the dominant order,” is rendered in a visual style that nods to the era of Schoenberg’s melodrama. LaBruce cheekily appropriates the formal vocabulary of silent cinema with black-and-white photography, irises, and intertitles like “A cock, a cock, my kingdom for a cock!”

A splendid doctor arrives in a small village: all the males compete to undergo repeated examinations in order to get to know the beautiful woman better. The mayor of the village, taking advantage of the beautiful "bait", would like to teach a lesson to the playboy Gustavo, who some time ago had caught all the husbands of the village.

Wealthy Olga Arbant, with the help of her submissive husband Paul, enjoys kinky scenarios to help with the writing of her novels, as well as controlling everything and everyone. Impoverished Patrizia, who is a virgin, has agreed to do whatever Olga demands for one month. After being subjected to various humiliations, Patrizia frustrates Olga by developing a mind of her own.

Ari can’t satisfy his wife Sara. He crashes his speedboat into a cliff and winds up in Switzerland for rehabilitation in what may or may not have been a suicide attempt. Alex, commissioned to paint Sara’s portrait by Ari, becomes Sara’s house guest and sex partner in Ari’s absence. Teresa, Ari’s secretary and ex-lover, is jealous of Sara’s relationship with Alex and schemes to break them up.

A young transgender man explores his gender identity and searches for love in rural Nebraska.

Elvira Weishaupt, once a burly working-class butcher, has made an enormous sacrifice for love. She has undergone a sex change for a romantic interest who has abandoned her, and she now must struggle to reconcile her past life with her present identity.

Just when Lola, 18 years old and transgender, learns that she can finally have surgery, her mother, who is her only financial support, passes away. Abiding by her mother’s last wishes, Lola and her father, who are permanently in conflict and have not seen each other for two years, undertake a journey all the way to the Belgian coast. They realize the outcome of the journey may not be the one they were both expecting...

When the Pfeffermans face a life-changing loss, they begin a journey hilarious and melancholy, brazen and bold. As they face this new transition, they confront grief and come together to celebrate connection, joy, and transformation.

When his mother dies, Zino decides to look for his father, Farid. But twenty-five years ago, Farid became Lola.

Not long after moving into her own place, Maggie finds herself with two unsolicited roommates: her recently divorced mother, Lila, and her young brother. The timing is especially bad, considering Maggie has fallen hard for an attractive woman, Kim, only hours before they move in. What could be a nonissue becomes increasingly complicated - since Maggie's family is unaware of her sexual orientation, and Maggie is not open to sharing that information.