Sister Stella L.

A death row inmate turns for spiritual guidance to a local nun in the days leading up to his scheduled execution for the murders of a young couple.

Lola receives a phone call from her boyfriend Manni. He lost 100,000 DM in a subway train that belongs to a very bad guy. She has 20 minutes to raise this amount and meet Manni. Otherwise, he will rob a store to get the money. Three different alternatives may happen depending on some minor event along Lola's run.

Gene works for the local underworld syndicate but always treats his abductees with kindness. He begins a dangerous affair with ex-bar girl Dolor, who's routinely beaten by her rich husband. When the cops move in on Gene's gang and Dolor's husband winds up dead, the couple flees with the law and their enemies in hot pursuit.

When asked for her real name, the feisty woman in a rural whorehouse would quip, "Ligaya. It means joy. And that's what I sell." Yet the small-town prostitute is not resigned that she would be in the flesh trade forever. She still harbors the dream of getting out of the job someday. She saves money and fancies that someone would come and marry her as if she were clean and never been a whore. That becomes almost a reality when a hardworking farmer enters her life. Under some problematic circumstances, her chances get blown away-but not exactly of her sole doing.

A self-made farmer and rice mill owner who faces a rebellion by his two sons when he installs his young mistress as the new woman of the house immediately after the death of his wife. Complicating matters further is the fact that the older son is already living with his common-law wife in the same house.

The film is very, very loosely based on the life of Arturo Porcuna (Jeorge Estregan). Once upon a time, he was known as Boy Anino, notorious leader of the Bahala Na gang. But rival gangster Tony Razon (John Estrada) attacked him in his home, leaving his entire gang and his family dead in the ruins. But Porcuna survived, and now he returns under a new alias, Boy Golden, and he seeks revenge against those that did him wrong. Along the way, he meets Marla D (KC Concepcion), a dancer who also has a bone to pick with Razon. Together, the two carry out a dangerous plan to take on Manila’s toughest gangsters.

Lando is married to Lorna. He took on the huge responsibility of taking care of his widowed aunt Trixia and her two children, the youngest being a moron. Because of his obligations to his aunt's family, his relationship with his wife Lorna has not been as happy and ideal as they would have liked. Aside from being needy and dependent on Lando, Trixia has been very close to Lando, a fact that is very much seen by Lorna. A deep dark secret will be eventually revealed to Lorna: that Lando and Trixia is involved romantically and that Trixia's youngest child is Lando's. In the end, Lorna will be slowly relieved of the thorns that has been weighing down on her chest.

Allan and Mia meet in the most unexpected way. They eventually become close, causing their romance to blossom. Faced with huge decisions in life, the two find it hard to fight for their love for each other.

This is a story of adolescent boys and girls and their early experiences in life and love. How they took life's realities and learned its lessons.

With his funeral parlor about to go out of business and his wife leaving him for good, Lance has become greatly exasperated. He vents all his anger and frustration to his only son, Lester. With no one to turn to, Lester finds comfort in the company of the corpses in the morgue.

Dr. John Carpenter takes the job of running a health center in a low-income district. He enlists three women to help out who — unbeknownst to him — are actually nuns in street clothes. The church wants to improve the neighborhood but fears that nuns in full habit would not be well received. Unaware of her unavailability, John falls for Sister Michelle, serenading her with his guitar — which, luckily for him, effectively wears away at her religious resolve.