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MSNBC Reports Andrea Mitchell Reports - (Sep 13th)
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Morality and cynicism not quite the bedfellows Wilder intended? Wilder's response to his previous film Kiss Me Stupid's criticism was intended to be a bitter attack on American morality, yet many critics of the time felt Wilder chickened out by sweetening the finale. If he actualy did this is obviously down to each individual viewer to decide, but in my case I just feel that it comes together nicely to finish off a very funny and sharp Wilder film. Camerman Harry Henkle is working the sidelines filming a Browns/Vikings game when he is flattened by running back Boom Boom Jackson and taken to hospital. His crafty chiseller brother-in-law Willie sees an opportunity to make big money by suing all and sundry for negligence, that Harry is actually OK is a minor inconvenience. This sets us up to watch the dynamic duo of Walter Matthau (Willie) & Jack Lemmon (Harry) try and fake major injury to garner a big pay out. Naturally there are many problems along the way as Harry fights with his moral fibre and a burning torch for his ex wife Sandy. While convincing the doctors and insurance people that he is actually injured is not going to be easy, thus it makes for some truly funny sequences. As you would expect from Wilder & I.A.L Diamond, the script sizzles with wit and cynicism (perfect material here for Matthau who won the best supporting Oscar), and although the running plot strand of Boom Boom Jackson's guilt and subsequent career jolt does dampen the film down a touch, it's still a winner that can be pleasantly sampled from time to time. 8/10
When a riot breaks out in Milwaukee, America's most segregated city, medical transport driver Vic is torn between his promise to get a group of elderly Russians to a funeral and his desire to help Tracy, a young black woman with ALS.
A brilliant but socially inept 14-year-old experiences heartbreak for the first time when his two best friends – Cappie, an older-brother figure, and Maggie, the new girl with whom he is in love – fall for each other.
An egotistical politician believes he can win votes by turning a small college's hapless football squad into a championship team.
Ruby Keeler teams with the Nelsons (of TV and radio fame) as the singer in Ozzie's band. The setting is a college campus which is suffering from monetary woes, but somehow Ozzie's band manages to attract enough attention to increase the enrollment and keep the school from having to shut down.
A "rockumentary", covering the rise to fame of MC Gusto, Stab Master Arson, and Dead Mike: members of the rap group "CB4". We soon learn that these three are not what they seem and don't appear to know as much about rap music as they claim... but a lack of musical ability in an artist never hurts sales, does it? You've just got to play the part of a rap star...
Martha Stephens and Aaron Katz's buddy comedy Land Ho! follows former brothers-in-law Mitch (Earl Lynn Nelson) and Colin (Paul Eenhoorn) as they travel through Iceland. The pair of 70-year-olds find themselves in need of an adventure to break out of their rut, and soon the extroverted Mitch has talked Colin into the trip. Along the way they have various amorous encounters, and attempt to recapture the spirit of their youth.
A sweeping multigenerational story set against the backdrop of the raw, roaring New York City of the late 1980s; adoption, teen pregnancy, drugs, hardcore punk rock, the unbridled optimism and reckless stupidity of the young—and old—are all major elements in this heart-aching tale of the son of diehard hippies and his strange odyssey through the extremes of late 20th century youth culture.
The staff of a Korean War field hospital use humor and hijinks to keep their sanity in the face of the horror of war. Preserved by the Academy Film Archive in partnership with Twentieth Century Fox Film Corporation in 2000.
Two physically handicapped youngsters make friends with a paralysed hitman and are commissioned by a local mafia boss. They have little to lose although things are never as they first appear. The boundaries between fantasy and reality blur as the unlikely heroes stumble from one close encounter to the next and we gain an unusual insight into their lives on the periphery of society.
The comic mishaps and adventures of a young boy named Ralph, trying to convince his parents, teachers, and Santa that a Red Ryder B.B. gun really is the perfect Christmas gift for the 1940s.
Lucas, a wealthy, 43 year-old divorced businessman, is irresistibly attracted to Elsa, a 38 year old renowned sculptor from whom he has commissioned a piece to decorate the reception at his office.