Arena Wars 2024 - Movies (Jul 5th)
AMP House Massacre 2024 - Movies (Jul 5th)
Ferrari 2023 - Movies (Jul 4th)
Sins of the Parents The Crumbley Trials 2024 - Movies (Jul 4th)
Striking with Pride United at the Coalface 2024 - Movies (Jul 4th)
A Quiet Place Day One 2024 - Movies (Jul 4th)
Civil War 2024 - Movies (Jul 4th)
The Boy and the Heron 2023 - Movies (Jul 4th)
Space Cadet 2024 - Movies (Jul 4th)
QUICKSAND 2023 - Movies (Jul 4th)
Control 2023 - Movies (Jul 4th)
X Trillion 2024 - Movies (Jul 3rd)
Xterminator and the AI Apocalypse 2023 - Movies (Jul 3rd)
Riddle of Fire 2024 - Movies (Jul 3rd)
Sierra Katow Funt 2024 - Movies (Jul 3rd)
Joan Baez I Am a Noise 2023 - Movies (Jul 3rd)
Beverly Hills Cop Axel F 2024 - Movies (Jul 3rd)
This Closeness 2023 - Movies (Jul 3rd)
Nyctophobia 2024 - Movies (Jul 2nd)
Babes 2024 - Movies (Jul 2nd)
Boneyard 2024 - Movies (Jul 2nd)
Tyler Perrys Sistas - (Jul 5th)
Power Book II- Ghost - (Jul 5th)
Groapa - (Jul 5th)
The Price Is Right - (Jul 5th)
Happy Campers- The Caravan Park - (Jul 5th)
The Last American Vagabond - (Jul 5th)
Deal or No Deal - (Jul 5th)
Love Island - (Jul 5th)
Trucking Heavy - (Jul 5th)
Susan Calmans Grand Day Out - (Jul 5th)
Taskmaster - (Jul 4th)
The Bold and the Beautiful - (Jul 4th)
The Young and the Restless - (Jul 4th)
The Beechgrove Garden - (Jul 4th)
MSNBC Reports Andrea Mitchell Reports - (Jul 4th)
Reginald the Vampire - (Jul 4th)
WWE Main Event - (Jul 4th)
Killer Cases - (Jul 4th)
Farming For Love - (Jul 4th)
Deadman’s Curse - (Jul 4th)
It's tough to kill someone who's not dependable. Murder by Contract is directed by Irving Lerner and written by Ben Simcoe. It stars Vince Edwards, Philip Pine, Michael Granger, Caprice Toriel and Herschel Bernardi. Music is by Perry Botkin and cinematography by Lucien Ballard. Claude (Edwards) one day decides he's had enough of being a regular Joe earning regular Joe wages. He decides to become a hit man, and after enacting a few clinical kills he works his way into the confidence of the mysterious Mr. Brink. This earns him a "big hit" in Los Angeles, where he is to snuff out the main witness in a big upcoming trial. All is going well until he finds out the target is a woman, so where once Claude was calm and assured, he now becomes irritable and irked... With the help of its appearance on the Columbia Pictures Film Noir Classics DVD set, and a certain Martin Scorsese proclaiming it as one of the biggest influences on his career, Murder by Contract is getting the exposure it so dearly deserves. An odd, even kooky type of noir flavoured picture, it's a film that is like many of the late 50s film noirs that don't have the classic noir look. It's light, airy and set predominantly on the salty sea climes of the West Coast of America. It's with the characters, or in this case mainly the central character, where many of these "lighter" shot 50s crime movies get their noir worth. And Murder by Contract is a beaut in that respect. He doesn't like guns! For two parts of the running time it's a film oozing a sense of cool. Claude proves to be a calm and methodical protagonist, his dialogue sparkles with intelligence and sophistication, he knows the world and his place within it. Words like existentialism and spare, the latter of which Scorsese uses a lot, are words bandied about frequently in conjunction with Lerner's (City of Fear) movie. Those words signify how much of a great job Lerner and Ballard did, where shot in 7 days with a minimal budget they have crafted a picture of unique quality, where maximum impact is garnered from such minimal space and sequences. Perry Botkin's score also aids the oddness on offer, predominantly electric guitar based, it's a fusion of The Third Man and Zorba the Greek, unsettling and at odds with a hit man based yarn, yet sneakily putting a sense of disquiet into the mix. I don't like pigs! It's with the last third where film really comes alive, both physically and psychologically. Once Claude gets to Los Angeles and hooks up with Mr. Brink's men, Marc (Pine) & George (Bernardi), who are babysitting him while he enacts the hit, things change drastically. Marc and George are in turn fascinated and irritated by Claude's calmness, tagging along as Claude takes in the sights, gets a bit of R&R and generally chills out. But then it's revealed that the target is a woman and Claude changes, he become unglued. He tells all that a woman is not dependable, he wants double the money or he's not doing it. It's then where we realise there's Freudian repressions lurking underneath the once icy calm exterior. We recall his outburst upon finding lipstick on a cup, his irritation at the party girl sent to his room for company, again lipstick an issue. There's emotional scars and these are further given a scrape during the finale as Claude desperately tries to finish the job, his repressions leading to classic film noir closure. A terrific little "B" noir, excellently constructed and acted, with dashes of uniqueness and sly characterisations. 8.5/10
A mad writer checks into a hotel. In the window of a opposite building he sees four men and starts to write their life story. Every man is an anonymous person who have done or experienced something irreversible in his life. They end up together to plan a heist.
Truck driver Mike Lambert is a down-and-out mining engineer searching for a job. When his rig breaks down in a small town, he happens upon a venomous seductress. When her boyfriend robs a bank, they intend to frame Lambert.
A single mistake puts a 19-year old girl behind bars, where she experiences the terrors and torments of women in prison.
In the midst of Nazi air raids, a postman dies on the operating table at a rural hospital. But was the death accidental?
Marc Hill is the attorney for Emmet Devrey, a real estate developer with a past, who is being blackmailed by his former partner Sam Baggett. When Sam's unfaithful wife Marge cooks up a scheme with her used car salesman lover Jeff Calder to bilk both Devrey and her alcoholic husband, Sam is killed and Devrey is accused of the crime. Mark is called to prove his employers innocence.
A man who spent his formative years in prison for murder is released, and struggles to adjust to the outside world and escape his lurid past. He gets involved with a cheap dancehall girl, and when her protector is accidentally killed, they go on the lam together, getting jobs as farm labourers. But some fellow workers get wise to them.
Steve Morgan kills a man in a holdup and hitches a ride to Los Angeles with Fergie. At a gas station, they pick up two women. Encountering a roadblock, Morgan takes over and persuades the party to spend the night at an unoccupied beach house. The police close in as one by one, the others learn that Morgan is a killer.
The "Tri-State" gang goes on a successful bank robbing streak causing local authorities to turn up the heat on the daring career criminals.
Newspaper reporter Michael Ward plunges into a nightmare of guilt, fearing that his "evidence" has sentenced the wrong man to death.
A drifter claims the money in an old bank account. Soon he finds himself the target of two men who turn out to be the sons of the man's old partner, who is now in prison because of a conflict with him over the money in that account.