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I believe Kenneth Branagh's Shakespeare based films are a great success. I don't mean that they got good reviews and made box office bank. For me, his **HENRY V** was the first time watching Shakespeare I was intrigued and, frankly followed the language and story. His **MUCH ADO ABOUT NOTHING** and his **HAMLET** reinforced my opinion. I even thought it possible that we would eventually see 37-ish Shakespeare stories enjoyed by modern audiences. While it may still happen, its unlikely to be completely under the directorial eye of Branagh. Maybe others felt this way, as a new company was formed - _THE SHAKESPEARE FILM company_. A production company under Branagh dedicated to Shakespeare productions. The company underperformed considerably with **LOVE'S LABOUR'S LOST** and was shuttered after the only slightly more promising follow-up... > **_AS YOU LIKE IT_** Duke Senior reigns over a happy community, until his jealous brother banishes the Duke and takes his throne by force. The story follows the banished king's daughter as she navigates her love for a young farmer while under the gaze of the disapproving uncle. This film has a high powered cast. There is another lyrical score by Patrick Doyle. The cinematography and production design are beautiful. Placing the story in Japan is intriguing. It has a lot going for it. Yet, it seems muddy and unclear. The first portion of the film confidently plants Shakespeare's story into a Shogun ruled Japan. Yet, the story seems to meander away from that until only the costuming suggests Japanese influence. Maybe relocating the story to this cultural environment was a meal not fully cooked. Bryce Dallas Howard carries the film as a smiling and intelligent Rosalind. The excellent Alfred Molina is the clown whose scenes contain the only humorous material. Much of Branagh's Shakespeare community fills in several roles including my favorite, Brian Blessed playing the empathetic banished king and his tyrannical usurping brother. Depressingly, the usually wonderful Kevin Kline gives a quiet and toothless performance of Jaques which renders him forgotten by the time the credits role. Similarly wasted is Adrian Lester. Branagh certainly knows how to make money look good on screen. His approach adapting the bard's work is not as strong or confident as his earliest efforts. Maybe this says more about the original source, but there are surprising things that have to reflect today's choices. Most obviously, why is the plays most popular _All the world's a stage_ quote is delivered over a soft focus pan of Jaques sitting in the blurred distance. It is lost and forgotten. **AS YOU LIKE IT** is leaps better than **LOVE'S LABOUR'S LOST**, but not enough to keep the new _Shakespeare Film Company_ alive. Other filmmakers have stepped up and are offering great modern takes on Shakespeare without twisting his language and story to unrecognizable propaganda. We may see the Shakespeare Cinematic Universe after all.
Young artist Kyoko wreaks havoc on everyone that she encounters when Japan's oldest major movie studio asks a batch of venerable filmmakers to revive its high-brow soft-core Roman Porno series.
In the summer of 1941, the United States and Japan seem on the brink of war after constant embargos and failed diplomacy come to no end. "Tora! Tora! Tora!", named after the code words use by the lead Japanese pilot to indicate they had surprised the Americans, covers the days leading up to the attack on Pearl Harbor, which plunged America into the Second World War.
Mannar Mathai Speaking 2 is malayalam comedy thriller film, directed by Mamas. It is a sequel to the 1995 cult comedy classic, Mannar Mathai Speaking and the third installment in the celebrated Ramji Rao franchise. Actors Mukesh, Saikumar, Innocent, Janardhanan reprise their roles; while Aparna Gopinath, Shammi Thilakan and a few others are also included in the cast
The erotic novelist Taeko is writing a morbid story of a family destroyed by incest, murder and abuse. Her assistant, Yuji, sets on a mission to uncover the reality of this story, but the reality might be too much to bear.
In between the original 1963 13 ASSASSINS film and the 2010 remake by Miike Takashi, Fuji TV produced a version for TV. Starring Nakadai Tatsuya and Natsuyagi Isao, with strong support from Tanba Tetsuro and Tanaka Ken, this is the ultimate tale of samurai justice carried out in a historical masterpiece. The shogun’s half-brother, Matsudaira Naritsugu has been slated to join the Roju Council of Elders as a senior adviser even though he is criminally insane. His outrageous acts cause one of his top retainers to commit ritual suicide in protest over his lord’s crimes. Alerted to these crimes, Roju Councilor Doi asks Inspector General Shmada Shinzaemon to assassinate Naritsugu before he can be seated on the council. Gathering a band of 13 (including himself), Shimada sets out on a death-defying journey to cut down the lord before he can reach Edo. Can a band of 13 samurai defeat the vile Naritsugu’s 200 man entourage and enact justice against his cruelty?
When the King of Navarre and his three courtiers forswear all pleasure - particularly of the female variety - in favour of a life of study, the arrival of the Princess of France and her ladies plays havoc with their intentions. Using every kind of verbal gymnastics to poke fun, Shakespeare's most intellectual comedy is brought to hilarious life in this highly entaining production, rich in visual humour and sexual innuendo.
The Tudor Court is locked in a power struggle between its nobles and the Machiavellian Cardinal Wolsey, the King's first minister and the country's most conspicuous symbol of Catholic power. Wolsey's ambition knows no bounds and when his chief ally, Queen Katherine, interferes in the King's romance with Ann Bullen, he brings ruin upon himself, the Queen and centuries of English obedience to Rome.
Thea Sharrock's irresistible 2009 production of Shakespeare's popular romantic comedy stirs wit, sentiment, intrigue and love into a charming confection which challenges the traditional rules of romance. At its heart, a feisty but feminine Rosalind (Naomi Frederick), in love with the endearingly naïve Orlando (Jack Laskey), uses her disguise as Ganymede to counsel him playfully in the art of wooing. Distraction is provided by Dominic Rowan, a remarkably funny Touchstone, and Tim McMullan, whose sonorous tones are perfectly suited to the lugubrious wit of Jaques. Filmed in High Definition and true surround sound.
Doctor Faustus is Christopher Marlowe's most renowned and controversial work. Famous for being the first dramatised version of the Faustus tale, the play depicts the sinister aftermath of Faustus's decision to sell his soul to the Devil's henchman in exchange for power and knowledge. In the first-ever staging of this menacing drama at the Globe Theatre, Matthew Dunster's production features Paul Hilton as the arrogant, power-hungry Faustus and Arthur Darvill as the sardonic Mephistopheles, and includes several impressive magical stunts along the way.
Unpolished and ultra-pragmatic industrialist Jean-Jacques Castella reluctantly attends Racine's tragedy "Berenice" in order to see his niece play a bit part. He is taken with the play's strangely familiar-looking leading lady Clara Devaux. During the course of the show, Castella soon remembers that he once hired and then promptly fired the actress as an English language tutor. He immediately goes out and signs up for language lessons. Thinking that he is nothing but an ill-tempered philistine with bad taste, Clara rejects him until Castella charms her off her feet.