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Blankety Blank - (Apr 27th)
Have I Got a Bit More News for You - (Apr 27th)
99 to Beat - (Apr 27th)
MobLand - (Apr 27th)
Godfather of Harlem - (Apr 27th)
Say Yes to the Dress- Atlanta - (Apr 27th)
Scotts Vacation House Rules - (Apr 27th)
The 1 Club - (Apr 27th)
The UnBelievable with Dan Aykroyd - (Apr 27th)
The Sunday Show with Jonathan Capehart - (Apr 27th)
Love Triangle - (Apr 27th)
The Last American Vagabond - (Apr 27th)
The Kelly Clarkson Show - (Apr 26th)
RV There Yet - (Apr 27th)
Match of the Day - (Apr 26th)
Britains Got Talent - (Apr 26th)
The Beat with Ari Melber - (Apr 26th)
Heels in the Hay - (Apr 26th)
Our Dream Farm with Matt Baker - (Apr 26th)
The Katie Phang Show - (Apr 26th)
Package Holiday Piffery. The 24th film in the Carry On series finds the cast partaking in a package holiday to Els Bels. Once arriving they find their hotel still under construction and nobody much likes the company they are in! This is actually one film that boasted the most regular Carry On cast members, something which carries the pic up above and through some choppy waters. Leaning heavily towards the more bawdy side of the franchise, it obviously couldn't appeal to everyone. This is the 1970s in Britain and it was becoming a place of decadent sexuality, which sees the makers earnest in their attempts to capture the zeitgeist of the time. Also one tends to think they had to be aware of the more openly sexual nature of some other comedy films of the era, thus they had to compete. This is great fun for series fans, an absolute ramshackle holiday experience, the very definition of a cheap deal that "WAS" too good to be true. The makers bombard us purposely with stereotypes - the Brits abroad crassness, the bad food and excessive drinking, the undersexed and the oversexed clientèle, bad weather, nudity, a raucous set to at a red light establishment, sexual stimulants and on it goes - no sand pebble is left unturned. Cast are great, reliable sorts with such cheeky material to work from. Peter Buterworth takes the leading honours as the hotel manager trying to convince everyone this hotel from hell is a paradise! and he is well supported by June Whitfield who makes of her more expansive ventures into the series. The double entendre's flow, the chaotic scenes stack up and the corn is well and truly laid on a plate. Suffice to say this is not about pathos or intelligent meanings! The finale is two-fold and great for fans, the drunken party on the last night at the hotel literally is crash bang and wallop, while the collective character closure at Sid and Joan's English bar has a warmness to it that fans can relate to. Charles Hawtrey, the legendary skeleton on legs, left the series here, playing an alcoholic rogue, the makers accepting his real life issues and incorporating it into his farewell performance for some poignant reflection. 7/10
So this time, our gang of double-entendre specialists head to the resort of "Elsbels" on the Costa somewhere for a long weekend. Of course the hotel isn't finished, and that's not the only thing that isn't. Though at times it is quite amusing, for the most part the script just plays to the talent and they are not really on best form. We are frequently left with some overly contrived stereotypes and a humour that is just a bit too coarse. Not that there isn't smut a-plenty in the others of this franchise, but that is usually a little more subtle. To be fair, it doesn't hang about - the gags come thick and fast, and are delivered by a well-oiled machine that knows exactly what it is doing. Sadly, though, it has aged badly and though I reckon the female characters fare slightly better than the men on the humour front, nobody here can say this is their finest work - not even the donkey.
While a diamond advocate attempts to steal a collection of diamonds, troubles arise when he realises he’s not the only one after the collection.
Eight very different couples deal with their love lives in various loosely interrelated tales all set during a frantic month before Christmas in London.
Captain Etienne Navarre is a man on whose shoulders lies a cruel curse. Punished for loving each other, Navarre must become a wolf by night whilst his lover, Lady Isabeau, takes the form of a hawk by day. Together, with the thief Philippe Gaston, they must try to overthrow the corrupt Bishop and in doing so break the spell.
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
A young French teenage girl after moving to a new city falls in love with a boy and is thinking of having sex with him because her girlfriends have already done it.
Arvid is an ordinary bank clerk who lives a rather unassuming life with his dear girlfriend. But his life is turned completely upside down when he bravely manages to avert a robbery against the bank where he works.
The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
The Baby Looney Tunes characters go on a search for the true meaning of Easter.
A film projectionist longs to be a detective, and puts his meagre skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch.
Mr. Bean wins a trip to Cannes where he unwittingly separates a young boy from his father and must help the two reunite. On the way he discovers France, bicycling and true love, among other things.
Childlike Englishman, Mr. Bean, is an incompetent watchman at the Royal National Gallery. After the museum's board of directors' attempt to have him fired is blocked by the chairman, who has taken a liking to Bean, they send him to Los Angeles to act as their ambassador for the unveiling of a historic painting to humiliate him. Fooled, Mr. Bean must now successfully unveil the painting or risk his and a hapless Los Angeles curator's termination.