浮生

A bureaucratic snafu sends Marco Tullio Sperelli, a portly, middle-aged northern Italian, to teach third grade in a poor town outside Naples

Imagine your life is somewhat complete with a house, job, and wife but then your best friend from college comes knocking at your door at 2 AM. During a pot-induced hedonistic party, a plan is hatched between the two friends to create an Art Film of “two really straight men having sex.” If they only knew how much this would affect all of their lives.

Michael and Joanna are a young and successful married couple who appear to have it all. But when Michael finds himself alone on a business trip with an attractive new colleague and Joanna encounters the other great love of her life, each is thrust into an evening of temptation.

Two bad women fight over one man in a back-stabbing, money-grabbing, insurance-hustling, double-dealing, two-timing caper.

Charles Chinaski is a guy with many problems and feels responsible for most of them: women, alcohol, his hostility towards certain groups of people. One day, he decides to consult the first doctor he comes across.

Two young Argentines, brought together by chance, wander the streets of New York City, increasingly lost in a maze of currency exchange, translation problems, religious vocation and nocturnal flirtation.

A woman returns to her home town to sort out her troubled marriage and finds new happiness in the rekindling of a broken friendship with her cousin.

Silvia’s father grants her permission to meet Dorante, the man she’s promised to in marriage, by pretending to be her servant Lisette, who in turn will play the role of her mistress.

A wealthy student with too much fashion sense, her equally rich friends, and her rival/superior from the school paper work together to solve the case when their teacher goes missing.

A widower and her daughter witness the retirement of a colleague of his and the closing of her department at her university.

The friendship between two children is threatened by their parents’ differences. Malú is from a family that was upper-class before the Revolution and remains well-to-do through remittances from relatives overseas, and her single mother (Larisa Vega Alamar) does not want her to play with Jorgito, as she thinks his background coarse and commonplace. Jorgito’s mother (Luisa María Jiménez Rodríguez),