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Great Continental Railway Journeys - (Mar 10th)
Australian Survivor - (Mar 10th)
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Scars of Beauty - (Mar 10th)
Tribunal Justice - (Mar 10th)
The Only Way Is Essex - (Mar 10th)
Recipes for Love and Murder - (Mar 10th)
American Idol - (Mar 10th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
Ice Ice Baby. After being rendered blind by a suicide bomber, one time war photographer Sara (Michelle Monaghan), finds love with Ryan (Andrew Walker). But one day her life is once again turned upside down when she is terrorised in her own home... Distinctly mundane thriller that harks back to other blind women under threat thrillers released previously. Penthouse North (the swanky place where Sara lives with Ryan) brings absolutely nothing new to the formula, not even - in fact - adding a twist or any sort of surprises. It's interesting to take on board the advancements in technology for the blind, though even this aspect is short changed in the run-of-the-mill plot. The villains are a couple of staple writing jobs, with Michael Keaton as Chad phoning it in, while the attempts to make Chad extra nasty are laughably lazy and irresponsible into the bargain. Monaghan's performance is commendable, she does enough to have you rooting for her whilst enjoying her resourcefulness, and the cinematography (Chris Seager) is most pleasing, both in colour lenses and glorious city scapes. But ultimately, one can forgive implausibilities in a thriller of this type, but not lazy unadventurousness that smacks of film making to fulfil a contract or even as a tax write off job. 4/10
Not only are blind people in the movies always drop-dead gorgeous (unless they’re evil or homeless), but their eyes always are, counterintuitively, their most outstanding feature. Like Sara Taylor (Michelle Monaghan), a photojournalist stationed in Afghanistan whom an explosion leaves permanently blind. Sara will later be described, unironically, as having a "very pretty face" and "soft green eyes;" so soft and green indeed that one wonders why she bothers wearing a pair of thick, dark sunglasses. Okay, so an IED blows up right in your face with enough force to deprive you of sight forever, yet leaves you otherwise unscarred. That dog won’t hunt, monsignor. Then again, this is the kind of movie wherein a cat is thrown over the titular penthouse balcony only to reappear right before the closing credits, alive and well at ground level. Granted, it could be any other black cat, in which case the occurrence would be plain random as opposed to unfathomably stupid.
A misguided museum guard who loses his job and then tries to get it back at gunpoint is thrown into the fierce world of ratings-driven TV gone mad.
The film tells about drug trafficking from Vietnam to Tokyo and Okinawa. Tetsuya Watari plays a photographer who uses his camera as a blackmail weapon. He is on the trail of a narcotics smuggler (Mikio Narita) and his beautiful contact (Haruko Wanibuchi). Watari meets a former gangster (Yujiro Ishihara) who is seeking revenge against Narita, his former partner. Watari and Ishihara become allies and hijack the dope shipment. But Narita threatens the life of Haruko, who turns out to be Ishihara's sister, and demands the dope in return for the girl.
Eddie Lomax is a drifter who has been in a suicidal funk since the death of his close friend Johnny. Riding his motorcycle into a small desert town where Johnny once lived, Lomax is confronted by a gang of toughs, who beat him and steal his bike. However, Lomax is not a man to take an injustice lying down, and soon he begins exacting a violent revenge on the men who stole his motorcycle, with local handyman Jubal Early lending a hand and several area ladies offering aid and comfort.
When an experienced thief accidentally makes off with a Van Gogh, his partner is kidnapped by gangsters in pursuit of the painting, forcing the criminal to hatch a rescue plan.
A Russian guitarist was enlisted in 1984 in the Afghan war. Imprisoned, he will meet an Afghan musician and a French journalist.
Irish Republican Army member Fergus forms an unexpected bond with Jody, a kidnapped British soldier in his custody, despite the warnings of fellow IRA members Jude and Maguire. Jody makes Fergus promise he'll visit his girlfriend, Dil, in London, and when Fergus flees to the city, he seeks her out. Hounded by his former IRA colleagues, he finds himself increasingly drawn to the enigmatic, and surprising, Dil.
An amnesiac schoolteacher sets out to recover her identity with the help of a private detective when they discover a dark conspiracy.
Christina Fisher arrives in Sardinia to spend a holiday with her university friend, Francesco. As they are touring the island, they are trapped by mountain terrorists. Francesco is kidnapped, but Christina is permitted to leave. She is determined to contact the police, but is persuaded not to by Francesco's best friend, Gambino. Together they try to find the kidnappers, but she becomes suspicious of everyone including Gambino. Confused and paranoid, she sets out alone to contact the police.
Country bumpkin Frank runs into a gangland shooting, driving the victims to the gang's headquarters. He soon earns a place in Erik's mob. Syndicate head Big John wishes to unite the four gangs in Chicago, but Erik defies them, wishing to remain independent. An assassination attempt forces him to reconsider, and his gang isn't impressed with what they take for his cowardice. This is the point that allows the ambitious Frank to muscle in on Erik's mob, and his moll, Lucie. Frank's first move is to hire outside pros, and shoot up a casino of Big John's, challenging the entire syndicate. Erik, meanwhile, harbors feelings of revenge.
Jordan finds herself trapped only with the mysterious instruction from the phone that leads her to shocking revelations as she tries to escape the new reality she finds herself in.