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With his mother seemingly on her deathbed, "Loretta" (Cher) agrees to marry the kindly but rather dull "Johnny" (Danny Aiello) only to find herself amidst a family grudge. He won't invite his brother "Ronny" (Nicolas Cage) to the wedding. She decides to put an end to this childishness and so goes to confront him. It seems he has a good reason for their falling out, but she's determined to reconcile them. He is quickly smitten with his soon to be in-law, and the most Italian of intricate courtships begins - thanks in part to Puccini's "La Boheme" at the Metropolitan Opera - that sees her become genuinely conflicted, much to the frustrated chagrin of her mother "Rose" (Olympia Dukakis). What now ensues is a gently comedic story of burgeoning love, family politics and fair degree of lust! Can they find a way out of their predicament without hurting poor "Johnny", or inducing an heart attack on her increasingly perplexed father "Cosmo" (Vincent Gardenia)? There's quite some chemistry between Cher and Cage as his charm and personality wears her down turning both into, quite literally, moonstruck calves! Norman Jewison allows his character actors to be just that, Dukakis is on great form and the writing is peppered with some, admittedly rather predicable, humour that offers a stylish and engaging romance that bubbles nicely like a good ragout. It's charmingly augmented by a bit of Dean Martin too!
Biography of Loretta Lynn, a country and western singer that came from poverty to fame.
On the surface it seems Jade has it all, including a successful marketing career, a heart surgeon husband who is admired and respected in the community, and a young daughter they both dote on. However, behind closed doors, her life is far from perfect.
A love story similar to Shakespeare's Romeo and Juliet taking place in the Egyptian Countryside.
A beautiful, wealthy widow leaves New York to find herself a husband in the Italian village in which she was born. After many tries she...chooses the village blacksmith.
These five award-winning coming of age short films offer a glimpse of how boys and young men tackle life's difficult desires: confronting one's demons, understanding sexual relationships, gaining the respect of one's father, or simply running away from it all. This is only the start of their complex formative years, where not every question has an answer, and not every answer makes sense. The short films are: Boys [Pojkarna] (2015); Ioana (2015); Kiem Holijanda (2017); Picnic [Piknik] (2015); Tomer & Elias [Tomer en Elias] (2016).
Brought back to life by an unorthodox scientist, a young woman runs off with a lawyer on a whirlwind adventure across the continents. Free from the prejudices of her times, she grows steadfast in her purpose to stand for equality and liberation.
A surreal short comedy about a lonely man whose first proper date in years is sabotaged by the unattainable love of his life, who proves to have as much control over his heart as she does over his route.
A fun roller coaster ride about three young people, Aju, Divya and Kuttan who are cousins, reach Bangalore to dream, discover & explore!
After his daughter persuades him to move into a new apartment, aged widower Fred strikes up a friendship with his eccentric 74-year-old neighbour Elsa, who convinces him it's never too late to keep enjoying life. Although he seemed resigned to a miserable bedridden existence, Fred embraces Elsa's youthful enthusiasm as she introduces him to the path of life and entertains him with outlandish stories about her past life. But when he discovers Elsa's terminally ill, Fred decides to accompany her on the trip of her dreams to the eternal city of Rome to help her fulfil a lifelong ambition.
Pollyanna’s Aunt Polly wants the girl to spend her time studying, but Pollyanna has other ideas. She joins a secret club with a group of orphans, and they spy on a mysterious new resident in town, only to learn that her standoffishness is because of her desire to shield a retarded son. Pollyanna helps the town accept the boy and his mother.
Eminent psychiatrist Dr. Brenner invites cartoonist Bill Harrison and his wife, Jack, to a banquet honoring war refugees. Bill volunteers to pick up fellow psychiatrist Dr. Baumler at the train station, but the man vanishes when he has Bill stop so he can use a pay phone. At the dinner, Bill and Jack are seated with Brenner's daughter, Freda, and, to Bill's surprise, another man is introduced as Baumler - who dies moments later.