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Tell Me How I Died - (Jul 27th)
All Elite Wrestling- Rampage - (Jul 27th)
On Patrol- Live - (Jul 27th)
Believe - (Jul 27th)
WWE NXT- Level Up - (Jul 27th)
Sesame Street - (Jul 27th)
Gardeners World - (Jul 27th)
Canadas Drag Race- Canada vs The World - (Jul 27th)
WWE SmackDown - (Jul 27th)
Alex Wagner Tonight - (Jul 27th)
The Last Word with Lawrence ODonnell - (Jul 27th)
All In with Chris Hayes - (Jul 27th)
The Kelly Clarkson Show - (Jul 27th)
Love Island - (Jul 27th)
Terror at 30000 Feet - (Jul 27th)
The Stand Up Sketch Show - (Jul 27th)
The Bold and the Beautiful - (Jul 27th)
The Young and the Restless - (Jul 27th)
The ReidOut - (Jul 27th)
Champions- Full Gallop - (Jul 27th)
***Taking a bypass from your dreams and finding your true calling*** A composer (Richard Dreyfuss) puts his lofty ambitions on hold to become a high school music teacher in Portland, Oregon, from 1965-1995. Glenne Headly plays his wife, Jay Thomas the coach, Olympia Dukakis the principal and William H. Macy the irritating vice principal. "Mr. Holland’s Opus" (1995) is a good school-oriented drama that’s episodic in nature since it spans 30 years. The first 40 minutes were decent, but I was wondering if the film would be able to absorb me into its story, especially considering its considerable length. It did, particularly the episodes concerning Terrence Howard (playing Louis Russ) and angelic Jean Louisa Kelly (Rowena). The movie’s kind of a meshing of “Dead Poets Society” (1989) crossed with “Forrest Gump” (1994), although not great like either of those flicks. But it’s a solid drama. A 19 year-old Alicia Witt is on hand as one of the students in the first act. The film runs 2 hours, 23 minutes and was shot in Portland, Oregon, and nearby Marylhurst. GRADE: B
**Another good film about an outstanding teacher marking the lives of his students... another one.** One of the things I like most about a film, in addition to telling a good story and positively entertaining us for an hour or two, is to reflect on different subjects and themes. This exercise of critical questioning, free and reachable to the public, much more attractive than a six-hundred-page book, is one of the most important qualities of cinema. And this film has lots of themes and topics worthy of our reflection. First, I should say that the film is very good! It is very forgotten today and deserves to be revisited. It is, I think, the best film of Stephen Herek, an average director, more focused on TV, actually. The merit of the film falls, largely, on the great quality of the script by Patrick Sheane Duncan, who created the story of a composer who becomes a music teacher at a high school to earn some income and ends up marking several generations of students, teaching them to love music while trying to protect and support their own son, who was born deaf. In addition to a deep and moving story, we have good actors working in a very committed way: Richard Dreyfuss may be an actor who is a little far from the spotlight, but he gives us an extraordinary performance in this film and was nominated for the Oscar (he lost to Nick Cage, who shone in “Leaving Las Vegas” in a more psychologically challenging role). Glenne Headly and a young Terrence Howard gave him welcome and very solid support. The film moves us with its story, highlighting the importance of music and the relevance of artistic education. In a society where, more and more, we are appreciated for the money we earn to our employers (or companies, or countries), the arts and human sciences (history and philosophy, for example) are underappreciated because they are considered to have very few professional opportunities and practical applicability. The situation could not be more unfair: the human sciences teach us to think, to have a critical conscience and a vast general culture, while the arts transmit us an aesthetic sense and a capacity for self-expression that, unlike writing, tends to be universally intelligible. It's a shame that human resources directors often turn out to be such obtuse people, with such short horizons. The film addresses deafness in an interesting way, showing us that even a deaf person can appreciate music and that deafness is no impediment to an active and happy life. The film has only two major problems: the first problem, and for me the most serious, is falling back on the older clichés about school films involving teachers, and all the impact they have. This was done, much more effectively, in “Dead Poets Society” and “Mona Lisa Smile”. At this point, the most essential of the plot, there is nothing original. The second problem is that unreasonable romantic tension between Holland and one of his young and seductive students. We all know that the relationship between a student and her teacher is one of the most appealing erotic fantasies among middle-aged men, and I can understand why they included that sub-plot, but it's beside the point and should never have been included in the final cut.
A window into the broken soul of Bruce, battling long-term depression and the culmination of events leading up to the tipping point of his bottled up shame, guilt, and self-destruction.
Lee, a soccer player who descends into depression when he goes blind, is encouraged to take up the game again by a maverick American and the inspiration of Leeds Utd legend, Billy Bremner.
A distraught man in coat and tie grips the guardrail at a remote cliff overlooking the Pacific. At a boys' high school in toney Rancho Palos Verdes, Mr. Radford teaches classics. His best student is the earnest Andrew. Late one evening, Andrew stops by Mr. Radford's office; Andrew's been the only student to do well on a recent exam. They chat, and something happens that brings a sleepless night to Mr. Radford. The next day, Andrew misses Mr. Radford's class, and after, Mr. Radford is aghast to see Andrew and Andrew's father waiting outside the principal's office. What's the teacher's fear, and what will he do about it?
A comedy about the communication gap between a country club dad and his artist son. Freddie is 15 and doesn't like that a copy machine is closer to his dad than he is, Mr. Deansman runs a tight ship and no skate-punk son of his is going to stop him from doing his job...maybe?
Renowned Photographer Chris Floyd captured the tumultuous life of the iconic band The Verve from the inside, as they toured as relative unknowns on their first American tour, all the way through to their farewell tour in 1997 at the very top of their game. Using previously unseen photographs, self shot video from the band and interviews, this is an intimate look at an important moment in popular culture. Chris candidly talks about the relationship he had with the band and reveals incredible insight into his process, as well as explaining his views on the meaning of the relationship between photographer and subject and what can happen when that professional line becomes blurred.
A high school football coach struggles with the fallout after one of his players dies onfield during practice.
No one expects much from Christy Brown, a boy with cerebral palsy born into a working-class Irish family. Though Christy is a spastic quadriplegic and essentially paralyzed, a miraculous event occurs when, at the age of 5, he demonstrates control of his left foot by using chalk to scrawl a word on the floor. With the help of his steely mother — and no shortage of grit and determination — Christy overcomes his infirmity to become a painter, poet and author.
Marcus Payne (Salman Sheikh) has only one aspiration: to become Student Body president. As such, he's gone to great lengths to ensure that he's a leg up on his entire competition- outspending them on various campaign materials, and even going insofar as to hire his own campaign manager Scott (Jordan Noriega). In his mind, it seems as though his victory is all but assured - that is, until the most popular girl in school- Skylar Morgan (Sara Thiboult) enters the race. With his victory suddenly far from assured, Marcus decides to take matters into his own hands and force Skylar from the competition by any means necessary. After a few unsuccessful attempts at persuading Skylar to leave the race- he enlists the help of an intrepid journalist for the school newspaper (Bailey Cooper) to leak damning misinformation regarding Skylar's personal life. This in turn causes a chaotic spiral of controversy and conspiracy that might do more than determine the victor for the Student Body election."
Former Marine Louanne Johnson lands a gig teaching in a pilot program for bright but underachieving teens at a notorious inner-city high school. After having a terrible first day, she decides she must throw decorum to the wind. When Johnson returns to the classroom, she does so armed with a no-nonsense attitude informed by her military training and a fearless determination to better the lives of her students - no matter what the cost.
“Counterpoint” is a story about a former violin player who, due to an accident, is now in a wheelchair and unable to play. In order to help someone much weaker than himself, he has to take a huge step and conquer his inner fears.
Pig heads, intestines, megaphones: all these and more have been thrown into crowds of loyal fans following the influential punk band THE STALIN or any of number of Michiro Endo's other bands since 1980. Taking a step in front of the camera, however, Endo offers a very different kind of encounter in this inspiring self-portrait. "Mother, I've Pretty Much Forgotten Your Face" follows the artist, a native of Nihonmatsu, Fukushima, on the 2011 nationwide solo tour celebrating his 60th birthday, which was interrupted by the Great East Japan Earthquake. Traveling, performing and talking with fellow musicians and activists, Endo reflects on the past and future of Fukushima, the legacy of Hiroshima, his upbringing and his feelings about his mother, communicated in the song from which the documentary is named.