Between Borders 2025 - Movies (Apr 1st)
Shiver Me Timbers 2025 - Movies (Apr 1st)
October 8 2025 - Movies (Apr 1st)
The Last Supper 2025 - Movies (Apr 1st)
The Actor 2025 - Movies (Apr 1st)
Black Bag 2025 - Movies (Apr 1st)
Opus 2025 - Movies (Apr 1st)
A Working Man 2025 - Movies (Mar 31st)
Mufasa The Lion King 2024 - Movies (Mar 31st)
The Killer Is Calling 2025 - Movies (Mar 31st)
Hearts Around the Table Sharis Second Act 2025 - Movies (Mar 31st)
Mickey 17 2025 - Movies (Mar 30th)
Ransom 79 2024 - Movies (Mar 30th)
Punt The Irish and The NFL 2025 - Movies (Mar 30th)
The Break-Up Club 2024 - Movies (Mar 30th)
Bright Sky 2025 - Movies (Mar 30th)
King of the Apocalypse 2025 - Movies (Mar 29th)
Art Attack The Dissection of Terrifier 3 2025 - Movies (Mar 29th)
Sound of Hope The Story of Possum Trot 2024 - Movies (Mar 29th)
Better Man 2024 - Movies (Mar 29th)
Jason Byrne - The Ironic Bionic Man 2024 - Movies (Mar 29th)
Deadline- White House - (Apr 1st)
QI - (Apr 1st)
The Future of Nature - (Apr 1st)
Our Welsh Chapel Dream - (Apr 1st)
The Bailiffs - (Apr 1st)
Piers Morgan Uncensored - (Apr 1st)
Katy Tur Reports - (Apr 1st)
Chris Jansing Reports - (Apr 1st)
Tipping Point - (Apr 1st)
The Cruise - (Apr 1st)
Escape to the Country - (Apr 1st)
Air Crash Investigation- Special Report - (Apr 1st)
American Idol - (Apr 1st)
Son of a Critch - (Apr 1st)
The Tommy Tiernan Show - (Apr 1st)
The Divorce Insurance - (Apr 1st)
Homes Under the Hammer - (Apr 1st)
The Chase Australia - (Apr 1st)
After Midnight - (Apr 1st)
Sam Pang Tonight - (Apr 1st)
Spike Lee is an unfortunate instance of a very talented filmmaker who's obvious talent in craftsmanship doesn't come across in contemporary mainstream cinema because of issues having nothing to do with cinema itself. I realize that in becoming great at anything in one's life, other things have to suffer, and with him it seems, at least to me, that for everything he has undoubtedly accomplished in the filmic realm, it's created a type of 'idiot savant' (it's simply an existing term--I certainly don't mean it pejoratively)--that is, in social skills, at least pertaining to self-marketing, or getting across one's persona in the field, he is lacking--and it negatively impacts his cinema. And that's a dirty rotten shame, because this was a fine film. He and his excellent approach to cinema remind me of the Heisenberg principle and make me: a) wish Lee could find more happiness in his life, so that he can come across better, and thus have his personality not negatively influence cinephiles like me; and b) wonder, like in 'A Beautiful Mind', if he was happier and more pleasant, if it would negatively impact his filmmaking? Philosophical questions such as this tend to keep me up at night, unless I have some red wine, milk or chamomile tea to wear me out and soothe me. 'Clockers' worked for me. Keitel was really on a roll when he worked in this, with 'Bad Lieutenant', 'Reservoir Dogs', 'Pulp Fiction' and 'Smoke' all around this time. It was certainly a great vintage for him, and a fine time to sample his acting.
This is a criminally underrated gem, a urban movie about drug dealers that feels nothin like your typical gangsta movie, it doesn't have constant rap playing the whole way through, but a poignant classical soundtrack from Blanchard, Albeit still great 90's hip hop in it. The emotion and color of the sets are tangible. I wouldn't really call this a Spike Lee joint, because Scorsese produced it, it has a much more professional and serious feel than Spikes previous corny work. The 90's Brooklyn hip hop street reality feel is there but this film hits a much deeper note in the soul, skip the mainstream trailer, it might be the reason this failed in the mainstream, when it sours with true underground heads.
Thought this movie would've been better. Pretty boring not much action or anything to keep you interested.
The New York club scene of the 80s and 90s was a world like no other. Into this candy-colored, mirror ball playground stepped Michael Alig, a wannabe from nowhere special. Under the watchful eye of veteran club kid James St. James, Alig quickly rose to the top... and there was no place to go but down.
A corrupt CIA agent Sands hires hitman El Mariachi to assassinate a Mexican general hired by a drug kingpin attempting a coup d'état of the President of Mexico.
Cab driver Max picks up a man who offers him $600 to drive him around. But the promise of easy money sours when Max realizes his fare is an assassin.
Former P.O.W. Jack Calgrove moves Heaven and Earth to be reunited with his children following the Civil War. After returning home, Jack discovers that his wife has tragically died and his children, presumed to be orphans, are heading deep into the West on a train crossing enemy lines, with the intent of being placed into new homes. Calgrove and another soldier team up with a troop of Native American sharpshooters and a freed slave as they try to stop the train.
The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
The lives of Calcutta's most powerful gangsters - Bikram and Bala, changes when Nandita enters it. Then a counter-force takes charge and a thriller unfolds.
Women enter and exit a science fiction author's life over the course of a few years after the author loses the woman he considers his one true love.
Having met on a train, a smooth-talking psychotic socialite shares his theory on how two complete strangers can get away with murder to an amateur tennis player — a theory he plans to test out.
A middle-class family goes into a crisis after the father’s death. After mourning their father, the family now realizes that life is not easy, especially when they discover what their father real job was.
A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.
Real estate company employee Komachi and steelworks heir Kodama are both train aficionados. Their hobby proves useful for their burgeoning careers, but their romantic fortunes do not go as smoothly. Will the awkward Kodama and the indecisive Komachi find the loves of their lives?